Communism, Consumerism, and Gender in Early Cold War Film: The Case of Ninotchka and Russkii vopros

Aspasia ◽  
2014 ◽  
Vol 8 (1) ◽  
Author(s):  
Rhiannon Dowling
Keyword(s):  
Cold War ◽  
Film Studies ◽  
2007 ◽  
Vol 11 (1) ◽  
pp. 37-48
Author(s):  
Merrill Schleier

The Big Clocks skyscraper is a mechanical, entrapping grid controlled by a huge timepiece. It is presided over by the homosexual Janoth who tries to frame Stroud for a murder that he committed. This article traces Stroud‘s journey within the International Style skyscrapers temporarily ‘queered spaces.’ The Cold War film seeks the removal of undesirable ‘aliens’ to liberate capitalist space and reassert hegemonic heterosexuality. The married Stroud outsmarts his adversaries, leading to Janoth‘s death by his own building. After Janoth is symbolically ‘outed,’ he kills his partner before plummeting down a hellish elevator shaft, punishment for his ‘perverse’ deeds.


2018 ◽  
Author(s):  
◽  
Rachel (Rachel Lindsey) Grant

"Mary Church Terrell, Black female journalist and civil rights activist, stood in front of the United Nations board in Lake Success, New York, on Sept. 21, 1949, to present a brief on Rosa Lee Ingram. Ingram and her two sons had been sentenced in 1948 to life in prison after they were accused of murdering John Stratford, their white neighbor who attacked Ingram after her livestock ventured onto his Georgia property. As a mother of 14 children, Ingram believed she acted in self-defense, but the Southern justice of an all-white jury convicted her. In front of an audience of 75 people, Terrell stated: "Under similar circumstances it is inconceivable that such an unjust sentence would have been imposed upon a white woman and her sons." She went further in noting the role that both race and gender played in the Ingram case." -- Introduction


Author(s):  
Alan McPherson

From 1800 to the present, US troops have intervened thousands of times in Latin America and have occupied its countries on dozens of occasions. Interventions were short-term and superficial, while occupations lasted longer and controlled local governments. The causes of these troop landings reflected the United States’ motivations as it expanded from a strong, large republic into first a continental and then an overseas empire at the expense of its smaller, weaker neighbors. Those motivations included colonial land hunger, cultural chauvinism, the exploitation of resources, the search for markets abroad, competition against other great powers, political reformism, global ideological struggle, and the perception that US domestic problems originated in Latin America. US troops undertook almost all these interventions and occupations, although private groups sometimes joined. The major periods were the expansion of the continental republic from 1811 to 1897, the war in Cuba and the apex of occupations (1898–1933), the Good Neighbor years (1934–1953), the Cold War (1954–1990), and the post-Cold War period (1991–2018 and ongoing). Scholars of these events have become increasingly critical and diverse, not only seeing them often as unnecessary brutal failures but also foregrounding extra-military aspects of these episodes, such as economics, race, and gender.


Author(s):  
Kathaleen Boche

This chapter examines dance and gender issues in western musical films in the United States during the Cold War. It explains that most musical films during this period focused on iconic figures of American identity, especially the cowboy and the frontiersman. The chapter utilizes Victor Turner’s theory of social drama to illuminate the ways that musicals functioned within the context of the Cold War. It reviews some of the most popular works, includingAnnie Get Your Gun, Calamity Jane, andSeven Brides for Seven Brothers.This chapter suggests that western musical films reinforced the dominant patriarchal social values regarding gender and family and that the expression of improvisational ingenuity reinforced the gender dichotomy.


Author(s):  
Karen Hagemann ◽  
Sonya O. Rose

The chapter focuses on the development from the Global Cold War and anticolonial struggle to the global conflicts of the post–Cold War period. It first provides an overview of the complex features of a period that starts in the immediate aftermath of the Second World War with the challenges of the aftermath of the conflict and a post war reordering of economies, societies and national and international politics, and continues with the rise of the Global Cold War and the spread of the Wars of Decolonization in Asia and Africa that led to the decline of European empires. Then it explores the consequences of the collapse of communism, the end of the Global Cold War, and the proliferation of Wars of Globalization along with new forms of humanitarianism and peacekeeping. In the last section, it discusses the research by gender scholars from different disciplines on the Global Cold War and the Wars of Globalization and their attempts to rewrite mainstream narratives.


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