"Quello che non so di lei" (di Roman Polanski, Francia, 2017)

IPNOSI ◽  
2018 ◽  
pp. 57-60
Author(s):  
Antonio Piro ◽  
Luca Bidogia
Keyword(s):  
Roman Polanski

: Repulsion . Roman Polanski, Michael Klinger, Tony Tenser.

1966 ◽  
Vol 19 (3) ◽  
pp. 44-45
Author(s):  
Albert Johnson
Keyword(s):  
Roman Polanski

: King Lear . Peter Brook. ; Macbeth . Roman Polanski.

1972 ◽  
Vol 25 (3) ◽  
pp. 41-48
Author(s):  
William Johnson
Keyword(s):  
King Lear ◽  
Peter Brook ◽  
Roman Polanski

Actes sexuels, horreur et sorcellerie au cinéma. La copulation avec le Diable : une perspective psychanalytique

2021 ◽  
Vol 66 (1) ◽  
pp. 109-133
Author(s):  
Ioan Pop-Curșeu
Keyword(s):  
Seventeenth Century ◽  
18Th Century ◽  
Common Features ◽  
Analytical Process ◽  
Starting Point ◽  
Roman Polanski ◽  
The Devil

"Sexual Acts, Horror and Witchcraft in Cinema. The Copulation with the Devil: a Psychoanalytical Perspective. This paper tries to approach, taking as a starting point a Romanian painting from the 18th century, a scene with a strong phantasmatic load: the sexual act of a woman, who is considered a witch, with the devil. Several films are analyzed: Häxan by Benjamin Christensen (1922), Rosemary’s Baby by Roman Polanski (1968), L’Anticristo by Alberto de Martino (1974), Angel above, Devil below by Dominic Bolla (1975). These films share some common features, important for the analytical process: the copulation with the devil, the presence of traumatized characters who are submitted to a psychological cure, the recycling of psychoanalytical vocabulary, especially “hysteria”, the problems with parental instances. In order to interpret these films, there is a coming back to Freud’s ideas on the Devil, as expressed in the letters to Wilhelm Fliess or in the study A Seventeenth-Century Demonological Neurosis (1923). The devil as an image of unconscious impulsions or as a substitute of the father are the main Freudian intuitions used here for an optimal interpretation of the chosen films. Keywords: sex, sexual act, horror, witchcraft, psychoanalysis, Freud, cinema. "

scholarly journals Karlovy Vary 2004

2004 ◽  
Author(s):  
Ron Holloway
Keyword(s):  
Outstanding Contribution ◽  
Film Festival ◽  
Vaclav Havel ◽  
Roman Polanski ◽  
World Cinema ◽  
Official Opening ◽  
Artistic Director ◽  
First Time ◽  
To Receive ◽  
Political Figure

KARLOVY VARY INTERNATIONAL FILM FESTIVAL 2004 For the Czech media the 39th Karlovy Vary International Film Festival (2-10 July 2004) was something of a sensation. Václav Havel, the country's ex-president and most popular political figure, was on hand for the official opening to receive a moving standing ovation. Later, Václav Klaus, the current Czech president, also showed for the closing ceremonies. To add to the festivities, Miroslav Ondříček, Miloš Forman's ace cameraman (Oscar Nominations for Amadeus and Ragtime) was honoured with an Award for Outstanding Artistic Contribution to World Cinema (together with Harvey Keitel and Roman Polański). The Prize of the Karlovy Vary Region was given for the first time to Jiří Bartoška, the festival codirector. And the Ecumenical Jury honoured Eva Zaoralová, the festival's artistic director, an Award for Outstanding Contribution to the Karlovy Vary International Film Festival. For the second time in a row, the Crystal Globe,...

scholarly journals A Comparative Approach to a Transatlantic Scandal: Le Monde and the New York Times’ Coverage of Roman Polanski’s 2009 Arrest

2015 ◽  
Vol 8 (3) ◽  
Author(s):  
Julia Lefkowitz
Keyword(s):  
New York ◽  
Critical Discourse Analysis ◽  
New York Times ◽  
Sexual Misconduct ◽  
Critical Discourse ◽  
Comparative Approach ◽  
Moral Issues ◽  
Legal Case ◽  
Roman Polanski ◽  
A Minor

Since internationally renowned film director Roman Polanski was arrested on six charges of misconduct directed at a minor in 1977, his legal case has drawn strong reactions in connection to a range of political, social, and moral issues. Responses to the scandal have differed sharply across French and American national lines and as such, prestige press coverage of the director’s 2009 arrest in France and the U.S. reflects differences in dominant national ideologies. This paper applies a critical discourse analysis (CDA) approach to analyze two specific sets of national ideologies connected to the case – those connected to that of the artist’s worth and those relevant to perceptions of sexual misconduct. 

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