Introduction
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This introductory chapter examines a configuration that brings together globalization, urban space and the cinema, taking a series of contemporary films set in London and Paris as primary case studies. What these films have in common are migrant mobilities of various types, ranging from asylum seekers and clandestine migrants, to the first generation of settled migrants as well as economic migrants. The chapter focuses on mobilities that reveal the contradictions of the globalizing process while also contesting a view of city space in these films as non-places. The analysis of these films also exhibits early scholarly trends on the cinematic city and its central preoccupation with European modernity, the city, and the cinema.
SMO and SMM Models of Tourist Area Promotion as a Form of Social Interaction in the Vital City Space
2019 ◽
Vol 8
(12)
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pp. 1061-1063
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2012 ◽
Vol 253-255
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pp. 157-161
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