scholarly journals The transfer of Montessori’s pedagogy through the theosophical international network in the Early Twentieth Century: the French case

2021 ◽  
Vol 8 (2) ◽  
pp. 109-121
Author(s):  
Letterio Todaro
Keyword(s):  
Twentieth Century ◽  
International Network ◽  
Early Twentieth Century ◽  
French Case ◽  
Distinctive Role

The study takes advantage from the reconstruction of the cultural atmosphere widely characterizing the Early Twentieth Century for the powerful raising of spirituality. Among the modernist tendencies, the success of Theosophy took a relevant place in renewing contemporary feelings of religion and piety. Particularly, the essay highlights the relevance of the spiritual cenacle working at the Montesca House, where the first edition of the Montessori’s Method was accomplished. Theosophical characters also moved around this spiritual circle and some of them played a distinctive role in the first transfer of the Montessori’s system to France.   

John Knox’s International Network

2012 ◽  
Vol 14 ◽  
pp. 96-115
Author(s):  
Alec Ryrie
Keyword(s):  
Twentieth Century ◽  
Sixteenth Century ◽  
The Netherlands ◽  
John Calvin ◽  
International Network ◽  
Tourist Attractions ◽  
Reformed Church ◽  
Early Twentieth Century ◽  
The Reformation ◽  
The City

In the early twentieth century, the city of Geneva added to its existing tourist attractions with one of the most peculiar items of civic commemoration in Europe. The Reformation Wall is a queasy monument to Geneva’s glorious past, in which the tensions and prejudices of a very particular view of the sixteenth century are frozen into stone. As one moves towards the centre of the monument, one draws closer to the Genevan fount of Reformed Christian truth. Luther and Zwingli are commemorated, tersely, at the wall’s outermost extremes. Further in, a series of friezes celebrate the deeds of Reformed Protestants in France, the Netherlands, Scotland and England. The monument’s centre, however, is the set of four larger-than-life statues, fixing the viewer with their stern gazes. Three of the figures are obvious. John Calvin himself, of course, stands to the fore. The wall is at heart a memorial to him, to the man who wished to be buried in an unmarked grave, and it was begun on the quatercentenary of his birth. He is joined by Guillaume Farel, the Frenchman who first established the Reformed Church in Geneva and persuaded Calvin to join him in his ministry there; and by Theodore de Béze, Calvin’s successor, biographer and systematizer.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

New insights into the controversy surrounding marine biological laboratory (Marine Station) facilities in the Firth of Clyde in the early twentieth century

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Marine Biological Laboratory ◽  
Biological Station ◽  
Marine Biological ◽  
Biological Laboratory ◽  
Early Twentieth Century ◽  
Marine Station ◽  
Regius Professor ◽  
Adjacent Island

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.

Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

Conformity and Idiosyncrasy: Jean Rhys

2018 ◽  
Author(s):  
Vike Martina Plock
Keyword(s):  
Twentieth Century ◽  
Social Change ◽  
Jean Rhys ◽  
Left Bank ◽  
Female Images ◽  
Image Construction ◽  
Political Modernity ◽  
Early Twentieth Century ◽  
Good Morning ◽  
Professional Mobility

By looking at Jean Rhys’s ‘Left Bank’ fiction (Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight, ‘Illusion’, ‘Mannequin’), this chapter investigates how new operational procedures such as Fordism and Taylorism, which were introduced into the French couture industry at the beginning of the twentieth century, affected constructions of modern femininity. Increasingly standardized images of feminine types were produced by Paris couturiers while the new look of the Flapper seemingly advertised women’s expanding social, political and professional mobility. Rhys, this chapter argues, noted fashion’s ability to provide resources for creative image construction but she simultaneously expressed criticism of its tendency to standardize female costumes and behaviour. Ultimately, Rhys demonstrates in her fiction that the radically modern couture of the early twentieth century was by no means the maker of social change and women’s political modernity. To offset the increased standardization of female images that she witnessed around her, Rhys created heroines and texts that relied on an overt display on difference.  

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