scholarly journals THE CRISIS OF MASCULINITY AND NATIONAL IDENTITY IN GEORGI STAMATOV’S SHORT STORIES

2020 ◽  
pp. 101-109
Author(s):  
Marijana BIJELIC

This work analyzes the crisis of masculinity in terms of modernization, the change in the relation between the sexes, as well as the crisis of national identity in Georgi Stamatov’s short stories from the perspective of contemporary theoretical works on nationalism and gender, especially masculinity. His male antiheroes sense that traditional values and norms are no longer valid in contemporary Bulgaria and feel nostalgic for the lost masculine and national identity. They all have the feeling that they cannot rely on old norms and values and are trying to find a way out of the crisis. The female characters and feminized topoi of Bulgaria and its capital Sofia usually evoke interpretations connected to the concept of infidelity, which causes an identity crisis in the modern man: while traditional but weak characters Abarov and Malkov are trying to remain faithful, although they have been betrayed by the “new Bulgaria”, “new Sofia” and unfaithful female characters, Viryanov as a modern male achieves an enormous social success by using women in order to climb up the social ladder and betrays Bulgaria with his leaving for Paris, which represents the center of the demonized western modernism.

Author(s):  
Oksana Galchuk

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.


Author(s):  
Agnieszka Legutko

Celia Dropkin, one of the greatest yet lesser-known Yiddish poets, revolutionized modern Yiddish poetry with her pioneering exploration of gender dynamics. Bold erotic motifs in Dropkin’s poetry shocked her contemporaries, while her poems, written mostly in the 1920s and 1930s, sound au courant in the twenty-first century. In her poetry, Dropkin addressed themes such as sexuality, love, artistic creativity, motherhood, and nature — as well as domination and sexual politics in man-woman relationships. Born in Bobruisk, Belarus as Tsilye Levin, she wrote her first poems in Russian at the age of 10. After her immigration to the USA in 1912, she began writing in Yiddish, making her literary debut in 1918. She was affiliated with modernist groups formed by Yiddish poets in America, such as Di Inzikhistin [Introspectivists] and Di Yunge [The Young]. During her lifetime, she published only one volume of poetry, In heysn vint. Her children reissued the volume after her death, updating it to include her short stories and reproductions of paintings that she created later in life. Dropkin’s modernist poetry shattered cultural stereotypes about the social and gender roles imposed on men and women, making her a path-breaking poet who ‘filled the stillness of Yiddish poetry with a passionate breath’ (Yakov Glatshtayn).


1970 ◽  
Vol 14 (1) ◽  
pp. 53-77
Author(s):  
Vladimir Mihić ◽  
Dragana Jelić ◽  
Margareta Jelić

For the past few decades, European integration has been one of the primary issues not just in politics, but also in the social sciences. This issue becomes even more important when research takes place in countries where the population is ambivalent in their support for the EU and European integration. The main aims of the study presented in this paper are to determine differences in Serbia and Croatia in pro-European orientation and the perception of European integration (EI) as a threat, and to determine the factors underlying both constructs by focusing on sociodemographic variables, the importance of religion, and different forms of national attachment. The results show that citizens of Croatia have a stronger pro-European orientation, but there is no difference in the perception of EI as a threat. Pro-European orientation is determined by the respondents’ national identity (in both countries) and gender, the importance of religion, and national pride in the state (only in Serbia). The significant predictors for the perception of EI as a threat were constructive patriotism and national pride in successful individuals (in Serbia), blind patriotism (in Croatia) and the importance of religion (in both countries).


2018 ◽  
Vol 6 (1) ◽  
pp. 53
Author(s):  
Rahma Aulia Syainit ◽  
Yenni Hayati ◽  
Muhammad Ismail Nasution

The object of this study was a collection of short stories Nadira written by Leila S. Chudori. This research aims to describe (1) women's struggle, and (2) ideas of feminism in a collection of short stories Nadira by Leila S. Chudori. Theoritical studies used in this research are: (1) the definition of short stories and (2) fictional structure, consists of (a) intrinsic element, and (b) extrinsic elements, (3) fictional analysis approach, and (4) the essence of feminism. The study used feminist literary criticism. Based on the story of this collection of short stories, another study used theory of socialist feminism. Feminism refers to a thought or ideology that want justice and gender equality. Because of these ideals, then feminism is regarded as an ideology of women's liberation. While socialist feminism states  the cause of oppression in women is capitalism and patriarchy. Feminism literary criticism means “reading as woman”. This feminism literary criticism analysis was conducted using feminism approach. This study will examine the women's struggles in the social, economic, educational, and political  contained in this collection of short stories.Keywords: women, feminism, feminist- socialist, feminism ideas 


Author(s):  
Richard C.M. Mole

An examination of the lived experiences of Polish queer migrants in London shows how a crisis in Polish national identity following the collapse of communism in 1989 constructed nonheterosexuals as a threat to Polish norms and values, thus fueling homophobic rhetoric, violence, and discrimination and prompting queer Poles to view migration as a potential means of escape and self-realization. An analysis of the narratives of twenty-five Polish LGBQ migrants living in London revealed different modes of domestic and cross-border queer migration as well as a range of ways in which sexuality directly and indirectly influenced their decision to move abroad.


2020 ◽  
Vol 8 (9) ◽  
pp. 136-144
Author(s):  
Dr. Kajal Kumari

Bhabani Bhattacharya is a kind of author who writes mostly on human relationships. In Steel Hawk and other Stories which were published in 1968 there are various such kind of stories. His themes are traditional but new because he has a different and innovative way of writing. His characters are also very interesting and they are influenced from real human societies. This realistic and idealistic approach is very uncommon. In A moment of Eternity we can see a fine blend of realism and idealism. This shows that how he uses the traditional human values as a raw material for his short stories. His experiments with traditional values of life are full of new possibilities and hopes. In some cases we can also find that his characters are alienated and repressed but still there is some sense of optimism in their lives. If they reflect pessimism then this can be a chance of learning for readers. Bhabani Bhattacharya believes that a writer must not impose his school of thoughts on his readers. So in his short stories readers are free to analyze the different situations of life. The story like public figure shows that how a man can change in life. This changing is not normal as it can lead him to identity crisis which can be painful. After reading his short stories we can easily locate that there is a kind of synthesis between modernism and traditionalism in most of his writings. Stories like the steel hawk, The Acrobats , Names are not table’s and the quack are noteworthy as they reflect real life situations. They are not simply stories but they present the way by which life can treat an individual. It also shows a better craftsmanship of the author.


2009 ◽  
Vol 8 (2) ◽  
pp. 267-304 ◽  
Author(s):  
Robert Marsh

AbstractValues concerning religion, family and gender are conceptions of the desirable in these domains of life. Studies of development have shown that, instead of eagerly adopting modernity, people may resist it and adhere to traditional religious, family and gender values. Although Western societies increasingly move in the direction of modern values, the proportion of people in the world with traditional values may be increasing – given the higher fertility rates in less developed societies where traditional values are more common. This study develops a causal model of the social bases of support for traditional values: the individual's sex, age, education, occupational status and income; the level of socio-economic development of one's society; and the civilization of which one's society is a part. Multivariate regression analysis of data from representative samples of the populations of eighty societies in the 2000 (fourth) wave of the World Values Surveys confirms the hypotheses. Around the world, women are more traditional than men in religious values, but more modern in family and gender values. Traditional values are most often supported by older people, those of lower socio-economic status, living in less developed societies, in Islamic, Sub-Saharan African and Latin American civilizations.


2010 ◽  
Vol 3 (3) ◽  
pp. 355-375 ◽  
Author(s):  
Michelle Billies

The work of the Welfare Warriors Research Collaborative (WWRC), a participatory action research (PAR) project that looks at how low income lesbian, gay, bisexual, transgender, and gender nonconforming (LG-BTGNC) people survive and resist violence and discrimination in New York City, raises the question of what it means to make conscientization, or critical consciousness, a core feature of PAR. Guishard's (2009) reconceptualization of conscientization as “moments of consciousness” provides a new way of looking at what seemed to be missing from WWRC's process and analysis. According to Guishard, rather than a singular awakening, critical consciousness emerges continually through interactions with others and the social context. Analysis of the WWRC's process demonstrates that PAR researchers doing “PAR deep” (Fine, 2008)—research in which community members share in all aspects of design, method, analysis and product development—should have an agenda for developing critical consciousness, just as they would have agendas for participation, for action, and for research.


Author(s):  
Lise Kouri ◽  
Tania Guertin ◽  
Angel Shingoose

The article discusses a collaborative project undertaken in Saskatoon by Community Engagement and Outreach office at the University of Saskatchewan in partnership with undergraduate student mothers with lived experience of poverty. The results of the project were presented as an animated graphic narrative that seeks to make space for an under-represented student subpopulation, tracing strategies of survival among university, inner city and home worlds. The innovative animation format is intended to share with all citizens how community supports can be used to claim fairer health and education outcomes within system forces at play in society. This article discusses the project process, including the background stories of the students. The entire project, based at the University of Saskatchewan, Community Engagement and Outreach office at Station 20 West, in Saskatoon’s inner city, explores complex intersections of racialization, poverty and gender for the purpose of cultivating empathy and deeper understanding within the university to better support inner city students. amplifying community voices and emphasizing the social determinants of health in Saskatoon through animated stories.


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