scholarly journals THE ARCHITECTURE OF CONSTRUCTIVISM: THE CREATIVE TRANSFORMATION OF AESTHETIC CODES AND NARRATIVES

2018 ◽  
Vol 11 (1) ◽  
pp. 56-69 ◽  
Author(s):  
Larisa PISKUNOVA ◽  
Liudmila STAROSTOVA ◽  
Igor YANKOV

Abstract The architecture of constructivism (functionalism) has a kind of symbolic meaning associated with the modernist project. The authors conducted a study of the architectural avant-garde of Sverdlovsk, Russia which showed that the weak perception of the historical and cultural importance of constructivist buildings and complexes is associated not only with the lack of the people awareness, but also with the underestimation of their aesthetic value. Meanwhile, the study of space-planning solutions for specific architectural projects reveals really conceptual aesthetics of the buildings. In addition, the study of the social history of constructivist architectural complexes, conducted by the authors, helped us to identify and articulate their cultural and historical significance and to highlight in a creative way the visual perception of these architectural reference markers in the space of the city. The authors also rely on their own experience of the exhibition, publication and sightseeing activities. The analysis of this experience allows the authors to draw some conclusions about the practice of developing and shifting the visual perception of constructivist monuments by the people. The originality of the presented approach to the study of architecture is an appeal to the social history of architecture which helps to enhance its aesthetic value.

2021 ◽  
Vol 5 (1) ◽  
pp. 104
Author(s):  
Rudolf Panggabean

The tithe offering to God shows the repentance of the people to Him. Obedience in giving a true tithe offering is a practice of covenant between God and His people, but n its implementation, people break their covenants against God's decree.  people still practice the wrong practices of worshipping God, especially regarding things. The real tithe is not of how much the people give to God, but rather a form of obedience to Him. This condition was conveyed by Malachi to the people of Israel. This study aims to analyze the text of Malachi 3:6-12 to gain an understanding of the spirit of reform of post-exile offerings. The method used in this study is qualitative by applying descriptive methods through the analysis of the social history of the text. In terms of the spirit of reform of the people after the exile according to the text of Malachi 4:6-12, it is obtained an understanding of the spirit of reform of the offering of the people as obedience through thanksgiving to God and to the common welfare.AbstrakPersembahan persepuluhan kepada Allah menunjukkan pertobatan umat kepada-Nya. Ketaatan dalam memberikan persembahan persepuluhan yang benar merupakan salah satu praktik perjanjian antara Allah dan umat-Nya, namun pada pelaksanaannya, umat melanggar perjanjian mereka terhadap ketetapan Allah itu. umat masih saja melakukan praktik peribadatan yang salah kepada Allah, khususnya mengenai persembahan perse-puluhan. Kondisi ini disampaikan Nabi Maleakhi kepada umat Israel. Penelitian ini bertujuan untuk menganalisa teks Maleakhi 3:6-12 untuk mendapatkan pemahaman semangat reformasi persembahan umat pasca pembuangan. Metode yang dipakai dalam penelitian ini adalah kualitatif, dengan menerapkan metode deskriptif melalui analisis sejarah sosial teks. Dalam hal semangat reformasi persmbahan umat pasca pembuangan  menurut teks Maleakhi 4:6-12, maka didapatkan pemahaman mengenai semangat reformasi persembahan umat sebagai ketaatan melalui ucapan syukur kepada Allah dan untuk kesejahteraan bersama


2021 ◽  
Vol 38 (2) ◽  
pp. 141-182
Author(s):  
Andrew A. Cashner

Church ensembles of Spaniards across the Spanish Empire regularly impersonated African and other non-Castilian characters in the villancicos they performed in the Christmas Matins liturgy. Although some scholars and performers still mistakenly assume that ethnic villancicos preserve authentic Black or Native voices, and others have critiqued them as Spaniards’ racist caricatures, there have been few studies of the actual music or of specific local contexts. This article analyzes Al establo más dichoso (At the happiest stable), an ensaladilla composed by Juan Gutiérrez de Padilla for Christmas 1652 at Puebla Cathedral. In this performance his ensemble impersonated an array of characters coming to Christ’s mangers, including Indian farm laborers and African slaves. The composer uses rhythm to differentiate the speech and movement of each group, and at the climax he even has the Angolans and the angels sing together—but in different meters. Based on the first edition of this music, the article interprets this villancico within the social and theological context of colonial Puebla and its new cathedral, consecrated in 1649. I argue that through this music, members of the Spanish elite performed their own vision of a hierarchical and harmonious society. Gutiérrez de Padilla was himself both a priest and a slaveholder, and his music elevates its characters in certain ways while paradoxically also mocking them and reinforcing their lowly status. Building on Paul Ricoeur’s concept of the “three worlds of the text,” the article compares the representations imagined within the musical performance with archival evidence for the social history of the people represented and the composer’s own relationships with them (the world behind the text). Looking to the world projected “in front of” the text, I argue that these caricatured representations both reflected and shaped Spaniards’ attitudes toward their subjects in ways that actively affected the people represented. At the same time, I argue that Spanish representations mirrored practices of impersonation among Native American and African communities, especially the Christmastide Black Kings festivals, pointing to a more complex and contradictory vision of colonial society than what we can see from the slaveholder’s musical fantasy alone.


1911 ◽  
Vol 5 ◽  
pp. 21-61 ◽  
Author(s):  
C. H. Firth

A verylarge number of ballads written during the reign of James I have been preserved in various collections, though the dates of these productions are often obscured by the fact that those editions of them which have survived bear the imprint of publishers of a later time. The ‘Stationers' Registers,’ so far as the entry of ballads is concerned, were very carelessly kept during the twenty-two years that the king's reign covered, and during some years only two or three appear in the lists. Of those which can be dated, many are amorous and romantic ballads, or illustrate the general aspects of the social history of England during the whole century rather than the limited period with which we are concerned. There remain, however, after all these deductions, a considerable number of still extant ballads which supply a kind of commentary on the political events of the reign, and show what the feeling of the people was at the time when those events happened.


2021 ◽  
Vol 5 (1) ◽  
pp. 11
Author(s):  
Addi Arrahman

<p><em>Weaving handicrafts became the motor Minangkabau's economy at the beginning of the 20th. It encouraged the establishment of weaving centers, such as Amai Setia (1911) and Andeh Setia (1912). Amai Setia handicrafts' are still standing strong nowadays, while Andeh Setia is thus no longer known by the people of Sulit Air today. This paper uses the social history approach and exposes the history of the emergence and fall of Andeh Setia as an economic movement in Sulit Air. The establishment of Andeh Setia is inseparable from the role of ninik mamak and women in Sulit Air. Andeh Setia's success was ultimately drowned due to the loss of driving figures, the reduction in women's interest in weaving crafts, and the overflow of merantau. This finding also suggests that the economic independence of the people in Sulit Air, depends heavily on the role of </em>perantau<em>. This situation is thus an obstacle to the realization of economic independence. </em></p><p> </p><p>Kerajinan tenun menjadi penggerak perekonomian di Minangkabau pada awal ke-20. Ini mendorong terbentuknya pusat kerajaninan tenun, seperti Amai Setia (1911) dan Andeh Setia (1912). Kerajinan Amai Setia hingga saat ini masih dapat ditemukan, sedangkan Andeh Setia justeru tidak dikenal lagi oleh masyarakat Sulit Air hari ini. Padahal, pada tahun 1912, kualitas tenun Andeh Setia sangat diminati pasar. Itulah sebabnya, Andeh Setia menjadi penggerak ekonomi perempuan di Sulit Air. Artikel ini juga menemukan bahwa sebab hilangnya Andeh Setia adalah karena kehilangan tokoh penggerak, menurunnya minat kaum perempuan terhadap kerajinan tenun, dan menguatnya arus merantau.</p><p> </p>


2020 ◽  
Vol 8 (1) ◽  
pp. 1-10
Author(s):  
Adam Rothman

Abstract Despite extensive historiography, most people are not aware that the Society of Jesus owned people. Even Jesuit historiography sometimes neglects that complicated history. The historiography of slavery, however, has long tapped into Jesuit sources and produced a rich scholarship on Jesuit debates over slavery and their slaveholding practices across the Americas. This essay places Jesuit slaveholding in the context of the Jesuits’ global history and argues that genealogical research and calls for reconciliation provide an opportunity to renew and reorient scholarship towards the social history of the people owned by the Jesuits.


2019 ◽  
Vol 5 (1) ◽  
pp. 50
Author(s):  
Rom Ubaidillah Muhammad ◽  
Ahdie Anwary

Background of the study: Archives as a collective memory of a nation make it important to be managed and disseminated to all Indonesian people, especially in the current generation of Indonesian youth, namely the generation of digital natives. The generation of young people being the successors of the Indonesian nation's struggle must know the long history of the social history of the people in Indonesia through archives. The government has made a solution through a conscious archive movement but in reality the conscious socialization of the archives seems to not be heard in the community especially by the generation of digital natives. Access to archives carried out domestically in ANRI's annual report in 2015-2016 shows that in 2015 there were 5,215 people and in 2016 there were 4,747, a decline in 2016 regarding access to archives.Purpose: This study aims to provide recommendations regarding the use of promotional media that can be carried out by ANRI institutions in maintaining the nation's collective memory, especially towards the generation of digital natives.Method: This paper uses a literature review method with data collection of various materials contained in the library, such as newspapers, books, magazines, manuscripts, documents and so on that are relevant to research with theoretical studies and literature.Findings: The results of this study indicate that the promotional media that is right for use by ANRI in promoting archives is through social media and media mobile phone applications based on the way of interaction of the generation of digital natives.Conclusion: With this research, it is expected that ANRI as the highest institution managing state archives can consider the importance of promotion for archives and utilizing promotional media for the general public, especially in the generation of digital natives


Author(s):  
Kevin M. Jones

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.


2005 ◽  
Vol 37 (1) ◽  
pp. 81-108 ◽  
Author(s):  
EDUARDO ELENA

This study examines an episode in the social history of state planning by focusing on the 1951 Peronist letter writing campaign. Perón's request for popular suggestions to the Second Five-Year Plan was met with enthusiasm from men and women across Argentina. As with other cases of state planning in the postwar world, the Peronist model of planned progress inspired many popular sector individuals and organisations, in part by offering them an intimate mode of political participation within an increasingly restrictive order. This appeal cannot be attributed to Peronist mass politics alone; rather, the regime's ideal of macro-level national planning also reinforced pre-existing practices of social activism in Argentine local communities.


2006 ◽  
Vol 59 (3) ◽  
pp. 706-720 ◽  
Author(s):  
Mary Laven

While the Reformation has, from the very beginning, been seen as a drama which drew its cast from every sphere of society, the Counter-Reformation was until recently considered the project of elites. Even those who sought to write the social history of the Catholic reform movement allocated to “the people” the role of resisting the course of change rather than contributing to the transformation of early modern Catholicism. Swimming against this tide, a succession of local case studies, focusing in particular on rituals and objects, has demonstrated the manifold ways in which men and women of all social backgrounds participated in the reinvention of Roman Catholicism. This paper considers new emphases in the social and cultural history of the Counter-Reformation, and asks whether there remains a place for thinking about the age of reform in terms of discipline and confessionalization.


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