scholarly journals Representation and function of characters from Greek antiquity in Benjamin Britten’s Death in Venice

Literator ◽  
2002 ◽  
Vol 23 (1) ◽  
pp. 1-18 ◽  
Author(s):  
B. Spies

Lack of insight into Greek antiquity, more specifically the nature of classical tragedy and mythology, could be one reason for the negative reception of Benjamin Britten’s last opera Death in Venice. In the first place, this article considers Britten’s opera based on Thomas Mann’s novella as a manifestation of classical tragedy. Secondly, it is shown how mythological characters in Mann’s novella represent abstract ideas2 in Britten’s opera, thereby enhancing the dramatic impact of the opera considerably. On the one hand it is shown how the artist’s inner conflict manifests itself in a dialectic relationship between discipline and inspirat ion in Plato’s Phaedrus dialogue that forms the basis of Aschenbach’s monologue at the end of the opera. The conflict between Aschenbach’s rational consciousness and his irrational subconscious, on the other hand, is depicted by means of mythological figures, Apollo and Dionysus. Two focal points in the opera, namely the Games of Apollo at the end of Act 1 and the nightmare scene which forms the climax of the opera in Act 2, are used to illustrate the musical manifestation of this conflict.

Author(s):  
Teerink Han

This chapter offers insight into a typical initial public offering (IPO) process, highlighting key practical and legal considerations around disclosure, through the IPO prospectus and otherwise. The prospectus plays a key role in the preparations for, and execution of, an IPO. As an IPO prospectus typically constitutes a company's first public dissemination of financial and business information, the company and other parties involved in the IPO process must carefully consider the right balance between, on the one hand, drafting the IPO prospectus as a marketing document introducing the company and its business to potential investors, whilst, on the other hand, being able to use the prospectus as a disclosure document that protects the company against liability arising from claims from investors or others after the IPO. Here, the chapter summarizes the different phases in an IPO process and the most important documents and parties involved, focusing on the central role of the IPO prospectus. In addition, a number of changes resulting from the enactment of the Prospectus Regulation are likely to be of particular relevance to IPO processes. The expected impact of these changes is therefore also discussed.


1993 ◽  
Vol 19 (3) ◽  
Author(s):  
S. Kruger

Business ethics in business training: Oratory or the actuality. This article is the culmination of an in-depth literature study. On the one hand an attempt is made to incorporate the views of different authors, while on the other hand an attempt is made to take part in the debate which is initiated by the current renewal of interest in the subject Business Ethics. Within this framework attention is paid to the question of whether business ethics can be taught and if so, to what extent it's influence will be felt. Secondly, an insight into the teaching of business ethics in the future is provided. Within this context the approach to the teaching, the content, the role of the student and the responsibility of the educator in particular are addressed. Opsomming Hierdie artikel is die resultaat van 'n indringende literatuurstudie. Daar word gepoog om enersyds verskillende skrywers se standpunte saam te vat, maar andersyds ook kritiese kommentaar te lower en deel te neem aan die debat wat deur die huidige opiewing in die belangstelling in Bestuursetiek bestaan. Binne die raamwerk sal aandag aan die volgende geskenk word: Die beantwoording van die vraag of Bestuursetiek onderrig kan word en indien wel die trefwydte daarvan. Tweedens 'n toekomsblik op die onderrig van Bestuursetiek. Binne die konteks word die benadering tot die onderrig/ die inhoud en die rol van die student en die verantwoordelikheid van die dosent bekvk.


2018 ◽  
Vol 71 (2) ◽  
pp. 142-160
Author(s):  
Jaime Gómez de Caso Zuriaga

Abstract The aim of the present contribution is twofold. On the one hand we shall discuss the background of some Islamic legends about places and wondrous objects – holy relics of the past – that had once been in the possession of the Gothic monarchy by inheritance, but were subsequently lost or looted out of al-Andalus by the Muslim leaders. On the other hand our study is concerned with the relationship between the content of the legends in question and the “loss of Spain” in a more general sense, i.e. not only the loss of these objects by the Christian Goths subsequent to their loss of power in Spain, but also their disappearance from Muslim ownership. Besides, the legends possess a moral core, which is interesting in its own right: the way in which they are viewed in the Muslim sources, the locations and objects they describe, and their relationship to the Gothic monarchy may provide the modern reader with an insight into the striking vision of the past held by the invading Muslim culture.


Topoi ◽  
2021 ◽  
Author(s):  
Johan Blomberg ◽  
Przemysław Żywiczyński

AbstractBuddhist schools of thought share two fundamental assumptions about language. On the one hand, language (śabda) is identified with conceptual thinking (kalpanā), which according to the Buddhist doctrine (dharma) separates us from the momentary and fleeting nature of reality (satya, “truth”). Language is comprised of generally applicable forms, which fuel the reificatory proclivity for clinging to the distorted – and ultimately fictious – belief in substantial existence. On the other hand, the distrust of language is mitigated by the doctrine of ineffability (anirdeśya), which although asserts that reality is beyond the scope of linguistic description, submits that philosophical analyses of key Buddhist concepts is a means of overcoming the limitations that language imposes on our experience and facilitating insight into the nature of reality (bodhi). This paper provides an overview of Buddhist philosophy of language, with an emphasis on the dialectical view of language as indispensable but ultimately insufficient for contemplation. The Buddhist discussions of ineffability are explicated and compared with its treatment in modern Occidental thought, specifically the similarities and differences with Wittgenstein’s philosophy of language.


Pneuma ◽  
2019 ◽  
Vol 41 (2) ◽  
pp. 193-217
Author(s):  
Antipas L. Harris

Abstract This essay advances hermeneutical insights for emerging black pentecostal scholars to consider. The salient question is, “What distinguishes black Pentecostalism?” This study revisits James H. Cone’s sources for black theology for insight into the role of blackness in shaping black Pentecostalism. On the one hand, the study dispels the myth that black Pentecostalism is inherently a spiritual alternative to the fight for social justice. On the other hand, it calls for critical dialogue between Cone’s sources for black theology and black Pentecostalism to advance scholarship on the formation of black pentecostal hermeneutics. This essay explains that blackness is more than a cultural and experiential reality. Blackness is a theological source that correlates with other sources in shaping black Pentecostalism. Blackness, moreover, legitimates black pentecostal proclivities for the integration of the faith, spirituality, and social advocacy. Theological blackness in Pentecostalism has historically distinguished black Pentecostalism from subsequent white Pentecostalism.


2019 ◽  
Author(s):  
◽  
Lawrence Loiseau

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This study addresses Lacan's comments on Marx. While much has been done towards reading Marx with psychoanalysis generally, little had has been done to unpack the meaning and extent of Lacan's own statements on Marx. For example, while Lacanian Marxists like Slavoj Zizek have wielded Lacan to great effect in a critique of post-structuralism, they have neglected the full meaning and complexity of Lacan's own stance. What is argued thereby is that Zizek not only omits the discrete knowledge within Lacan's commentary, but misses what I describe as a Lacan's theory of the social. On the one hand, it is commonly known in Lacanian thought that discourse is responsible for making the subject. On the other hand, what is less known is that Lacan defined discourse as that which makes a social link which, in contrast with Marxist thought, introduces a certain affect and materialism premised on discourse itself, commonly known, but also for providing the underlying strata of topology (namely, paradox) requisite for making any social link between subjects. Although less commonly known, we can nevertheless gain new insight into Marx. On the one hand, Lacan concedes Marx's underlying structuralism. On the other hand, Marx fails to see the true source of discourse's origins, the real itself, and consequently fails to see the true efficacy of discourse. He fails to see how discourse, although negative, stands as entirely positive and material in its distinctive effects. Discourse negotiates subjects and their inimitable objects of desire in this singularity itself. This is where true production lies; it is that which precedes any social or economic theory, which are otherwise premised on reality. Lacan rejects reality.


2020 ◽  
pp. 219-234
Author(s):  
Nao Sawada

Abdelkébir Khatibi, who was seduced by the land of the Rising Sun, left us a few texts on Japan and its culture such as Japanese Shadow and “Tanizaki Revisited” in which he refers, in particular, to the great Japanese writer Junichiro Tanizaki. These texts indeed present a dual interest: on the one hand, they allow us to discover unknown aspects of Abdelkébir Khatibi – his deep attraction for Japanese culture, not only for literature but also calligraphy and other fine arts – and, on the other hand, his subtle and brilliant reading of Tanizaki's text, which gives us another insight into Japanese culture. In these two texts, we can identify several elements that Khatibi discovers in Japan via Tanizaki: exoticism beyond the simple exotic, eroticism, and ‘exophony’. We therefore examine Khatibi's Japanese culture, as inflected through the lens of Junichiro Tanizaki, following three problematics: exoticism, the body and languages, and Eros/Thanatos. Far from separate, all these elements are intertwined for Tanizaki as well as for Khatibi. In other words, this is a phenomenon, as the Moroccan writer points out, of ‘intersemiotics’.


2009 ◽  
Vol 19 (3) ◽  
pp. 57-70
Author(s):  
Fernanda Messeder Moura

Resumo: O emprego do símile, que traz como elemento-base de comparação o leão (leo), encontra uso e função distintos quando se comparam as suas ocorrências na produção épica estaciana (Tebaida e Aquileida) com a sua manifestação lírica, representada pelo poema 2.5 das Silvas. Busca-se demonstrar neste artigo, de um lado, o contraste entre a figuração típica do leão belicoso e, menos usual, a do leão domesticado; de outro, o fim poético atingido.Palavras-chave: Símile épico; Silvas; Estácio.Abstract: The use of the simile having the lion (leo) as its basic element of comparison finds distinct poetic use and function if its textual occurrences in the Statian epics (Thebaid and Aquilleid) and its lyrical manifestation (here represented by Silu., 2.5) are compared. This article aims to show the contrast, on the one hand, between the typical warring lion and the less usual tamed lion, and, on the other hand, the poetic purpose that is thus accomplished.Keywords: Epic simile; Siluae; Statius.


Broadly speaking, there are two main avenues of approach in the attempt to unravel the complicated processes which determine the function of any individual organ. On the one hand, we may study its reaction in the intact animal to comparatively small environmental changes—a method of inestimable value, since it is one which may readily be applied to man ; on the other hand, we may remove the organ and study its reaction under grossly artificial conditions. In the former case, we sacrifice simplicity and full control to a close approximation to normality in environment ; in the latter case, we sacrifice normality in environment in order to obtain greater simplicity and a higher degree of experimental control. The former may be referred to as the analytic method of experimentation, the latter as the synthetic. On the one hand, we attempt to dissociate the medley of influences which share in determining the normal function of the organ, and to relegate to each its particular office in maintaining this normality ; on the other hand, we attempt to associate these influences in such a degree and in such a manner as to bring the isolated organ back to an environment and function comparable to the normal. We have used the latter method in an attempt to throw more light on the mechanism of urinary secretion in mammals. In order that the mammalian kidney may be kept alive in the isolated state, it is obvious from a consideration of its relatively enormous oxygen consumption—a consumption per gram per minute which may exceed that of the heart(10) (68)—that an efficient means of supplying this want must be at hand. Perfusion experiments such as those of Ludwig(1) in which a dog’s kidney was perfused with a solution containing 3 per cent. gum and 1 per cent. NaCI, can only hope to throw some light on the mechanical conditions obtaining in the dead organ. In 1890, Jacoby(2) perfused the isolated kidney of the dog with defibrinated blood by means of a pump and arterialised the blood by means of a current of air. With v. Sobieranski(3) he succeeded in obtaining a very slow urine flow by this means, but the fluid secreted invariably contained protein in considerable amounts. Three years later an improvement(4) in the form of apparatus was introduced in that an artificial pulmonary circulation was maintained by means of a second pump, the arterialised blood being then sent to the kidney as before. This improvement in technique, however, failed to give results of any promise. Similarly, Pfaff and Vejux Tyrode, (5) perfusing the dog’s kidney with defibrinated blood, invariably obtained blood and protein in the fluid issuing from the ureter. They claim to have shown that this untoward result was due to the toxic action of defibrinated blood. On defibrinating an animal the urine simultaneously secreted contained blood and protein, but this rapidly disappeared on removing the defibrinated blood, and replacing it with normal blood from another dog by bleeding this animal directly into the other’s venous system. Hirudin was tried and gave better results, but the experiments were not continued. The experiments of Sollmann(6) were performed with dog’s kidneys in the dead or dying condition. These were perfused with saline or highly diluted defibrinated blood in an attempt to study the mechanics of the organ. In 1903, Brodie(7) described an apparatus for the perfusion of isolated organs with oxygenated and defibrinated blood. He noticed, as had Pfaff and Vejux Tyrode, that vasoconstriction quickly set in under the conditions of experiment, but that(8) this could be overcome by the addition of chloral or amyl nitrite to the blood. A urine flow up to 16 c. c. per 15 minutes was obtained. Again, Hooker, (9) in a study of the influence of pulse pressure upon renal function, perfused dog’s kidneys by means of a pump with defibrinated blood through which oxygen was bubbled. He obtained a “ filtrate, neutral to litmus.” No other details of its composition are given. Up to this time it is clear that little success had been forthcoming in attempts to keep the isolated mammalian kidney alive, much less to function in a capacity approaching normal.


1947 ◽  
Vol 3 ◽  
pp. 154-267
Author(s):  
Frederica De Laguna

Although the material from the middle and lower Yukon is for the most part so modern that it might with some justice be called ethnological rather than archaeological, and although it is a somewhat haphazard collection rather than a set of specimens from systematically excavated sites, it can illustrate in part the material culture of the Tena just prior to white contact. Typologically it lies between the culture of the Pacific Eskimo and Aleut (of the Kachemak Bay III horizon) and of the modern Bering Strait Eskimo on the one hand, and the culture of the interior Athabaskans of the upper Yukon, Mackenzie and Copper rivers, on the other hand. It seems to be a blending of old and new elements of diverse origins: some are from the ancient Icehunting horizon of the northern Eskimo; some, from the interior Snowshoe hunting complex of the northern Indians and Siberians; some seem to stem from an ancient North Pacific cultural continuum, others, from a recent circum- Pacific culture drift. It does not seem to be a particularly rich blend, however, even though we make due allowances for the scantiness of our collections. But because Tena culture is such a composite product, it will be interesting to take the various types which we found and attempt to trace their distribution and their relationships to similar types in the surrounding areas. In this way we may gain some insight into the building of Tena material culture.


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