To: John Hynde Cotton. Argeville. 14 May [n.s.] 1740. Text: MS, Pierpont Morgan Library. Misc. English, MA

2020 ◽  
pp. 253-253
Author(s):  
Adrian Lashmore-Davies ◽  
Mark Goldie
Keyword(s):  
Morgan Library

Sherry C. M. Lindquist and Asa Simon Mittman. With a Preface by China Miéville, Medieval Monsters: Terrors, Aliens, Wonders. New York: The Morgan Library & Museum, 2018, 175 pp., more than 90 colored ill.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 284-284
Author(s):  
Albrecht Classen
Keyword(s):  
New York ◽  
General Framework ◽  
Femme Fatale ◽  
Ordinary People ◽  
Narrow Sense ◽  
The World ◽  
Evil Spirits ◽  
Morgan Library ◽  
Illustrated Book

This wonderfully illustrated book accompanied an exhibition that took place at the Morgan Library & Museum, New York, from June 8 to September 23, 2018, authored by two well established and respected art historian*s, who provide us with a sweeping view of the world of monsters and many other related creatures in medieval fantasy. While previous research mostly focused on monsters in the narrow sense of the word, i.e., grotesque and oversized human-like creatures normally threatening ordinary people in their existence, Lindquist and Mittman pursue a much broader perspective and incorporate also many other features in human imagination, including wonders, aliens, Jews, Muslims, strangers in general, the femme fatale, sirens, undines, mermaids (but there is no reference to the Melusine figure, though she would fit much better into the general framework), devils, and evil spirits. However, I do not understand why ‘gargoyles’ have been left out here. This vast approach allows them also to address the beasts from the Physiologus tradition, then natural wonders, giants, and then, quite surprisingly, religious scenes in psalters (148), depictions of nobles playing chess (150; where are the wild men alleged surrounding the players?), the whore of Babylon (153), figures from the Apocalypse, and anything else that smacks of wonder.

Sterne's Rabelaisian Fragment: A Text from the Holograph Manuscript

PMLA ◽  
1972 ◽  
Vol 87 (5) ◽  
pp. 1083-1092 ◽  
Author(s):  
Melvyn New
Keyword(s):  
Morgan Library ◽  
One Year

Laurence Sterne's “Fragment in the Manner of Rabelais” was first published seven years after Sterne's death. A collation of that edition with the holograph MS preserved in the Pierpont Morgan Library reveals that the text is bowdlerized, with no pretense to accuracy or integrity. Moreover, all subsequent reprintings of the fragment, including the standard editions of 1904 and 1927, merely copy this inaccurate text. The edition presented here represents, then, an effort to provide the first true text of Sterne's Rabelaisian fragment. In addition, the Introduction makes use of several canceled passages to argue that the fragment should be dated one year earlier than previously supposed (1759 rather than 1760); if correct, this new date suggests that the fragment was Sterne's first creative attempt after his success with the Political Romance. As such, it deserves a significant place in the Sterne canon.

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