Factionalism, Solidarity, Unity

2019 ◽  
pp. 162-184
Author(s):  
Ariel Mae Lambe
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Political Actors ◽  
At Home

Chapter 6 considers the antifascist perspectives and goals of a number of leftist individuals and groups on the island. Tension and overlap and conflict and collaboration between groups characterized the antifascism of the Cuban Left. The factionalism of the era is readily apparent, but so, too, is significant unity and solidarity building. Unity and solidarity—even if limited and imperfect—are notable not only I the various leftist internationalist groups well known to have fought among themselves but also between those ideological cohorts and Cuban domestic political actors and groups not affiliated with internationalist ideologies. Ultimately, to demonstrate that there was a continuity in the fight for a New Cuba in Cuban antifascism, chapter 6 illustrates the ways in which the defense of the Spanish Republic on the island involved the same people, groups, relationships, networks, ideas, goals, rhetoric, and tactics as did the Cuban struggle. The Spanish Civil War caused each group to reckon with its own existence, role, values, and aims. The conflict reenergized these groups and provided the impetus for unity, which was vital for the continuation of the struggle at home and abroad.

scholarly journals Disloyalty and Logics of Fratricide in Civil War: Executions of Officers in Republican Spain, 1936-1939

2018 ◽  
Vol 52 (7) ◽  
pp. 1028-1058 ◽  
Author(s):  
Theodore McLauchlin ◽  
Álvaro La Parra-Pérez
Keyword(s):  
Civil War ◽  
Civil Wars ◽  
Spanish Civil War ◽  
Armed Groups ◽  
Data Set ◽  
Political Actors ◽  
Unique Data ◽  
Political Forces ◽  
The Republic ◽  
Military Politics

Violence within armed groups in civil wars is important and understudied. Linking literatures on civil war violence and military politics, this article asks when this fratricidal violence targets soldiers who try to defect, and when it does not. It uses a unique data set of executions of officers on the Republican side of the Spanish Civil War. The article finds that while much of the violence appeared to target those who actually tried to defect, many nondefectors were likely shot too, due most likely to a pervasive stereotype that officers in general were disloyal to the Republic. This stereotype was used as an information shortcut and was promoted by political actors. Accordingly, unlikely defectors were likelier to be shot in locations in which less information was available about loyalties and in which political forces that were suspicious of officers as a group were locally stronger.

No Barrier Can Contain It

2019 ◽  
Author(s):  
Ariel Mae Lambe
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
New Spain ◽  
Presidential Elections ◽  
Social Progress ◽  
Diverse Backgrounds ◽  
Cuban Government ◽  
The Face ◽  
General Strike ◽  
At Home

Vividly recasting Cuba’s politics in the 1930s as transnational, Ariel Mae Lambe has produced an unprecendented reimagining of Cuban activism during an era previously regarded as a lengthy, defeated lull. In this period, many Cuban activists began to look at their fight against strongman rule and neocolonial control at home as part of the international antifascism movement that exploded with the Spanish Civil War. Frustrated by multiple domestic setbacks, including Colonel Fulgencio Batista’s violent crushing of a massive general strike, activists found strength in the face of repression by refusing to view their political goals as confined to the island. As individuals and in groups, Cubans from diverse backgrounds and political stances self-identified as antifascists and moved, both physically and symbolically, across borders and oceans, cultivating networks and building solidarity for a New Spain and a New Cuba. They believed that it was through these ostensibly foreign fights that they would achieve economic and social progress for their nation. Indeed, Cuban antifascism was such a strong movement, Lambe argues, that it helps to explain the surprisingly progressive turn that Batista and the Cuban government took at the end of the decade, including the establishment of a new constitution and presidential elections.

From Civil Conflict to Crusade: Mobilisation and National Identity in the Spanish Civil War

2021 ◽  
pp. 1-31
Author(s):  
Mercedes Peñalba-Sotorrío
Keyword(s):  
National Identity ◽  
Civil War ◽  
Spanish Civil War ◽  
Essential Element ◽  
Civil Conflict ◽  
International Context ◽  
Post War ◽  
At Home

Abstract For decades after its conclusion, the Spanish Civil War (1936–39) was officially described by the newly imposed dictatorship as a Crusade. However, the appropriation of a mythologised medieval past was not just the product of post-war legitimisation. This article explores how, using “crusade” as a placeholder for Reconquista, the rebel army and its supporters responded to three distinct developments: a reaction to Republican anticlericalism; the imposition of a national identity in which Catholicism was understood as an essential element of Spanishness and the basis for its greatness; and a very practical need for popular mobilisation both at home and abroad. However, as this study demonstrates, the adoption of a crusading rhetoric and medieval mythology was a transnational development, in which distinct anti-Bolshevik campaigns, with origins in Rome and Spain, fed off each other and intersected, sometimes in intricate and hidden ways, within the increasingly polarised international context of the 1930s.

Scots and the Spanish Civil War

2020 ◽  
Author(s):  
Fraser Raeburn
Keyword(s):  
Civil War ◽  
20Th Century ◽  
Spanish Civil War ◽  
Government Documents ◽  
The Many ◽  
Scottish Politics ◽  
At Home

Few causes before or since have inspired such passion, determination and sacrifice than the Spanish Civil War (1936-9). This book explores the many ways in which Scots responded to the war in Spain, covering the activists and humanitarians who raised funds and awareness at home, as well as the hundreds of Scots who journeyed to Spain to fight as part of the International Brigades that fought for the Republican cause. Their stories reflect much larger narratives of the rise of European fascism, the networks and cultures of international communism and the wider modern phenomenon of transnational foreign war volunteering. Scots and the Spanish Civil War is a groundbreaking study of Scottish involvement in one of the 20th century’s most famous and divisive conflicts, drawing on newly-declassified government documents and international archives in Spain and beyond. As well as shedding new light on Scottish politics in the 1930s, it is argued that this case study – part of the largest wave of foreign war volunteers in the 20th century – can help us understand other such mobilisations, past and present.

Four Poems from Langston Hughes's Spanish Civil War Verse

PMLA ◽  
2019 ◽  
Vol 134 (3) ◽  
pp. 562-568
Author(s):  
Anne Donlon ◽  
Evelyn Scaramella
Keyword(s):  
Civil War ◽  
African Americans ◽  
Spanish Civil War ◽  
Dynamic Range ◽  
Langston Hughes ◽  
Political Organizations ◽  
Rare Book ◽  
John Reed ◽  
First Time ◽  
At Home

Langston Hughes traveled to Spain in 1937, during that Country's Civil War. He saw the Republic's Fight against Franco as an international fight against fascism, racism, and colonialism and for the rights of workers and minorities. Throughout the 1930s, Hughes organized for justice, at home and abroad, often engaging with communist and other left political organizations, like the Communist Party USA's John Reed Club, the League of Struggle for Negro Rights, and the International Workers' Order (Rampersad, Life 236, 286, 355; Scott). When the war in Spain began, in 1936, workers and intellectuals who were engaged on the left came from around the world to fight against Franco's forces; these volunteers, the International Brigades, included approximately 2,800 Americans known as the Abraham Lincoln Brigade, of which about ninety were African American (Carroll vii; “African Americans”). Hughes went to Spain to interview black antifascist volunteers in the International Brigades and write about their experiences for the Baltimore Afro-American, VolunteerforLiberty, and other publications. Much of Hughes's writing from Spain sought to explain to people at home why men and women, and African diasporic people especially, had risked their lives to fight in Spain. Hughes profiled African Americans fighting for the first time alongside white comrades in the International Brigades, including Ralph Thornton, Thaddeus Battle, and Milton Herndon (“Pittsburgh Soldier Hero,” “Howard Man,” “Milt Herndon”). In addition to writing articles, he wrote poetry, gave radio speeches, and translated poems and plays from Spanish into English. Much of Hughes's work from the Spanish Civil War has been collected in anthologies. However, so prolific was Hughes, and so fastidious was he in saving drafts and ensuring they reach his collection at Yale University's Beinecke Rare Book and Manuscript Library, that many unpublished works exist in archives. The four poems here represent different poetic registers and levels of polish, and they illuminate the dynamic range of Hughes's literary production during his time in Spain.

Through the prism of Spain. Socio-economic causes of different outcomes of Russian and Spanish civil wars

2017 ◽  
pp. 142-155
Author(s):  
I. Rozinskiy ◽  
N. Rozinskaya
Keyword(s):  
Civil War ◽  
World War I ◽  
Civil Wars ◽  
Spanish Civil War ◽  
Statistical Data ◽  
Well Being ◽  
Russian Civil War ◽  
World War ◽  
Common Features ◽  
Economic Well Being

The article examines the socio-economic causes of the outcome of the Spanish Civil War (1936-1936), which, as opposed to the Russian Civil War, resulted in the victory of the “Whites”. Choice of Spain as the object of comparison with Russia is justified not only by similarity of civil wars occurred in the two countries in the XX century, but also by a large number of common features in their history. Based on statistical data on the changes in economic well-being of different strata of Spanish population during several decades before the civil war, the authors formulate the hypothesis according to which the increase of real incomes of Spaniards engaged in agriculture is “responsible” for their conservative political sympathies. As a result, contrary to the situation in Russia, where the peasantry did not support the Whites, in Spain the peasants’ position predetermined the outcome of the confrontation resulting in the victory of the Spanish analogue of the Whites. According to the authors, the possibility of stable increase of Spanish peasants’ incomes was caused by the nation’s non-involvement in World War I and also by more limited, compared to Russia and some other countries, spending on creation of heavy (primarily military-related) industry in Spain.

The Spanish Reception of Le Sacre du Printemps (1913–1936)

2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Original Work ◽  
Silver Age ◽  
Avant Garde ◽  
Ballets Russes ◽  
Rite Of Spring ◽  
Le Sacre Du Printemps ◽  
Cultural Expansion

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.

Kate O'Brien and Virginia Woolf: Common Ground

2018 ◽  
Vol 48 (1) ◽  
pp. 127-142
Author(s):  
Aintzane Legarreta Mentxaka
Keyword(s):  
Civil War ◽  
Virginia Woolf ◽  
Spanish Civil War ◽  
Common Ground ◽  
Point Of View ◽  
Political Alignments ◽  
Literary Influences ◽  
Kate O'brien

Convergences in the work of Kate O'Brien and Virginia Woolf range from literary influences and political alignments, to a shared approach to narrative point of view, structure, or conceptual use of words. Common ground includes existentialist preoccupations and tropes, a pacifism which did not hinder support for the left in the Spanish Civil War, the linking of feminism and decolonization, an affinity with anarchism, the identification of the normativity of fascism, and a determination to represent deviant sexualities and affects. Making evident the importance of the connection, O'Brien conceived and designed The Flower of May (1953), one of her most experimental and misunderstood novels, to paid homage to Woolf's oeuvre.

“The heart above the ruins”: Miriam Waddington’s Poetry, the Spanish Civil War, and Jewish Canadian Literature

1969 ◽  
Vol 26 ◽  
Author(s):  
Emily Robins Sharpe
Keyword(s):  
Human Rights ◽  
World War Ii ◽  
Civil War ◽  
Spanish Civil War ◽  
World War ◽  
Canadian Literature ◽  
The Earth ◽  
The Holocaust ◽  
The Subject ◽  
War Consequences

The Jewish Canadian writer Miriam Waddington returned repeatedly to the subject of the Spanish Civil War, searching for hope amid the ruins of Spanish democracy. The conflict, a prelude to World War II, inspired an outpouring of literature and volunteerism. My paper argues for Waddington’s unique poetic perspective, in which she represents the Holocaust as the Spanish Civil War’s outgrowth while highlighting the deeply personal repercussions of the war – consequences for women, for the earth, and for community. Waddington’s poetry connects women’s rights to human rights, Canadian peace to European war, and Jewish persecution to Spanish carnage.

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