The New Black Cultural Studies: Hip Hop Ghetto Lit, Feminism, Afro-Womanism, and Black Love The Coldest Winter Ever

Fire!!! ◽  
2012 ◽  
Vol 1 (1) ◽  
pp. 83
Author(s):  
Stephane Dunn
Keyword(s):  
Author(s):  
Joanna Love

Formative scholarship on musical appropriation has tended to focus on how dominant groups borrow subaltern signifiers to elevate their hipness. However, in contemporary American advertising campaigns, marketers often deploy humorous devices that place stereotyped signifiers of distinctive groups in opposition to one another to magnify their perceived differences and create comedy for the spot. This chapter investigates this practice by examining a 2014 Geico insurance commercial that features the pioneering female hip-hop crew Salt-N-Pepa performing their 1988 hit “Push It.” The commercial aims for humor by re-envisioning the trio’s suggestive music video as a means for cheering suburbanites through mundane tasks. But the incongruence of old-school hip-hop sounds and imagery against those of the modern-day, white-washed lifestyles onscreen reveals a more obvious message: The urban, Black trio and their one-time hit song about female sexual empowerment do not belong there. Musicological inquiry is thus paired here with cultural studies of hip-hop, hipness, advertising, and humor to reveal the process by which signifiers of Salt-N-Pepa’s iconicity are placed in opposition to the pictured residents in ways that reaffirm hierarchies of race, gender, and class.


2019 ◽  
Vol 15 (1/2019) ◽  
pp. 62-80
Author(s):  
Amir Kalan ◽  
Parisa Jafari ◽  
Mahdyar Aghajani

This article describes experiences with a community literacy approach to writing instruction in a cultural studies and literary criticism workshop in Tehran, Iran (2009-2014). The writers narrate the process of writing a book undertaken by a group of Iranian feminists, who chose to write about and critique dominant discourses in Iranian hip hop, in an attempt to start a conversation with young underground Iranian rappers. Adopting collaborative practitioner inquiry, the researchers discuss different steps of the process of writing and publishing the book, and also the pitfalls and challenges that they encountered in the project and the ensuing interventions. In the course of sharing their reflections, the writers highlight the sociocultural and power relational contexts of their writing process to sensitise writing instructors to the often invisible social and political layers of the act of writing.


Author(s):  
Artur Szarecki

The prevailing accounts of voice within cultural studies often centre on issues of political representation and authority, bypassing the material aspects of voice and ensuing political effects thereof. By analysing a violent incident during a hip hop concert in Poland, this paper attempts to provide a post-hegemonic account of the politics of voice. It traces the circulation of sonic intensities comprising the event – including the sonority of voice, its electric amplification and the rhythmic organisation of verbal interactions – arguing that they directly modulated the behaviour patterns of the audience via affective transmission. Furthermore, the concept of habit memory is employed to indicate the limits of contagion. The paper thus rereads the outbreak of violence in terms of resonances that occur beneath the level of discourse, immanently restructuring the encounters between bodies.


2020 ◽  
Vol 37 (3) ◽  
pp. 183-191
Author(s):  
Thomas P. Oates

This article examines the articulation of the Black ghetto to authenticity through the involvement of hip hop star Jay-Z in two highly publicized basketball-related ventures during 2003. During that year, Jay-Z organized a team for the Entertainer’s Basketball Classic (EBC) in Harlem’s Rucker Park and joined a team of investors aiming to move the New Jersey Nets to a new arena in Brooklyn. Informed by cultural studies scholarship, the paper explains the context through which basketball and hip hop were articulated with authenticity, and were deployed towards the goal of managing a career transition for Jay-Z, and was also used to gain public support for a controversial proposal to build an arena in the Atlantic Yards area of Brooklyn.


2020 ◽  
Vol 43 ◽  
Author(s):  
Andrea Bender

Abstract Tomasello argues in the target article that, in generalizing the concrete obligations originating from interdependent collaboration to one's entire cultural group, humans become “ultra-cooperators.” But are all human populations cooperative in similar ways? Based on cross-cultural studies and my own fieldwork in Polynesia, I argue that cooperation varies along several dimensions, and that the underlying sense of obligation is culturally modulated.


Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  

Sign in / Sign up

Export Citation Format

Share Document