Beyond the fifth century: interactions with Greek tragedy from the fourth century BCE to the Middle Ages

2011 ◽  
Vol 48 (09) ◽  
pp. 48-4928-48-4928
Keyword(s):  
Middle Ages ◽  
Greek Tragedy ◽  
Fourth Century ◽  
Fifth Century ◽  
Fourth Century Bce ◽  
The Middle Ages

Garlic Burns

PEDIATRICS ◽  
1993 ◽  
Vol 91 (3) ◽  
pp. 658-659
Author(s):  
BEN-ZION GARTY
Keyword(s):  
Chest Pain ◽  
Middle Ages ◽  
Allium Sativum ◽  
Fifth Century ◽  
The Body ◽  
Babylonian Talmud ◽  
The Middle Ages

Five things have been said about garlic: it assauges hunger, warms the body, brings joy, increases virility and destroys intestinal lice. There are those who say that it engenders love and dispels envy. —Babylonian Talmud: Baba Kama (first gate) page 82 Garlic (Liliaceae Allium sativum) has been used for centuries by many cultures as a remedy for a variety of illnesses. Herodotus spoke about the medical use of garlic in Egypt, 3000 years BC. Hippocrates, in the fifth century BC, used garlic to treat a variety of infections, including leprosy, intestinal disorders, and chest pain. In the Middle Ages garlic was used for protection against the plague.

Greco-Roman Surgical Instruments

2018 ◽  
pp. 554-590
Author(s):  
Lawrence J. Bliquez
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Surgical Instruments ◽  
First Century ◽  
Bladder Stones ◽  
Greco Roman ◽  
Fourth Century Bce

The chapter looks at Greek and Roman surgical instruments. The survival of Greco-Roman surgical instruments falls into two divisions: tools available in Hippocratic times (fifth to fourth century bce), and instruments at the disposal of surgeons, mostly Greek, from the late Republic through the Empire (first century bce to fifth century ce). From the former, most survivals are cupping vessels from graves. The texts suggest the Hippocratic physician often created his tool on the spot or had a tool prepared for an immediate need, whereas most of an Imperial surgeon’s repertoire consisted of instruments professionally made and sold by smiths. The various kinds of instruments are described, explained, and illustrated: cupping vessels, scalpels, phlebotomes (for phlebotomy), lithotomes (for bladder stones), needles, probes, cauteries, hooks, forceps, saws, drills, chisels, files, levers, tubes, douches, specula, and abortives.

Vigils of the saints and the stational liturgy of Milan

2019 ◽  
Vol 28 (02) ◽  
pp. 99-113
Author(s):  
TERENCE BAILEY
Keyword(s):  
Middle Ages ◽  
Fourth Century ◽  
Scholarly Literature ◽  
The Public ◽  
The City ◽  
The Middle Ages ◽  
Service Books

AbstractVigils, an important and eventually troublesome component of the cult of the saints, are attested to in the fourth century by Sts Ambrose, Jerome and Augustine. In Gregorian regions nearly all these penitential observances were prohibited by a synod in Rouen in 1231, and have been virtually ignored in the scholarly literature. In the Ambrosian orbit, Vigils remained an extraordinarily important part of the public liturgy until the end of the Middle Ages; however, the treatment of these offices in the Milanese service books presents a confused picture that can only be pieced together with some difficulty. In clarifying the practices of Vigils, certain details are brought to light concerning the two other examples of the external episcopal liturgy of Milan (the three-day Litany in the week following Ascension, and the daily stations at both the ancient baptistries of the city), and even important details about the practices in the cathedrals themselves, practices concerning which the ordinal is silent, ambiguous or even misleading.

St Sabas and the Palestinian Monastic Network under Crusader Rule

2012 ◽  
Vol 14 ◽  
pp. 9-19
Author(s):  
Andrew Jotischky
Keyword(s):  
Middle Ages ◽  
Fourth Century ◽  
Fifth Century ◽  
Seventh Century ◽  
Holy Land ◽  
Cultural Changes ◽  
Monastic Reform ◽  
Early Christian ◽  
Documentary Sources ◽  
Byzantine Period

The monastery founded in the fifth century by St Sabas, in the Kidron Valley a few kilometres south-east of Bethlehem, has been described as ‘the crucible of Byzantine Orthodoxy’. The original cave cell occupied by Sabas himself grew into a monastic community of the laura type, in which monks lived during the week in individual cells practising private prayer and craft work, but met for communal liturgy on Saturdays, Sundays and feast days. The laura, which differed from the coenobium in the greater emphasis placed on individual meditation, prayer and work, was the most distinctive contribution of the Palestinian tradition to early Christian monasticism. The first laura had been founded in the Judean desert in the fourth century by Chariton, and cenobitic monasteries had been in existence in Palestine both in the desert and on the coastal strip since the same period. Nevertheless, partly as a result of an extensive network of contacts with other foundations, both laurae and cenobitic monasteries, partly through Sabas s own fame as an ascetic, and partly through a burgeoning reputation for theological orthodoxy, St Sabas became the representative institution of Palestinian monasticism in the period between the fifth century and the Persian invasion of 614. The monastery’s capacity to withstand the Persian and Arab invasions of the seventh century, and to adapt to the cultural changes brought by Arabicization, ensured not only its survival but also its continued importance as a disseminator of monastic practice throughout the early Middle Ages. In 1099, when the first crusaders conquered the Holy Land, it was almost the sole survivor of the ‘golden age’ of Palestinian desert monasticism of the early Byzantine period. The monastery continued to prosper under crusader rule. It was an important landowner and its abbot was in the twelfth century a confrater of the Knights Hospitaller. Moreover, it is clear both from varied genres of external documentary sources – for example, pilgrimage accounts and hagiographies – and from the surviving manuscripts produced in the monastery between the eleventh and thirteenth centuries, that the monastery’s spiritual life also flourished in this period. The role of St Sabas and Palestinian monasticism within the broader scope of Byzantine monastic reform of the eleventh and twelfth centuries suggests that the continuing function of the monastery at the centre of a wider network of practices and ideals across the Orthodox world engendered a revival of early monastic practices in a period more often associated with decline and the struggle to preserve the integrity of monastic life.

‘All the World’s a Stage-Painting’: Scenery, Optics, and Greek Epistemology

2017 ◽  
Author(s):  
M. F. Burnyeat
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Early History ◽  
Sense Perception ◽  
Phenomenal Experience ◽  
The World ◽  
Fourth Century Bce ◽  
History Of ◽  
Epistemological Debate ◽  
Underlying Reality

In the fourth century BCE, Anaxarchus and Monimus compared the world to stage-painting, to express scepticism about sense-perception and the worthlessness of human affairs, respectively. But the comparison traces back to Democritus’ discussion of Anaxagoras’ famous claim, a century earlier, that ‘appearances are a sight of things unseen’. According to Vitruvius, they were influenced by what Agatharchus had written about stage-painting, something that can be assessed properly only by considering the genre of technical treatises and the claims of those who were first to write on a subject. The comparison with phenomenal experience should ultimately be credited to Anaxagoras, though the points that he and Democritus make differ, owing to their different views of how the macroscopic world is related to underlying reality. These texts are thus not about the early history of perspectival painting, but stem from a fifth-century epistemological debate about what, if anything, sense-perception reveals about reality.

The Risley Park Silver Lanx: A Lost Antiquity from Roman Britain

1981 ◽  
Vol 61 (1) ◽  
pp. 53-72 ◽  
Author(s):  
Catherine Johns
Keyword(s):  
Middle Ages ◽  
Fourth Century ◽  
Roman Period ◽  
Roman Britain ◽  
Silver Plate ◽  
The Middle Ages ◽  
Late Roman

SummaryIn 1729, a decorated fourth-century Roman silver dish bearing a Christian inscription was found at Risley Park, Derbyshire. Damaged when found, the fragments of the vessel were soon lost, but an illustrated account of it was published by William Stukeley in 1736. Stukeley and later authorities interpreted the inscription as implying that the dish had belonged to a late Roman church in France, and considered that it had been brought to Britain as loot in the Middle Ages. This paper presents a description and assessment of the Risley Park lanx in the light of the greater knowledge of late Roman silver plate now available, and makes the suggestion that the vessel may have been imported into Britain in the Roman period.

scholarly journals O cruzamento entre o Sagrado e o Profano na temática do Amor Cortês * The intersection between the Sacred and the Profane in the theme of Courtly Love

2014 ◽  
Vol 2 (3) ◽  
pp. 442
Author(s):  
LIGIA CRISTINA CARVALHO
Keyword(s):  
Middle Ages ◽  
Fifth Century ◽  
Courtly Love ◽  
The Self ◽  
Knowledge Of God ◽  
The Bible ◽  
Opposite Sex ◽  
The Individual ◽  
The Church ◽  
The Middle Ages

<p><strong>Resumo</strong>: Por ter sido elaborado dentro de uma sociedade religiosa cristã medieval, que tem a Bíblia como paradigma e a Igreja como norteadora espiritual e comportamental, pelo menos desde o século V, o amor cortês caracteriza-se pela tensão dos contrários que marca tão singularmente o perfil histórico e cultural da Idade Média. Para Santo Agostinho, o amor eleva o indivíduo à verdade, ao conhecimento unitivo de Deus. Em conformidade com a ideia de Santo Agostinho, o amor cortês era tido como fonte de todo o bem. Entretanto, na literatura cortês, não era o conhecimento de uma verdade transcendente que se consegue com o amor, mas um enobrecimento do próprio ser em sua realidade terrena e, além disto, este amor não se dirige a Deus, mas ao próximo de sexo oposto. Dito isto, neste artigo discutiremos o cruzamento entre o sagrado e o profano na temática do amor cortês.</p><p><strong>Palavras-chave</strong>: Idade Média Central – Literatura cavaleiresca – Amor cortês.</p><p> </p><p><strong>Abstract</strong>: Because of drawning into a medieval Christian religious society, which has the Bible as a paradigm and the Church as a spiritual and behavioral guiding, at least since the fifth century, courtly love is characterized by the tension of opposites that mark the historical and cultural profile of the Middle Ages so singularly. For St. Augustine, love elevates the individual to the truth, to the unitive knowledge of God. In accordance with the idea of St. Augustine, courtly love was taken as the source of all good. However, in courtly literature, the knowledge of a transcendent truth was not achieved by love, but an ennoblement of the self in its earthly reality and, moreover, this love is not addressed to God but to others of the opposite sex. Said that, this article will discuss the intersection between the sacred and the profane in the theme of courtly love.</p><p><strong>Keywords</strong>: Central Middle Ages – Chivalric literature – Courteous love.</p>

The Hippodrome of Constantinople

2021 ◽  
Author(s):  
Engin Akyürek
Keyword(s):  
Middle Ages ◽  
Early Period ◽  
Fourth Century ◽  
Roman Emperor ◽  
Imperial Authority ◽  
The City ◽  
The Middle Ages ◽  
Byzantine History

The Hippodrome of Constantinople was constructed in the fourth century AD, by the Roman Emperor Constantine I, in his new capital. Throughout Byzantine history the Hippodrome served as a ceremonial, sportive and recreational center of the city; in the early period, it was used mainly as an arena for very popular, competitive, and occasionally violent chariot races, while the Middle Ages witnessed the imperial ceremonies coming to the fore gradually, although the races continued. The ceremonial and recreational role of the Hippodrome somehow continued during the Ottoman period. Being the oldest structure in the city, the Hippodrome has witnessed exciting chariot races, ceremonies glorifying victorious emperors as well as the charioteers, and the riots that shook the imperial authority. Today, looking to the remnants of the Hippodrome, one can imagine the glorious past of the site.

The Aftermath of Paracomedy

Paracomedy ◽  
2020 ◽  
pp. 248-264
Author(s):  
Craig Jendza
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Second Century ◽  
Third Century ◽  
Fourth Century Bce

This chapter explores three cases where authors engage with paracomedy after the fifth century BCE. It proposes that the anonymous fourth-century BCE tragedy Rhesus employs paracomedy and that it does so either because the author was indiscriminately copying from fifth-century drama or because he wanted to imitate Euripides’s penchant for paracomedy. It investigates the highly fragmentary evidence for Rhinthon’s third-century BCE hilarotragedies, normally thought to be theatrical farces, and posits that Rhinthon was utilizing a more explicit type of paracomedy than in the fifth century. It also provides an explanation for the surprising assertion from the second-century CE scholar Pollux that Euripides and Sophocles frequently employed a comic parabasis. The chapter argues that these cases of reception highlight paracomedy’s importance in antiquity and indicate that paracomedy was a noted hallmark of Euripidean stagecraft that had an indelible effect on the genre of tragedy.

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