scholarly journals Two-Part Transition or Two-Part Subordinate Theme?

2012 ◽  
Vol 31 (1) ◽  
pp. 46-65
Author(s):  
Carl Wiens
Keyword(s):  
Functional Role ◽  
Sonata Form ◽  
Piano Sonata ◽  
Classical Form ◽  
Clear Cut

In William Caplin’s Classical Form (1998), the ending of a sonata-form exposition’s two-part transition and a two-part subordinate theme’s internal cadence share the same harmonic goal: the new key’s dominant. In this article, the author contends that the choice between the two is not as clear-cut as Caplin suggests, arguing that the functional role of these passages should be read within the context of the entire sonata movement, rather than on more localized analytical interpretations of the sonata’s sections taken in isolation. Two works are discussed: the first movement of Beethoven’s Piano Sonata op. 2, no. 3, and the first movement of the Piano Sonata op. 10, no. 2.

The First Movement of Mahler’s Tenth Symphony and the “Burden” of Romantic Form

2019 ◽  
Vol 41 (2) ◽  
pp. 323-340
Author(s):  
Eric Hogrefe
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Sonata Form ◽  
Musical Form ◽  
Classical Form ◽  
Hayden White ◽  
Metaphor And Metonymy

AbstractStudies of post-Classical form must inevitably contend with the issue of how eighteenth-century practices retain relevance in later repertory. This article offers a framework for considering musical form and historical distance around the beginning of the twentieth century. Following historian Hayden White, I analyze the first movement of Mahler’s Tenth Symphony as an example of formal troping. Mahler’s movement is shown to enact a conflict between metaphor and metonymy in its treatment of Adagio practice and sonata form. In portraying Mahler’s form tropologically, this article emphasizes the role of historical distance within Mahler’s formal imagination.

SCHOENBERG'S PIANO SONATA

Tempo ◽  
2003 ◽  
Vol 57 (224) ◽  
pp. 16-21
Author(s):  
Kathryn Bailey
Keyword(s):  
Arnold Schoenberg ◽  
New Method ◽  
Sonata Form ◽  
Piano Sonata ◽  
Classical Form ◽  
Solo Piano ◽  
Pierre Boulez

Arnold Schoenberg, of course, did not write a piano sonata. At any rate, none of his works for piano bears this title. As I have suggested elsewhere, however, sonata form was much in his thoughts as he wrote the piano pieces of opus 23, and one of his last two pieces for solo piano, written five years later, is a sonata movement which should stand as a model of the integration of twelve-note technique and classical form. When Pierre Boulez, in 1952, famously condemned Schoenberg for using the old forms instead of inventing new ones that were derived entirely from serialism, he might have taken just a moment to consider the ways in which the old form is articulated in opus 33a and been ever so slightly more charitable, for in this sonata movement, as in certain pieces of op. 23, themes and sections are defined and distinguished from each other in ways that have meaning only in relation to the twelve-note technique: though the form is an old one, the several parts are defined by reference to possibilities offered by the new method.

Expression and functional role of c-Kit and erbB2 in human hepatoblastoma.

2009 ◽  
Vol 221 (03) ◽  
Author(s):  
B Steiger ◽  
I Leuschner ◽  
D Denkhaus ◽  
D von Schweinitz ◽  
T Pietsch
Keyword(s):  
Functional Role

Population Control (Review Article)

1961 ◽  
Vol 1 (3) ◽  
pp. 89-98
Author(s):  
Karol J. Krotki
Keyword(s):  
Population Control ◽  
Review Article ◽  
Small Enterprise ◽  
Opportunity Costs ◽  
Relative Importance ◽  
Factual Information ◽  
Undue Influence ◽  
Clear Cut ◽  
Economic Considerations

Discussions about the role of small enterprise in economic development tend to remain inconclusive partly because of the difficulty of assessing the relative importance of economic and non-economic objectives and partly because of the dearth of factual information on which to base an economic calculus. It is probably true, moreover, that, because of a lack of general agreement as to the economic case for or against small enterprise, non-economic considerations, including some merely romantic attitudes toward smallness and bigness, tend to exert an undue influence on public policies. There may, of course, be no clear-cut economic case. And noneconomic considerations should and will inevitably weigh significantly in policy decisions. If, however, some of the economic questions could be settled by more and better knowledge, these decisions could more accurately reflect the opportunity costs of pursuing non-economic objectives.

Sign in / Sign up

Export Citation Format

Share Document