L’homoérotisme en autotraduction : Le cas de Sud / South de Julien Green

2021 ◽  
pp. 111-125
Author(s):  
Genevieve Waite
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Critical Analysis ◽  
Substantial Portion ◽  
American Writer ◽  
Homosexual Orientation

As a translingual American writer, Julien Green (1900-1998) wrote a wide variety of novels, plays, short stories, and essays, as well as one of the longest recorded journals of the twentieth century. Among his bilingual texts Green published an important homoerotic play, Sud (1953), which he later translated into English as South (1959) in collaboration with his sister, Anne Green. Although the homoerotic nature of the characters of Green’s novels has been examined in certain critical texts, the evolution of this homoeroticism in Green’s self-translated play, Sud / South, has not yet been studied in detail. This article will, therefore, show how Green radically transformed the drama of homosexual love from his first play, Sud (1953), in his self-translation, South (1959), and the effects of these linguistic changes on the reader. More specifically, this critical analysis will demonstrate how Green used a translative approach of the moins-dit in order to conceal a substantial portion of his original French play’s central intrigue. Because of multiple omissions, revisions, and additions in self-translation, Ian Wiczewski’s love for the young Erik Mac Clure, as well as Édouard Broderick’s homosexual orientation, are less visible in South than in Sud. Consequently, Sud and South appear as two very disparate versions of the same text.

The Many Voices of Lydia Davis

2016 ◽  
Author(s):  
Jonathan Evans
Keyword(s):  
Short Stories ◽  
Marcel Proust ◽  
Gustave Flaubert ◽  
Maurice Blanchot ◽  
Literary Production ◽  
American Writer ◽  
Michel Leiris ◽  
The Many

The Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Davis’s work. Through a series of readings of Davis’s major translations and her own writing, this book investigates how Davis’s translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Davis’s work complicates divisions between translating and other forms of writing highlights the role of translation in literary production, questioning the received perception that translation is less creative than other forms of writing.

Alien Internment in John Galsworthy’s ‘The Bright Side’ and ‘The Dog It was that Died’

2021 ◽  
Vol 30 (1) ◽  
pp. 45-61
Author(s):  
Jill Felicity Durey
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Human Nature ◽  
Second World War ◽  
World War ◽  
Historical Sources ◽  
Internment Camp ◽  
Bright Side ◽  
Second World ◽  
John Galsworthy

This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.

James Baldwin

2021 ◽  
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
American History ◽  
James Baldwin ◽  
First Century ◽  
Black Lives Matter ◽  
Twenty First Century

The book is devoted to the works of James Baldwin, one of the most compelling writers of the twentieth century. The authors examine his most important contributions – including novels, essays, short stories, poetry, and media appearances – in the wider context of American history. They demonstrate the lasting importance of his oeuvre, which was central to the Civil Rights Movement and continues to be relevant at the dawn of the twenty-first century and the Black Lives Matter era.

Muriel Spark's Early Fiction

2021 ◽  
Author(s):  
James Bailey
Keyword(s):  
Short Stories ◽  
Critical Analysis ◽  
Social Contexts ◽  
Public Image ◽  
Critical Study ◽  
Social Critique ◽  
The Public ◽  
The Social ◽  
Stage Play ◽  
Insight Into

This book presents a detailed critical analysis of a period of significant formal and thematic innovation in Muriel Spark’s literary career. Spanning the mid-1950s to the mid-1970s, it identifies formative instances of literary experimentation in texts including The Comforters, The Driver’s Seat and The Public Image, with an emphasis on metafiction and the influence of the nouveau roman. As the first critical study to draw extensively on Spark’s vast archives of correspondence, manuscripts and research, it provides a unique insight into the social contexts and personal concerns that dictated her fiction. Offering a distinctive reappraisal of Spark’s fiction, the book challenges the rigid critical framework that has long been applied to her writing. In doing so, it interrogates how Spark’s literary innovations work to facilitate moments of subversive satire and gendered social critique. As well as presenting nuanced re-readings major works like The Prime of Miss Jean Brodie, it draws unprecedented attention to lesser-discussed texts such as her only stage play, Doctors of Philosophy, and early short stories.

Murder and Maugham: A Neglected Subversive?

2002 ◽  
Vol 75 (4) ◽  
pp. 330-339
Author(s):  
Keith Soothill
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Criminal Justice ◽  
Criminal Justice System ◽  
Justice System ◽  
Status Quo ◽  
Labour Government ◽  
Serious Crime ◽  
The Status

Somerset Maugham's writings had huge audiences in the first half of the twentieth century. In much of his work the focus is on people behaving badly. What effect did his work have on his readers? This article examines his short stories, of which approximately one-fifth of the major ones have murder as their theme. Focusing on the murders that Maugham ‘creates’, the claim is that Maugham is subversive, challenging some readily made assumptions. In Maugham's scheme of things, the criminal justice system is usually inappropriate, irrelevant or produces injustice, with ‘rough justice’ usually the best that is on offer. The resourceful can get away with murder. Murder is not the most serious crime for many. Instinct rather than rationality is the best judge. Maugham also emphasises the importance of fate, thus implying we are not in control of our destinies. The article argues that popular authors, such as Maugham, may have contributed much more than is generally recognised to the developing unease about the ‘status quo’ that ultimately led to the landslide victory of the Labour government in 1945.

scholarly journals Condemnation of Religious Concepts: An Examination of Chubak's "An Afternoon in Late Autumn" through Bakhtin's Theory of Grotesque Realism

2018 ◽  
Vol 21 (1) ◽  
pp. 53-67
Author(s):  
Sayed Mohammad Anoosheh ◽  
Muhammad Hussein Oroskhan
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Short Story ◽  
Lower Section ◽  
Persian Literature ◽  
Social Hierarchies ◽  
Late Autumn ◽  
New Perspective ◽  
Style Of Writing ◽  
A Site

The first traces of modernism in Iranian society can be found in the second decade of twentieth century which was deeply embedded with religious concepts. With regard to Persian literature, short story was developed as a new genre and a sign of modernism of that period by prominent Iranian writers such as Sadeq Hedayat (1903-1951), Mohammad Ali Jamalzadeh (1892-1997) and Sadegh Chubak (1916-1998). In this way a cultural clash was broken out between the traditional religious concepts and the new modern ideas. Among these writers, Chubak was more influenced by the doctrine of modernism. He expressed his message colloquially through his short stories to instigate the lower part of society. His naturalistic style of writing delved into the most gruesome details of people's life with the aim of shocking his reader in experiencing a new perspective previously ignored. To highlight Chubak's style of writing attempt is made to explore one of the highly praised short stories entitled "An Afternoon in Late Autumn" on the ground of the Bakhtin's theory of grotesque realism cited in Rabelais and His World. Grotesque realism is a site upon which religious and social hierarchies can be subverted and renewed. This study tries to reveal that Chubak followed the Bakhtin's grotesque realism to evoke a new outlook particularly in the lower section of society.

scholarly journals The language of wounds and scars in Edwige Danticat's "The Dew Breaker" : a case in trauma symptoms and the recovery process

2010 ◽  
Vol 8 ◽  
pp. 23 ◽  
Author(s):  
Aitor Ibarrola-Armendáriz
Keyword(s):  
Short Stories ◽  
Recovery Process ◽  
Traumatic Experiences ◽  
Trauma Symptoms ◽  
American Writer ◽  
The Past ◽  
Difficult Time ◽  
Haitian American ◽  
To Come

This article examines the representation of a violent and traumatizing past in Edwidge Danticat’s The Dew Breaker (2004), a collection of short stories that depicts the effects of a torturer’s atrocious crimes on the lives of his victims and their descendants. The contribution argues that this work of fiction by the Haitian-American writer is structured upon the principle that traumatic experiences can only become intelligible – and, therefore, “representable” – by considering the severe psychical wounds and scars they leave on the victims. These scars habitually take the form of paranoia, nightmares, ghostly presences, schizophrenia, and “dead spots” that have a very difficult time finding their place in the protagonists’ consciousness and language. In spite of the fragmented and discontinuous character of these representations, the writer manages to unveil the kind of psychological and social dysfunctions that often surface when people have not fully accepted or assimilated aspects of the past that keep itching in their unconscious. However, despite the prevailingly bleak tone of the stories, Danticat still leaves some room for hope and recovery, as many of the victims find ways to come to terms with and overcome those individual and collective dysfunctions.

scholarly journals FORGOTTEN NAMES OF POLISH LITERATURE – KAZIMEZH TRUKHANOVSKY

2019 ◽  
pp. 347-356
Author(s):  
T. Hajder
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Literary Criticism ◽  
The Novel ◽  
Global Level ◽  
Polish Literature ◽  
Literary Traditions ◽  
Time Space ◽  
Complicated Model

Polish literature is one of the leading positions not only in the Slavic world, but also well-presented at the global level. The article is devoted to the Polish writer of the middle of the twentieth century, whose name is unknown to the Ukrainian narratee, but his works are extremely interesting. The reasons why some writers do not fall into the field of wide-ranging research are different. In the case of the Kazimierz Trukhanovsky’s works, this is an insufficient research of the Polish literary criticism, the researchers are writing about it only now. Returning the names of interesting writers and attracting attention to their works is an actual and interesting task.The creative legacy of K. Trukhanovsky is quite extensive – it’s a romance cycle, story and short stories, individual novels. Philosophy, reflection and utopia are the most extensive characteristics of the writer’s works. The imagery and aesthetic background of the novels become clearer if we attract the work of artists, whose leading motive of creativity was the hell and the wandering of human souls in the search of divine light. The writer applied to mythologization and the magic properties of time-space measurements in the novel. Mythological and literary traditions are superimposed, as a result of which the author creates a complicated model of a labyrinthine novel.

Introduction

2018 ◽  
Author(s):  
Victoria Margree ◽  
Daniel Orrells ◽  
Minna Vuohelainen
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Literary Culture ◽  
Economic Value ◽  
Historical Context ◽  
Popular Fiction ◽  
Fin De Siecle ◽  
Literary Canon ◽  
Literary Production ◽  
Professional Authorship

The introduction to the volume sets Richard Marsh in his historical context and argues that our understanding of late-Victorian and Edwardian professional authorship remains incomplete without a consideration of Marsh’s oeuvre. The introduction discusses Marsh as an exemplary professional writer producing topical popular fiction for an expanding middlebrow market. The seeming ephemerality of his literary production meant that its value was not appreciated by twentieth-century critics who were constructing the English literary canon. Marsh’s writing, however, deserves to be reread, as its negotiation of mainstream and counter-hegemonic discourses challenges our assumptions about fin-de-siècle literary culture. His novels and short stories engaged with and contributed to contemporary debates about aesthetic and economic value and interrogated the politics of gender, sexuality, empire and criminality.

A Critical Analysis of the Limitations and Effects of the Brazilian National Broadband Plan

2013 ◽  
pp. 255-274
Author(s):  
André Lemos ◽  
Francisco Paulo Jamil Almeida Marques
Keyword(s):  
Economic Growth ◽  
Twentieth Century ◽  
Critical Analysis ◽  
The Other ◽  
Regulatory Agencies ◽  
Net Neutrality ◽  
Political Effects ◽  
State Monopoly ◽  
Telecommunications Services ◽  
The One

This chapter examines the limitations and the socio-political effects of the Brazilian National Broadband Plan (PNBL: is its Portuguese acronym). The discussion considers the main transformations witnessed in the telecommunications landscape in Brazil during the second half of the twentieth century. On the one hand, the end of state monopoly of telecommunications services and the provision of such services by the private sector called for greater investments in infrastructure. On the other hand, the Brazilian regulatory agencies have failed to lower prices, promote competition, and spread broadband access to remote and underserved areas. The PNBL was launched in order to deal with these difficulties. The plan, however, has at least three important problems: (1) the low-speed connection offered to users, (2) the unattractive prices, and (3) the lack of reflection on issues such as net neutrality. The text argues that only by taking such issues into consideration will the plan ensure innovation, economic growth, diversity, and freedom of access to information.

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