scholarly journals “They Paint Sedition on the Walls”: Towards a University of “Immigrants”

2021 ◽  
Author(s):  
Debaditya Bhattacharya

Abstract While publicly funded institutions in India have provoked the punitive ire of the ruling Hindu Right and systematically invited acts of state terror, a new education policy drafted by the same ruling party advocates a wholesale return to a “liberal arts” curriculum. The essay attempts to demonstrate how the “liberal” has become the cultural logic of a communal-fascist regime, insofar as the regime is harnessing universities to its project of redefining citizenship as exclusionary, with a special rejection of the citizenship claims of Muslims. In this context, how might we rally our forces behind a hijacked “idea” of the university—and what are the possible futures of such a political maneuver? This essay suggests how a practice of imaginative labor at the university might be leveled not toward citizenship, but toward lessons in immigrancy. It will also address how a mass online transition—prompted by policy in the name of a pandemic—reconfigures rights of entry to this imaginative labor.

2021 ◽  
pp. 095042222199342
Author(s):  
Henry Etzkowitz ◽  
James Dzisah ◽  
Michael Clouser

The paper delineates three elements of an entrepreneurial university in practice through innovations demonstrating the academic entrepreneurial transition: the Novum Trivium, Professors of Practice (PoPs) and Link initiatives. The Novum Trivium provides a model for the integration of entrepreneurship into a liberal arts curriculum, so that students learn how to put their knowledge to use and acquire a new language and new cultural understanding to interact globally. The PoPs initiative interlinks firm and university through shared dual roles in each setting, attracting back to the university on half-time basis scientific entrepreneurs from industry to serve as entrepreneurial role models. The Link projects build on ties between a leading entrepreneurial university (Stanford) and an aspiring one (Edinburgh), taking advantage of the fact that each university is already embedded in its region and could be linked to the other’s entrepreneurial culture. The paper demonstrates how industry and higher education are integrated by these initiatives, with the elements of each embedded in the other through shared resources, people and practices.


2006 ◽  
Vol 23 (3) ◽  
pp. 375-425 ◽  
Author(s):  
JOHN HAINES

ABSTRACT For the 13th-century music writer known as Anonymous IV, the craft of music writing was a primary literary concern, though one virtually ignored by previous modern writers on music. The importance of music writing to Anonymous IV is evident from the variety and quantity of references in his treatise, many of which are found in its central second chapter. This information-rich chapter includes a history of music notation and a miniature handbook for music scribes. The Anonymous is indebted to the then recent surge in production of how-to manuals of all kinds; his miniature handbook for music scribes partakes of their style and vocabulary. This practical work of Anonymous IV is tied to the revival of Euclidean geometry in the liberal arts curriculum at Paris. The specialized geometric terms he uses are attested in numerous sources, including student handbooks from the university. It is possible that the anonymous writer came under the spell of Roger Bacon, also an Englishman at the University of Paris in the late 13th century, whose writing and pedagogy reveal several similarities with the music treatise of Anonymous IV.


2021 ◽  
Vol 15 (4) ◽  
pp. 55-69
Author(s):  
Mi Young Ahn

This article seeks ways in which to educate literature as part of the liberal arts curriculum for universities. In response to changes in the university's curriculum and system, this article examined the current status of liberal arts “literature” courses, Also, this article explored the methods used in the teaching of literature courses as basic studies. Literary works have been used as useful teaching materials in early writing education, and classical texts have achieved their goals by utilizing proven literary works. In cultural education, literary works are also used as a primary source and as part of media education. In terms of the university system, the Humanities departments have begun to disappear. Literary education has resulted in a situation in which liberal arts have to take charge, and so now it is necessary to ask questions regarding the identity of literature and to examine the methods of teaching literature education. Before this article discussed the methods involved with literature education as a basic study, we looked at the prior discussions on literature education as liberal arts education. Interest in literature education began in the mid-1980s, and research became active around 2010. Interest in and research on literature education as liberal arts education has also been gradually increasing, and a series of facts suggest the legitimacy of literature subjects as basic studies, along with a willingness to actively communicate with the changed educational environment. In order to better understand the methods of teaching literature education at the university level, this article examined the link between secondary and university education. The current secondary education curriculum was revised in 2015, and both secondary and higher education implement competency education for talent development required by the times, and the ultimate goal is the same. However, since literature must reach the achievement standards designated through textbooks in the middle school curriculum, there is a limit to internalize the literature. Literature education in universities shall take into account the university's talent award and educational goals, but may develop literary skills by maximizing the experience of actively interpreting and enjoying literature through various teaching methods. In liberal arts education at universities, literature courses should be able to capture academic universality and achievements as basic studies. Literature courses should be teach to read the narratives of media that form diverse cultures and cultivate interpretations that can allow our students to discover the value of the times in which they live. The particular language of literature should be understood and the theoretical basis for understanding and enjoying the flow of human history and civilization should be taught through Mimesis (reenactment), narrative and plot, point of view and the speaker, critical methodology, and the literature itself. Through a self-reliant and active interpretation of the work, one should be able to identify the literary principles embodied in the work, and tell what discourse the work has created in the lives of one's contemporaries.


2018 ◽  
Vol 40 (7) ◽  
pp. 305-330
Author(s):  
seon ae Lim ◽  
sang woon Kim

PMLA ◽  
2018 ◽  
Vol 133 (1) ◽  
pp. 190-198
Author(s):  
Tesla Cariani ◽  
Ashley Coleman Taylor ◽  
Christopher Lirette ◽  
Marlo Starr

The university, an eldritch progeny of medieval Christianity and conglomerate capitalism, can feel like a gristmill to graduate students and junior scholars. We must produce acceptable articles and monographs after years of research. We must compete for a few good jobs, and we do this by teaching extra classes, submitting essays for publication, presenting papers at conferences. But we must also be beyond this world, needing neither food nor money, subsisting solely on ideas and conversation and self-promotion. he authors of these essays, all of us at the beginning of our careers as scholars, are not fooled by a system that masks its cold corporatist heart with the vestments of the liberal arts. We know that the university intends to make of our bodies machines that produce ideas and disseminate them; machines that round off the rough edges of our students and prepare them to be good, centrist, white-collar workers; machines that perpetuate the idea of the university. We know that we are disposable within the structure of the academy. Nevertheless, we are clear-eyed as we try to make a living in the knowledge industry. We believe, earnestly, that critique and research and thought experiments and the slow study of minutiae are worth fighting for.


2020 ◽  
pp. 1-13
Author(s):  
SAMPO RUOPPILA ◽  
ALBION M. BUTTERS

As a publicly funded institution,The University of Texas at Austin had to implement the state's legislation to allow concealed handguns on campus. Yet its own Campus Carry policy has sought to erase the matter from everyday campus life. The administration deems it a “nonissue,” presuming that students have become accustomed to the idea, do not think about it actively, and have a low interest in acquiring a handgun license. This paper, based on a survey of the university's undergraduates, questions these ideas. It shows that a majority of students think that the issue is important and examines in what sense the students are troubled by its effects. While opinions differ between supporters and opponents of Campus Carry, divergences also exist within their ranks, such as among supporters of the law regarding where guns should specifically be allowed at the university. On the basis of the survey, the essay also examines how many licensed carriers are actually on campus, compared to the university's estimates.


1985 ◽  
Vol 46 ◽  
pp. 1-4
Author(s):  
Anne F. Lee

As part of an on-going effort at West Oahu College (a small, liberal arts, upper-division campus of the University of Hawaii) I am experimenting with ways to help my political science students improve their ability to think critically and communicate clearly. For some time we have been aware of a large number of students having difficulties in writing and critical thinking. We have made an informal and voluntary commitment to use writing-across-thecurriculum (WAC) with faculty participating in workshops and conferring with the writing instructor who coordinates our WAC program.1In-coming students must now produce a writing proficiency sample which is analyzed, returned with numerous comments, and results in students being urged to take a writing class if there are serious problems. A writing lab is offered several times a week and students are free to drop in for help.


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