scholarly journals The Red Gown: Reflections on the Visual History of Menstruation in Scotland

2022 ◽  
Author(s):  
Camilla Mørk Røstvik ◽  
Bee Hughes ◽  
Catherine Spencer

Over the last decades, menstruation has become more present in public discourse in Scotland.While scholars are increasingly documenting this change, little attention has been paid to therole of menstrual art made in Scotland. In this article, we explore the historic contexts ofmenstrual art in the town of St Andrews and in Scotland during the late twentieth and earlytwenty-first century, and ask what this reveals about menstrual absence and presence in publicdebates. We do this in collaboration with artist Bee Hughes, whose practice focuses on thevisible and invisible aspects of menstruation, and who was artist in residence at St Andrews in2020. Due to a university strike and a pandemic, our collaboration changed and subsequentlyfocused more on the histories of menstrual art. We thus assess symbols and collections ofmenstrual visual culture in Scotland, including the use of the ceremonial red gown at theUniversity of St Andrews, and menstrual art collections at Glasgow Women’s Library and StAndrews Special Collections. Together, we reflect on how their histories might be both present(institutionalised) and absent (when not on display). This paper presents the first stage of ourfindings, in which the artist reflects on their first visit to St Andrews prior to a university strikeand the Covid-19 pandemic, and the historic materials we located together.@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:roman;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:Times;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:﷽﷽﷽﷽﷽﷽﷽﷽man;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-536870145 1342185562 0 0 415 0;}p.MsoNormal, li.MsoNormal, 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1910 ◽  
Vol 10 (4) ◽  
pp. 602-777 ◽  
Author(s):  
O. H. Peters

The following observations upon the Natural History of Epidemic Diarrhoea were made in Mansfield during the summer and autumn of 1908. The fact that at the time the writer was engaged in preparing a paper—to which the present paper is to some extent complementary—upon the epidemiological relations of season and disease, lent special interest to the enquiries regularly made from the Health Department of this town into the circumstances attending fatal attacks of diarrhoea. Early in the season a more than usually extensive enquiry was made into one of these fatal attacks in an area where an outbreak of diarrhoea appeared to be spreading outwards from a group of old privy-middens. To test how far the condemnation of the latter was justifiable another area was taken on the other side of the town, where the houses were newly built and provided exclusively with water-closets; and records, collected by house-to-house visitation, were obtained of all cases of epidemic diarrhoea, whether non-fatal or otherwise, occurring in these localities. The enquiries thus begun were afterwards extended so as to embrace two fairly large districts, a chance of doing this being provided by the opportune postponement of the addition to the department of certain work of inspection which had been impending at the beginning of the summer. These districts were several times revisited and scattered observations were also made throughout the other parts of the town. During 1909, while there was no opportunity of making extended observations, there were valuable opportunities during the course of the routine inspections of the summer of testing and re-testing the principal results obtained during 1908.


Author(s):  
Alfred L. Brophy

This chapter discusses the role of historical analysis in property law. The history of property has been used to offer support for property rights. Their long history makes the distribution of property look normal, indeed natural and something that cannot or should not be challenged. However, historically in the U.S there have been competing visions of property. From the Progressive era onward especially, the history of property has been used to show the unequal distribution of property and to offer an alternative vision that expands the rights of non-owners of property. In the late twentieth and early twenty-first century, the history of opposition to feudalism and protection of the rights of non-owners was used to protect the rights of non-owners. Thus, the history of property has been a tool of judges and legislators to support property rights and it has also been, less frequently, a tool of critique.


Author(s):  
Bettina Bildhauer ◽  
Chris Jones

Here the editors review the long history of medievalism, starting with its origins as a period designation and continuing to survey its use in contemporary public discourse as a term of political opprobrium, and its influence as a source of inspiration and creativity in cultural and artistic endeavour in the twenty-first century. An overarching historical narrative of medievalism is therefore sketched out, in order that the detailed studies of individual chapters may be better contextualised. It is suggested that medievalism remains one of the main tropes by which the West figures itself as ‘modern’, and governs its relationship with the rest of the globe.


Tempo ◽  
2019 ◽  
Vol 73 (289) ◽  
pp. 30-41 ◽  
Author(s):  
Hunter Coblentz

AbstractThis article serves as an introduction to the twentieth- and twenty-first-century musical practices that have made use of glass instruments and objects. Emphasis is placed on those practices that use glass in a raw, acoustic manner, and those that take advantage of the precision with which glass can be tuned. First, a general history of glass music is presented, followed by an overview of the physical and acoustic aspects pertaining to the material that are relevant to those composers wishing to integrate glass into their works. Finally, the composers, performers and instrument builders who have made significant use of glass in the late twentieth and early twenty-first centuries are surveyed.


2020 ◽  
Vol 30 (2) ◽  
pp. 80-91
Author(s):  
Bartosz Michalak ◽  
Oliwia Graczyk

AbstractDiagnostics and mitigation of excessive moisture effects are some of the most frequent problems in historical buildings. In this article, an attempt was made to measure the moisture content of construction elements in the historical tenement house in Gubin. It is the largest town in the Krosno Poviat, in the area of the Lubuskie Voivodeship. The town suffered from military actions during World War II whereby approximately 90% of its urban development was destroyed. The tenement house at 14A, Śląska Street is one of the more well-preserved buildings, made in the classicist style with characteristic historical features. The whole history of the building is unknown but there are freemasonry symbols on the elevation, and probably the Military Police had its headquarters there after 1945.


Author(s):  
Kimberlee Weatherall

This chapter provides both an overview of the history of intellectual property (IP) laws in Australia and New Zealand, and pathways into existing and emerging scholarship in this area. It discusses convergence and divergence in copyright, patent and trademark legislation and case law between Britain and these two former colonies, from early colonial experimentation to the long period of closely mirroring UK reforms. In the late twentieth century, both countries developed more distinctive IP laws, and diverged on a range of fundamental questions. In the twenty-first century, trade policy—trans-Tasman and global—has created pressures for convergence, but as the countries have grown apart, more perhaps than many realize, so there is considerable resistance to unifying projects. The chapter closes with a discussion of the different trajectories in how IP and indigenous cultural and knowledge systems interface in Australia and New Zealand.


2021 ◽  
pp. 46-78
Author(s):  
Adam Crymble

By the twenty-first century, billions of historical sources were digitized, with many historians actively involved in this unprecedented archival revisionism. Understanding the history of mass digitization is fundamental to understanding the environment of historians in the late twentieth and early twenty-first centuries, as well as one of the key ways that historians applied computers to their cause. Charting the history of the archive through waves of interest in hypertext, multimedia, the Internet, Web 2.0, user experience, and mobile computing, this chapter argues that changes in technology-enabled historians to revise the nature of the archive, first by bringing primary sources into the classroom and then into the streets.


2019 ◽  
pp. 27-56
Author(s):  
Katherine Dugan

This chapter begins with a brief institutional history of FOCUS and then examines the longer historical trajectories behind the group. This pre-history of FOCUS traces twinned fears—a fear of “secular” US culture and a fear of “cultural” Catholicism—through five shifts in US Catholic history during the twentieth and twenty-first centuries. These shifts are postconciliar expansions of Catholic prayer, efforts to reclaim Catholic exceptionalism on Catholic college campuses, fears about Catholics on non-Catholic and public campuses, late-twentieth-century Catholics’ conflicted interactions with evangelical Protestants, and an increased strength and presence of a Catholic middle class. FOCUS and its evangelization methods were made possible by these trends.


2019 ◽  
pp. 275-278
Author(s):  
Emma Cole

Postdramatic receptions of ancient tragedy represent a growing trend in contemporary theatre. This conclusion draws together the three core styles of postdramatic theatre considered in Postdramatic Tragedies, and considers future directions surrounding the combination of ancient tragedy and postdramatic theatre. The chapter reaffirms the significance of the political to postdramatic classical receptions. It claims that postdramatic tragedies have pushed both the tragic genre and the postdramatic style in new directions, and that an appreciation of them is key to understanding the history of theatre and of tragedy in the late twentieth and early twenty-first century.


2020 ◽  
pp. 1-10
Author(s):  
Alan D. Roe

The history of the Russian national park movement spans from the pre-Revolutionary era to the early twenty-first century. The establishment of national parks in the Russian Soviet Federative Socialist Republic beginning in 1983 demonstrated environmentalists’ ability to push the Soviet government to make reforms in an era that is frequently misunderstood as one of stagnation. However, since that time, Russian national parks have almost always fallen short of the ambitious goals of their founders and have provided Russian environmentalists with a painful reminder of their state’s weak commitment to environmental protection. More so than any other work in the field of Russian environmental history, this story places Russian environmental protection firmly within the larger story of international environmental protection networks and organizations in the late twentieth century. It contributes to the growing literature on Russian tourism, the international history of national parks, and social movements in the Soviet Union’s last decades.


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