Global Modernity from Coloniality to Pandemic

This book poses questions about viewing modernity today from the vantage point of traditionally disparate disciplines engaging scholars from sociology to science, philosophy to robotics, medicine to visual culture, mathematics to cultural theory, etc., including a contribution by Alain Touraine. From coloniality to pandemic, modernity can now represent a global necessity in which awareness of human and environmental crises, injustices, and inequality would create the possibility of a modernity-to-come.

Analysis on the Development Direction of News Photography in the Digital Era

With the rapid rise of information technology and the continuous update of science and technology, society has stepped into the digital age, which accelerates the prosperity of visual culture, and news has entered the era of reading pictures. The development of digital technology not only brings convenience to news photography, but also brings great challenges to professional news photographers. The advantage is that the buttons of digital cameras have replaced the technical means of traditional film photography, thus greatly reducing the threshold of photography. This article will explain the two development directions of photojournalism in the digital age, evaluate the contribution of documentary photojournalism to society, and also consider some development constraints.

The Red Gown: Reflections on the Visual History of Menstruation in Scotland

Over the last decades, menstruation has become more present in public discourse in Scotland.While scholars are increasingly documenting this change, little attention has been paid to therole of menstrual art made in Scotland. In this article, we explore the historic contexts ofmenstrual art in the town of St Andrews and in Scotland during the late twentieth and earlytwenty-first century, and ask what this reveals about menstrual absence and presence in publicdebates. We do this in collaboration with artist Bee Hughes, whose practice focuses on thevisible and invisible aspects of menstruation, and who was artist in residence at St Andrews in2020. Due to a university strike and a pandemic, our collaboration changed and subsequentlyfocused more on the histories of menstrual art. We thus assess symbols and collections ofmenstrual visual culture in Scotland, including the use of the ceremonial red gown at theUniversity of St Andrews, and menstrual art collections at Glasgow Women’s Library and StAndrews Special Collections. Together, we reflect on how their histories might be both present(institutionalised) and absent (when not on display). 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Sexing the Archive

Despite being a widely consumed genre of visual culture, pornography remains a touchy subject in contemporary queer historiography. Queer archives overflow with it, but queer histories don’t. Historically associated with low culture and distrusted by value systems that have tended to privilege the “high” faculties of reason to the detriment of the “base” materiality of the body, its affects and appetites, porn is too rarely approached as a legitimate source with which to think cultural, affective, intellectual, and sexual histories. This article draws from porn studies and queer historiographies to draw some methodological considerations about the value, benefits, and challenges posed by porn archives to the writing of queer subcultural histories. Rather than trying to solve porn’s double ontological status as both documentary and fantasy, the authors locate in that defining feature of the genre porn’s value as a historical source. Simultaneously a document of sex cultures and of the edges of morality, and a historically and culturally situated speculation on what bodies and sex may become, porn offers both cultural critics and historians a rich archive for deepening their knowledge of the intersections of culture, morality, pleasure, community, embodiment, and the politics of belonging.

“The Cost of That Revealing”

Interview with Derek Conrad Murray, professor of history of art and visual culture at the University of California, Santa Cruz. Murray discusses his new book, Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control (2020), selfies, and the present and future potentials and limitations of visual studies.