Subjecting Sentences: Syntax and Power in Ocean Vuong’s On Earth We’re Briefly Gorgeous

Ocean Vuong’s semi-autobiographical novel On Earth We’re Briefly Gorgeous opens as a letter to the narrator, Little Dog’s, mother—it is a letter she’ll never be able to read, as she is illiterate in both her Vietnamese mother tongue and the limited English she has learned following her immigration to America. Little Dog, having learned both languages, resists the rigidity of their respective, repressive syntaxes; if syntax functions as ideology—as an imagined set of rules and processes which govern a structure of sentences within a language and, in turn, the subjected bodies which are interpellated by the literal and subsequently constructed Subject of such sentences—then Little Dog opposes such ideology by subverting the hierarchical Subject/subject relationships created within the subject/object sentence structure. Rather than align with Ferdinand de Saussure’s structuralist argument towards language as based in such hierarchical binary oppositions, Little Dog searches for a new language—one that can truly act as a bridge, rather than a border—often intentionally breaking prosaic form and grammar rules in an effort to unearth it.

Religion and Culture Intersected in 2M’s Mediated Discourse: Toruq Alarifeen Program as a Case Study

Early studies focused mainly on demystifying Sufism, but little has been said about its mediated broadcasting to the Moroccan audience. This article explores the ways Moroccan public media channels the Sufi dichotomies. Specifically, I investigate the binary oppositions of cultural rites versus Sufi esoteric practices through a reflexive thematic analysis. A purposeful inspection of Turouq Alarefeen’s TV program is gauged to identify the manifestation of Sufi and cultural aspects in this TV show as a sample for this study. Three themes are selected to contextualize the discussion: language absurdity, esotericism versus exotericism, and glorification of the shaykhs. The qualitative methodology seems to serve my research better as it is convenient for the nature of the subject matter. I have worked on the most recent ten program episodes as samples representing mainly an ongoing Sufi TV show. The main findings reveal how the Media reproduce the mystery of Sufism and the fact that coverage tends to amalgamate cultural dimensions of popular Islam with Sufi esoteric scopes.

Oposisi Biner dalam “Lettres de Mon Moulin” Karya Alphonse Daudet

Binary opposition is the most important aspect that can reveal how humans think, how humans produce meaning and understand reality (Culler, 1976). Therefore, the discovery of binary oppositions is useful in providing clues to the workings of human reason. In the context of narrative analysis, binary opposition can reveal how the logic behind a narrative is made. Based on this, this study highlights how the formation of binary opposition contained in the novel "Lettres de Mon Moulin" by Alphonse Daudet uses Lévi Strauss's theory of binary opposition (1955) and structural analysis using Freytag's plot theory (1863). The corpus of the research consists of six stories contained in the novel forming a binary opposition. After doing the analysis, it was found that a pair of words with binary opposition were included in the exclusive category and two pairs of words that were included in the non-exclusive binary opposition category. From these findings, it was found that the author of the novel, Daudet, gave directions on what was good and bad by giving a clear line of separation. This is in line with the context of making stories during the industrial revolution, which mapped the world into two things, namely traditional and modern life.

The Binary Oppositions in Joseph Conrad's Novel Heart of Darkness

The novel Heart of Darkness is regarded as one of Joseph Conrad's highly skilled works and seen as an important tale written between the years of 1898 - 1899, and also viewed as an assault on imperialism and unethical behaviors of the European colonizers in Africa in the nineteenth century. The novel displays the author's humanity towards the crimes of the colonists and imperialists throughout the world. In Heart of Darkness, Conrad shows the cruelty of colonialism in Africa through his major character, Charlie Marlow, who realizes the cruel manners of Belgian colonialism during his journey to the Congo looking for the European ivory agent, Kurtz. This novel is a combination of two opposite things. It exposes the author's viewpoint regarding the ethics of the Europeans and the Africans. This research concentrates on the binary oppositions in Heart of Darkness through Marlow's journey to Africa and exposes Marlow's struggle between his human nature and his beliefs and replies whether his conflict will be effective and bring good results or negative.

EUROPE IN OUR BLOOD... About the Nadezhda Venediktova`s book Caesar and Venediktova. Cultural excavations

Cultural Excavations by Nadezhda Venediktova were published in late autumn 2021, at the time most suitable for philosophical speculations. This way of thinking brings us close to a collapse that might equally turn out productive or catastrophic. Its anaemic academic manner stands out among full-blooded well-crafted literature of saturated and inspiring reality. Pandemic or not, we seek to know whether there is a need to distinguish between various cultures if at the end of the day people are still people. The author does not provide the answer but rather invites us to join a sophisticated mental game in fine textual decorations. And readers will walk away a little confused about simplicity of binary oppositions, and straightforwardness of the logic that a bored visitor so happily lays their hands on, eager and happy to get down to work. The book evolves around the topic of meeting thyself in different cultural surroundings. Sunlit essays bear the imprint of the bitter rationalism of the French enlightenment coupled with a weathered love of personal presence in the world. In her latest work, Nadezhda Venediktova ‘ambitiously comments on life’s creative abilities’. Vivid sketches entitled Passions for Europe may take place by a nameless lake in Zurich but remind readers of Michel Houellebecq’s concrete jungle, of Spengler’s mathematics. But nothing here speaks of The Decline of the West, under the author’s thoughtful gaze Europe comes to life fresh and real — a proverbial sphynx with its intriguing riddles. The author’s underworld meetings with the world literature alternate with colorful Italian landscapes. Vibrant images of friends are so true to life that remind of the immortality of soul. The soul of Europe is truly immortal and found across the continent — Italy, Britain, Austria, Germany, France, Greece, Switzerland, Spain — gave their name to the chapters but cannot be reduced to a dusty catalogue. Nadezhda Venediktova presents European countries through effortless florid metaphors. This what happens when Europe looks into the author’s soul, though it might look otherwise from an outside perspective.

War in Ippeisotsu’s by Katai Tayama

The main objective of this research is to analyze the binary opposition contained in Ippeisotsu’s short story to reveal hidden meanings and provide new meanings about the Japan-Russia war of 1904-1905 by using the Jacques Derrida’s deconstructive reading method. This study also connects the context outside the text, namely the historical context to find the position of the work in the midst of the war situation in 1908. Therefore, Michel Foucault’s theory of power regarding discourse is used to see how the discourse related to war, the image of the ideal army, the doctrine of state defense and obedience to the emperor was constructed. Deconstructive reading method will be used to deconstruct the binary opposition found and then describe it by using qualitative descriptive method. The result of this study is there are six binary oppositions found in Ippeisotsu’s short story. These six binary oppositions are used to reveal hidden meanings and to give new meaning to the Japan-Russia war of 1904-1905. The six binary oppositions found are superior (Japan) and inferior (China), leader and follower, subject of command and object of command, brave soldier and fearful soldier, physically strong soldier and physically weak soldier, and the last is the battlefield and civilian life. If this binary opposition is related to aspects outside the text, namely connecting literary works with wartime situations, then the result of the meaning that is revealed in Ippeisotsu’s short story is a critique of the Japan-Russia war.

The Wisdom of God as the Eternal Feminine: Dante and V.S. Solovyov on Sophianic Unity

The paper deals with the continuity of ideas concerning the Eternal Feminine and Sophia as the Wisdom of God from the point of view of Dante Alighieri and Vl.S. Solovyov. The analysis focuses not so much on the very notion of Sophia as on the meaning, origins, and contexts of their conception of Sophianic unity. The latter, being an ideal form of reducing a multitude to a unity, is considered as either an alternative or a supplement to the model of totality that reproduces the binary and hierarchical structure which at the social and political level is considered to be the pattern of imperial centralism. The study proceeds from the consequences of Dante’s negation of the difference between the spiritual sense of the Holy Scriptures and the literary sense of secular poetry. It is shown that for Dante it was necessary, first of all, to understand under whose inspiration and guidance he composed his verses, which gave particular importance to the image of a guide in his magnum opus. I show that in this context Dante turned to the intuitive representation of the feminine idea as a guiding principle that was personified by Beatrice, although Dante did not use the term “Sophia” and could not use the term “the Eternal Feminine,” which did not yet exist at the time. The disputes in Dante’s time on the essence of monarchy are considered in connection with his understanding of femininity as the guiding principle of such a unity of humanity that could reject a rigid hierarchy and, thus, free itself from imperial centralism. It is pointed out that the social and political aspects of the all-encompassing Sophia, which also resolves contradictions as a supplement to the intrinsically contradictory Logos, were given great importance in Solovyov’s philosophy. The paper concludes that it was Solovyov, who, having identified Sophia with humanity as a whole, created the presuppositions for a detailed study of the structure of Sophia’s unity. This study ends with a discussion of the validity of the convergence of a non-hierarchical Sophianic unity with the deconstructive strategies of modern philosophy, the aim of which is the elimination of binary oppositions and hierarchies from the gender context.

NEW MATERIALISM: PROJECTIONS INTO LITERARY THEORY AND CRITICISM

The article considers the recent (re)turn to materiality in philosophy and theory, in particular, such schools as speculative realism and object-oriented philosophy. They offer rethinking of objects and criticism of anthropocentric worldview. The attention to materiality privileges matter, body, and nature. Theorists of New materialism reject the binary oppositions (nature/culture, human/nonhuman, etc.) and insist on intra-action as a new materialist orientation. The author argues that the new materialist critique of conventional critique will be useful for literary theory and criticism. According to Latour, critique should be productive and collaborative. As far as critical judgments rely on thelogic of representation that in its turn is based on similarity, analogy and opposition they restrict the analytic enterprise. Moreover, it is necessary to rethink conventional practices of interpretation and explanation. In this context, K. Barad proposes to substitute these strategies with the practice of ‘diffraction’. In the second part of the article, the author analyzes Graham Harman’s article The Well-Wrought Broken Hammer:Object-Oriented Literary Criticism. We pay attention to Harman’s critique of New Criticism, New Historicism, and Deconstruction in their contrast to object-oriented philosophy. In his analysis of New Criticism, Harman figures out the taxonomic fallacy within this theory. He argues against the idea that only poetry has all the non-prose sense while other disciplines have the literal sense. His second argument against New Criticism problematizes the unity of all the elementsin a literary work. Harman outlines the assumptions of New Historicism and points out that it turns everything into interrelated influences. Instead, he argues that contextuality is not universal. In his criticism of Deconstruction Harman underlines that Derrida wrongly believes that ontological realism automatically entails an epistemological realism. In his turn, Harman insists that the thing is deeper than its interactions are.

Moral Code of a Person

The paper reveals the moral code, extolled in the renowned Kipling’s poem “If” by means of cognitive interpretation. The author’s message containing his idea of moral code is unraveled in minimum meaningful spaces of the poem (usually one or two lines), which are analyzed in depth. Each space highlights the trajector features of character and the corresponding reference frames (domains), which serve as background for their understanding. The peculiarity of moral concepts consists in the fact that they are based on the evaluative component and therefore they form binary oppositions. The antagonist for the moral concept within such opposition serves as its benchmark, since the essence of a moral value is revealed only when it is contrasted to its opposite, therefore the paper makes an attempt of alignment trajector domains with the benchmarks. In order to delve into the Kipling’s understanding of moral code the distinguished ethical values were arranged in the form of field model. The nucleus of the model comprises most frequently actualized values from the moral code, while periphery includes values with lower rate of actualization. Along with cognitive analyses of Kipling’s moral doctrine the paper highlights the peculiarities of poetic narration, which include abstract dictum, use of subjunctive mood and symbolism. Particular attention is also paid to the use of personification and metaphor.