scholarly journals Workers under Communist Rule: Research in the Former Socialist Countries of Eastern-Central and South-Eastern Europe and in the Federal Republic of Germany

2010 ◽  
Vol 55 (1) ◽  
pp. 83-115 ◽  
Author(s):  
Peter Heumos
Keyword(s):  
Working Class ◽  
Eastern Europe ◽  
Federal Republic ◽  
Social History ◽  
Federal Republic Of Germany ◽  
The Social ◽  
Political Traditions ◽  
History Of ◽  
South Eastern Europe ◽  
Eastern European Countries

SummaryAfter the collapse of the communist system in eastern Europe, the development of the historiographies in the Czech and Slovak republics, Poland, Hungary, Romania, Bulgaria, and the Federal Republic of Germany has been characterized by a broad spectrum of differences. This article offers an overview of the ways in which these differences have worked out for the history of the working class in the eastern European countries under communist rule, understood here as the social history of workers. It shows that cultural and political traditions and the “embedding” of historical research in the respective societies prior to 1989, the extent to which historiography after 1989 was able to connect to pre-1989 social-historical or sociological investigations, and the specific national political situation after 1989 make up for much of the differences in the ways that the history of the working class is dealt with in the countries concerned.

scholarly journals Introduction: Workers and Socialist States in Postwar Central and Eastern Europe

2005 ◽  
Vol 68 ◽  
pp. 1-8 ◽  
Author(s):  
Mark Pittaway
Keyword(s):  
Working Class ◽  
Eastern Europe ◽  
Social History ◽  
State Formation ◽  
Central And Eastern Europe ◽  
Special Issue ◽  
The Social ◽  
Industrial Labor ◽  
History Of ◽  
State Projects

The essays in this special issue by Jack R. Friedman, Sándor Horváth, Peter Heumos, and Eszter Zsófia Tóth, reflect a growing interest in the social history of industrial labor and industrial communities in postwar Central and Eastern Europe. While they approach their subjects in different ways and employing distinct methodologies, the essays suggest how the history of the working class and its relationship to postwar socialist state formation across the region might be rethought. They illustrate how the protracted construction and consolidation of socialist states in the region was negotiated on an everyday level by working-class citizens, and that this was a dynamic process in which state projects interacted with a variety of working-class cultures, that were in turn segmented by notions of gender, skill, generation, and occupation. The essays all demonstrate, in their different ways, how working-class Eastern Europeans were not simply acted upon by the operation of dictatorial state power, but played a role in state formation across the region. This role was characterized by an ambiguous relationship between workers and those in power who sought legitimacy by claiming that their states represented the interests of the “working class.” Yet the policies those in power pursued often confronted working-class communities directly in Czechoslovakia, Hungary, and Romania, as these essays suggest. This produced a complex relationship characterized by consent, accommodation and conflict that varied from locality to locality, state to state, and from period to period.

National Internationalists: British and West German Protests against Nuclear Weapons, the Politics of Transnational Communications and the Social History of the Cold War, 1957–1964

2005 ◽  
Vol 14 (4) ◽  
pp. 559-582 ◽  
Author(s):  
HOLGER NEHRING
Keyword(s):  
Cold War ◽  
International Relations ◽  
Social History ◽  
Nuclear Weapons ◽  
Political Movements ◽  
Protest Movements ◽  
The Social ◽  
Political Traditions ◽  
History Of ◽  
The Cold War

This article examines the politics of communication between British and West German protesters against nuclear weapons in the late 1950s and early 1960s. The interpretation suggested here historicises the assumptions of ‘transnational history’ and shows the nationalist and internationalist dimensions of the protest movements' histories to be inextricably connected. Both movements related their own aims to global and international problems. Yet they continued to observe the world from their individual perspectives: national, regional and local forms thus remained important. By illuminating the interaction between political traditions, social developments and international relations in shaping important political movements within two European societies, this article can provide one element of a new connective social history of the cold war.

Exit, Voice, and the Fate of the German Democratic Republic: An Essay in Conceptual History

1993 ◽  
Vol 45 (2) ◽  
pp. 173-202 ◽  
Author(s):  
Albert O. Hirschman
Keyword(s):  
Eastern Europe ◽  
Federal Republic ◽  
German Democratic Republic ◽  
Large Scale ◽  
Democratic Republic ◽  
Communist Regime ◽  
Federal Republic Of Germany ◽  
Special Shape ◽  
Public Protest ◽  
History Of

The revolutionary events of 1989 in Eastern Europe took a special shape in the German Democratic Republic: large-scale flights of citizens to the Federal Republic of Germany combined with increasingly powerful mass demonstrations in the major cities to bring down the communist regime. This conjunction of private emigration and public protest contrasts with the way these distinct responses to discontent had been previously experienced, primarily as alternatives. The forty-year history of the German Democratic Republic thus represents a particularly rich theater of operation for the concepts of “exit” and “voice,” which the author had introduced in his book Exit, Voice, and Loyalty (1970). The events of 1989 are scrutinized in some detail as they trace a more complex pattern of interaction than had been found to prevail in most previous studies.

Social History in Serbia: The Association for Social History

2008 ◽  
Vol 34-35 (1-2) ◽  
pp. 369-381
Author(s):  
Radina Vučetić ◽  
Olga Manojlović Pintar
Keyword(s):  
Cultural History ◽  
Social History ◽  
Economic History ◽  
History Of Ideas ◽  
History And Memory ◽  
The Social ◽  
History Of ◽  
South Eastern Europe ◽  
History Of Culture ◽  
The University

This review essay provides a brief overview of the research and publication activity of the Udruženje za društvenu istoriju/Association for Social History, an innovative scholarly organization established in 1998 in Belgrade, Serbia. The association promotes research on social history in modern South-Eastern Europe, with a focus on former Yugoslavia, and publishes scientific works and historical documents. The driving force behind the activity of the association is a group of young social historians gathered around Professor Andrej Mitrović, at the University of Belgrade. Prof. Mitrović’s work on the “social history of culture” has provided a scholarly framework for a variety of new works dealing with issues of modernization, history of elites, history of ideas, and the diffuse relationship between history and memory. Special attention is given to the Association’s journal, Godišnjak za društvenu istoriju/Annual for Social History, which published studies on economic history, social groups, gender issue, cultural history, modernization, and the history of everyday life in the nineteenth and the twentieth centuries. Methodologically routed in social history, these research projects are interdisciplinary, being a joint endeavor of sociologists, art historians, and scholars of visual culture.

The “Chiliasm of Despair” Reconsidered: Revivalism and Working-Class Agitation in County Durham

1989 ◽  
Vol 28 (1) ◽  
pp. 23-42 ◽  
Author(s):  
J. A. Jaffe
Keyword(s):  
Nineteenth Century ◽  
Working Class ◽  
Social History ◽  
Early Nineteenth Century ◽  
Wide Acceptance ◽  
The Social ◽  
History Of ◽  
The One ◽  
Political Radicalism

The role of evangelical religion in the social history of the English working class has been an area of both bewildering theories and un-founded generalizations. The problem, of course, was given a degree of notoriety by Elie Halévy who, according to the received interpretation, claimed that the revolutionary fervor characteristic of the Continental working class in the first half of the nineteenth century was drained from its British counterpart because of the latter's acceptance of Evangelicalism, namely, Methodism.It was revived most notably by E. P. Thompson, who accepted the counterrevolutionary effect of Methodism but claimed that the evangelical message was really an agent of capitalist domination acting to subordinate the industrial working class to the dominion of factory time and work discipline. Furthermore, Thompson argued, the English working class only accepted Methodism reluctantly and in the aftermath of actual political defeats that marked their social and economic subordination to capital. This view has gained a wide acceptance among many of the most prominent labor historians, including E. J. Hobsbawm and George Rudé who believe that Evangelicalism was the working-class's “chiliasm of despair” that “offered the one-time labour militant … compensation for temporal defeats.”There could hardly be a starker contrast between the interpretation of these labor historians and the views of those who have examined the social and political history of religion in early industrial Britain. Among the most important of these, W. R. Ward has claimed that Methodism was popular among the laboring classes of the early nineteenth century precisely because it complemented political radicalism.

scholarly journals Choosing Death: Working-Class Coming of Age in Contemporary British Cinema

2013 ◽  
Vol 10 (4) ◽  
pp. 746-768 ◽  
Author(s):  
Paul Dave
Keyword(s):  
Working Class ◽  
Social History ◽  
Social Space ◽  
Coming Of Age ◽  
Economic Changes ◽  
The Social ◽  
British Cinema ◽  
History Of ◽  
Raymond Williams ◽  
The Individual

Starting with Franco Moretti's hypothesis of a relationship between the experience of modernity and the coming of age narrative in the European novel, this article explores representations of the working-class Bildung in contemporary British films that can be seen as responding to social and economic changes generally associated with neoliberalism. Contrasting the emphasis on the individual negotiation of social space in the films of Danny Boyle with work from a range of directors, including Ken Loach, Penny Woolcock, Shane Meadows and Anton Corbijn, along with recent production cycles such as the football film, the article seeks to identify representations of working-class experiences, both limiting and liberating, which mark the inherently problematic attempt to imagine a successful working-class coming of age. In doing so, the article considers the usefulness of Raymond Williams’ class-inflected account of traditions of the social bond, in particular his notion of a ‘common culture’. At the same time, it examines how such representations of working-class life often emphasise the experience of class conflict, distinguished here from class struggle, and how, formally, this emphasis can result in narratives which are marked less by what Moretti describes as the ‘novelistic’, temporising structures of the classical Bildungsroman and more by the sense of crisis and trauma found in the late Bildungsroman and modern tragedy. Ultimately, the article argues for the relevance of the long view of the social history of Britain, as a pioneer culture of capitalism, in understanding these aspects of the representation of class cultures in contemporary British film.

scholarly journals The Borderlines of the Thaw: Graphic Art from the Federal Republic of Germany in Warsaw’s “Exhibition Factory” (1956–1957)

2020 ◽  
Vol 82 (1) ◽  
pp. 127-158
Author(s):  
Gabriela Świtek
Keyword(s):  
Federal Republic ◽  
Social History ◽  
Global Scale ◽  
The Political ◽  
Federal Republic Of Germany ◽  
Art Exhibitions ◽  
Graphic Art ◽  
Political Events ◽  
History Of ◽  
Post War

The aim of the essay is to delineate the political and artistic contexts of two exhibitions of graphic art from the Federal Republic of Germany held in the Central Bureau of Art Exhibitions, the main state art gallery in Warsaw (1956–1957). The historians consider the year 1956 – similarly to the years 1968 or 1989 – to be an important caesura in the political and social history on the global scale. In the history of modern art in Poland, the year 1956 is also perceived as a period crucial to changes in artistic life (Polish thaw). As the first show of West German artists in post-war Poland, the Exhibition of the Works of Graphic Artists from the Federal Republic of Germany opened in Warsaw on the same day when Nikita Khrushchev delivered his celebrated “Secret Speech” in Moscow (25 February 1956). The exhibition Poster Art in the Federal Republic of Germany was organized in 1957, after the events of the Polish October (1956). The idea to juxtapose art exhibitions with political events of their era follows contemporary reflections on the phenomenon of noncontemporaneity and on the heterogeneous nature of the visual time of art and exhibition histories.

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