The Manual of 1614

1984 ◽  
Vol 17 (2) ◽  
pp. 158-172
Author(s):  
J. D. Crichton

In recent years, students of recusancy have begun to turn their attention to the inner life of the Catholic community, a development much to be welcomed; and it is understandable that for the most part the centre of interest has been what is called the spiritual life. Influences coming from St. Francis of Sales and St. Teresa of Avila have been traced, and Augustine Baker has rightly been the subject of much study. What needs further investigation, I believe, is the devotional life of the ordinary person, namely the gentry and their wives and daughters in their country houses, especially in the seventeenth century. There were also those who towards the end of the century increasingly lived in London and other towns without the support of the ‘patriarchal’ life of the greater families. No doubt, many were unlettered, and even if they could read they were probably unused to handling anything but the simplest of books. It would be interesting to know what vernacular prayers they knew and said, how they managed to ‘hear Mass’, as the phrase went, what they made of the sacrament of penance, and what notions about God and Jesus Christ they entertained. Perhaps the religious practice of the unlettered is now beyond recall, but something remains of the practice of those who used the many Primers and Manuals that are still extant.

1959 ◽  
Vol 15 (4) ◽  
pp. 393-402 ◽  
Author(s):  
Lesley Byrd Simpson

Captain Francisco Antonio de Fuentes y Guzmán, whose proud boast it was (as he never tires of reminding us) that he was the great-great-grandson of Bernal Díaz del Castillo, in his erratic, rambling, and frequently delightful Recordación Florida (c. 1690), has this to say about the ancient town that will be the subject of this article: Three smooth and pleasant leagues north of this City of Goathemala, on a road thickly studded with villages and tile yards, upon a high eminence in the midst of a wide and marvelous plain, but so accessible and gently sloping that, despite the many carts, the journey can be made quite comfortably in a carriage, lies the town of Chimaltenango (called by the Indians, Bocco). This broad and smiling plain is always clothed with pleasant and fertile meadows, and with rich and extensive cornfields. It is more than sixteen leagues in circumference, of rich and very fecund soil, and produces in abundance, corn, chickpeas, beans, capons and chickens, as well as other things… . The Indians of the district do not cultivate other crops, but maintain themselves with what it yields, so that the people of its villages are plentifully supplied with everything, according to their own way of living, and have no need to seek food elsewhere… . On the contrary, the people from other villages come to their market to buy whatever they lack … , so that for three leagues roundabout (the distance to which their commerce extends) there is as much provender as one finds in the abundant markets of Goathemala City.


Via Latgalica ◽  
2017 ◽  
pp. 78
Author(s):  
Māra Kiope

The famous Latvian born Brasilian philosopher Staņislavs Ladusāns (1913-1993) due to the Soviet occupation could not return to Latvia any more, – as it had been envisaged – to take up a post in the Catholic Faculty of Theology at the University of Latvia. Thus he started his mission in Brazil (1946), where he became a Christian philosopher, known all over the world, especially because of his work “Many-sided gnoseology”, in which he synthesizes phenomenology and Thomism. Specialists in the history of philosophy of Brazil point out that activities initiated by S. Ladusāns brought a profound change in the development of the intellectual culture in Brazil. During the seventies of the 20th century Ladusāns was tackling the philosophical problematics of many-sided humanism. This notion clearly indicates that human understanding is based on a plurality of principles. Thus, in order to describe a human being, one has to illuminate several dimensions, or to perform various types of measurements. Father Ladusāns distinguishes the following dimensions that are of importance for the investigation of the human being: first of all it is gnoseology or the theory of the human capacity for cognition. Above that a human being is to be considered as possessing of immortal soul that determines personal self-esteem. A human being obtains intrinsic value amidst all the other values of economic or technological character. A human being exists in the community; a human being is to be viewed through a vertical dimension revealing the existence of God as the highest being, and through a supra-natural dimension that connects philosophical humanism with the Christian faith, thus providing for spiritual renewal of people. Human beings obtain wishes that go beyond the possibilities offered by the material world; these may be realized only through intensive spiritual life. Such life praxes are accessible only in Christianity; these correspond to the existence of the soul as an immortal spiritual substance encompassed by space and time. The starting point of metaphysics is the thirst of the human being for happiness. The further argumentation of Ladusāns, based on the openness of reason towards Revelation, postulates that God as the Highest Good reveals Himself as love, thus providing our need for inner peace, as it is testified by our inner experience. A person reaches out for infinite Goodness, for the Highest Good, which is the Reality, transcending all other realities. The result of the question of happiness is a practical one – by following the voice of conscience the human being performs choices and acts to deepen the unity with the Highest Good. In doing good things a human being acquires peace. Ladusāns points out that the notion of culture is analogical – that “culture” is equivocally formed and subjectively experienced act of the inner spiritual culture of the person. Equivocal designation means that the inner culture, the spiritual life is attributively used with reference to various manifestations of spirit, forms of artistic expression, etc. – which bear the name of “culture”. By cultivating one’s inner life and the immortal life of the soul, a person reaches such a level of critical competency, which allows to evaluate and to produce new forms of culture. The many-sided spiritual culture provides for personal and national elevation to a much higher level of fullness – reaching the status of love. However, a person is incapable of reaching such a task on his own; one needs cooperation with God. The individual person and a nation has to open up within the spiritual self-identity in the culture of love, so as to reach an increasing pulsation of culture, in order to take a stand against the inhuman ideology – saturated philosophy of modernity and post-modernity.


Author(s):  
Алла Кирилловна Конёнкова

Статья посвящена исследованию творческих поисков скульптора С. Т. Конёнкова. Несмотря на то, что многие созданные им произведения скульптуры и графики стали предметом художественного анализа и исследования, отдельные направления его творческих исканий до сих пор остались неизученными. В первую очередь, это касается художественных размышлений Конёнкова на раскрытие сюжетов Нового Завета, а также создание образа Иисуса Христа в графике и скульптуре. Духовная жизнь родного села Верхние Караковичи была тесно связана с Оптиной Пустынью, и память об общении с оптинскими старцами оказала сильное влияние на становление личности и творчества художника. В 1923 г. С. Т. Конёнков по поручению правительства в составе делегации художников и общественных деятелей уехал в Америку с выставкой работ советских художников и скульпторов, где задержался более чем на 20 лет. Этот период творчества слабо изучен, но именно в это время появляются первые скульптурные работы, изображающие Иисуса Христа. The article is devoted to the study of the creative heritage of the sculptor S. T. Konenkov. Despite the fact that many of his sculptures and graphic works became the subject of scientific analysis and research, some areas of his artistic search have remained unexplored. First of all it concerns Konenkov’s reflections on the New Testament subjects, as well as the creation of the image of Jesus Christ in graphics and sculpture. The spiritual life of his native village Verkhniye Karakovichi was closely connected to Optina Hermitage, and the memory of discussions with the Optina elders had a strong influence on the formation of the artist’s personality and his further work. In 1923, on behalf of the government, S. T. Konenkov, left for America as part of a delegation which organized an exhibition of Soviet artists and sculptors. There he stayed for more than 20 years. That period of his life and work is poorly studied, but it was the time when the first sculptural works depicting Jesus Christ appeared.


Quaerendo ◽  
1982 ◽  
Vol 12 (2) ◽  
pp. 130-158
Author(s):  
Henk Th. Van Veen

AbstractThe subject of this article is a collection of letters from Pieter Blaeu to Antonio Magliabechi, the librarian of the Grand-Duke of Tuscany. These letters are kept in the Biblioteca Nazionale Centrale in Florence. They shed light on Pieter's activities as a book-seller, printer and publisher and do away with the impression which has hitherto been conveyed of him as a man who held aloof from the family business. They also contain important information about the functioning of the Blaeu firm in its sparsely documented 'later days'. Finally the letters provide us with a glimpse of the book-trade between Italy and the Republic in the second half of the seventeenth century, a subject that has so far been studied relatively little. The present article concentrates on one of the many aspects of the correspondence - the assistance which Pieter requested and obtained on two occasions from the Italians in accomplishing Blaeu projects. The first occasion on which he appealed to Magliabechi was when he required drawings for the book on Tuscan towns which was supposed to appear in the series of books on the towns of Italy. Thanks to Magliabechi a considerable number of these drawings were executed, but, for various reasons, the plan was doomed to fail. The second occasion was when the Blaeus were proposing to issue an edition of Petronius's Satyricon which would include the recently discovered fragment of the Cena Trimalchionis. This fragment was printed in Padua in 1664 and Magliabechi made sure that the Blaeus obtained this first edition as quickly as possible. In contrast to the book of Tuscan towns the Blaeu Satyricon was indeed published: it appeared in 1669 with a dedication to Antonio Magliabechi.


Author(s):  
Laurence Lux-Sterritt

This book highlights how the English Benedictine nuns lived their faith in convents where they obeyed the same Rules as their European counterparts, and served the same Church. Like other Continental convents, they were influenced by the disputes that divided the early modern Church, particularly with regards to the influence of the Society of Jesus. They embraced the missionary spirit and the devotional fervour which has been noticed as the trademark of seventeenth-century Catholicism. But beyond similarities, English convents also display features which are quite specific of the English monastic experience in exile, and which are not found in the cloistered communities of Spanish, French or Italian nuns. The social profile of Benedictine monasteries, their finances, their recruitment, the local success of their settlement, and the many facets of their spiritual life, were deeply influenced by the circumstances of English Catholicism and of the English mission; they mirrored, in microcosm, the circumstances, strengths and flaw-lines of both their national and international contexts.


2014 ◽  
Vol 11 (01) ◽  
pp. 35-42
Author(s):  
M. Hermans

SummaryThe author presents his personal opinion inviting to discussion on the possible future role of psychiatrists. His view is based upon the many contacts with psychiatrists all over Europe, academicians and everyday professionals, as well as the familiarity with the literature. The list of papers referred to is based upon (1) the general interest concerning the subject when representing ideas also worded elsewhere, (2) the accessibility to psychiatrists and mental health professionals in Germany, (3) being costless downloadable for non-subscribers and (4) for some geographic aspects (e.g. Belgium, Spain, Sweden) and the latest scientific issues, addressing some authors directly.


Author(s):  
Pierre Iselin

Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on the drama and the limits of comedy. Pinned against contemporary contexts, Twelfth Night is therefore regarded as experimenting with an aural perspective and as a play in which the genre and mode of the song, the identity and status of the addressee, and the more or less ironical distance that separates them, constantly interfere. Eventually, the author sees in this dark comedy framed by an initial and a final musical event a dramatic piece punctuated, orchestrated and eroticized by music, whose complex effects work both on the onstage and the offstage audiences. This reflection on listening and reception seems to herald an acoustic aesthetics close to that of The Tempest.


2021 ◽  
Author(s):  
Andi Asrifan ◽  
Abd Ghofur

Anyone who wants to get ahead in academic or professional life today knows that it’s a question of publish or perish. This applies to colleges, universities, and even hospital Trusts. Yet writing for publication is one of the many skills which isn’t formally taught. Once beyond undergraduate level, it’s normally assumed that you will pick up the necessary skills as you go along.Writing for Academic Journalsseeks to rectify this omission. Rowena Murray is an experienced writer on the subject (author of How to Write a Thesis and How to Survive Your Viva) and she is well aware of the time pressures people are under in their professional lives. What she has to say should be encouraging for those people in ‘new’ universities, people working in disciplines which have only recently been considered academic, and those in professions such as the health service which are under pressure to become more academic.


2000 ◽  
Vol 33 (1) ◽  
pp. 162-166
Author(s):  
Jonathan Magonet ◽  
Albert H. Friedlander ◽  
Evelyn Friedlander

The Art of Public Prayer: Not for Clergy Only (second edition), Lawrence A. Hoffman, Sky-Light Paths Publishing, Woodstock, VT, 1999, 270 pp., $17.95, ISBN 1-893361-06-3A Heart of Many Rooms: Celebrating the Many Voices within Judaism, David Hartman, Jewish Lights Publishing, Woodstock, VT, 1999, 298 pp, $24.95, ISBN 1-58023-048-2Moses - The Prince, the Prophet: His Life, Legend and Message for Our Lives, Rabbi Levi Meier, Woodstock, VT, Jewish Lights Publishing, 1998, 224 pp., $23.95, ISBN 1-58023-013-XVoices from Genesis: Guiding Us Through the Stages of Life, Norman J Cohen, Woodstock, VT, Jewish Lights Publishing, 1998, 179 pp., $21.95, ISBN 1-879045-75-3These Are the Words: A Vocabulary of Jewish Spiritual Life, Arthur Green, Woodstock, VT, Jewish Lights Publishing, 1999, 304 pp. (hc), $21.95, ISBN 1-58023-024-5New Voices in Jewish Thought: a collection of essays edited by Keith Harris with a foreword by Jonathan Webber. Volume Two, London, Limmud Publications, 1999, 101 pp., ISBN 0-9532273-2-4Lebendiges Judentum II - Predichtung und Betrachtnung eines Rabbines 1990-1995, Israel Aaron Ben Yosef, Arbeiten von Ursula Harver und Rahel Rosenzweig, Erhaus gegeben von Erhard Roy Wien, Hartung-Gorre Verlag Konstanz, 1999, 219 pp., DM44. ISBN: 3-89649-382-5


2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.


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