Baroque Theatricality

2019 ◽  
pp. 64-87
Author(s):  
Julia Gros de Gasquet
Keyword(s):  
Seventeenth Century ◽  
First Century ◽  
Historical Approach ◽  
Architectural Space ◽  
Human Emotions ◽  
Twenty First Century ◽  
Special Meaning

This paper focuses on “baroque theatricality” as a historical approach to the stage in the seventeenth century and its subsequent representation in theaters in the twenty-first century. What do actors do with the text? How do they give life to the words and implied gestures? The expression of human emotions (joy, fear, anger, despair, etc.) was codified by rhetorical gestures and tones of voice, while the makeup was a codified way of drawing the emotions on the skin. The relation among the actors, architectural space, and the audience gives a special meaning to the concept of dramatic illusion in this period, as this illusion was crafted by actors rather than theoreticians.

Epilogue

2017 ◽  
Author(s):  
Dalia Judovitz
Keyword(s):  
Seventeenth Century ◽  
Art History ◽  
First Century ◽  
Conceptual Approach ◽  
Twenty First Century ◽  
Viewer Response ◽  
Artistic Legacy

The epilogue presents a reassessment of La Tour’s reception and pictorial impact in light of his unique and inexplicable disappearance from the annals of art history. His pictorial legacies to both the seventeenth century and to the twenty-first century are considered insofar as they provide a platform for engaging in broader reflections on the nature of vision, the visible, and viewer response. The importance and endurance of La Tour’s artistic legacy is summed up in terms of his conceptual approach which calls the very nature of painting into question.

Darien, the Golden Dream

2021 ◽  
pp. 130-185
Author(s):  
Kirsten Sandrock
Keyword(s):  
Seventeenth Century ◽  
First Century ◽  
Indigenous Populations ◽  
Historical Writing ◽  
Colonial Literature ◽  
Scottish Literature ◽  
Female Authors ◽  
Isthmus Of Panama ◽  
Twenty First Century ◽  
The Uk

This chapter focuses on literary and cultural works dealing with Scotland's attempt to colonize Darien, at the Isthmus of Panama, in the 1690s. It establishes Darien as a central trope in Scottish literature by analyzing works from the seventeenth to the twenty-first century, including novels, poetry, drama, songs, and political treatises by William Paterson, William Burnaby, Eliot Warburton, Douglas Galbraith, David Nicol, Alistair Beaton, and anonymous female authors. It illustrates how these depictions interact with other political and ideological trajectories in Scotland and the UK, including Jacobitism, Anglo-Scottish relations, and revisionist historical writing. The chapter establishes images of Darien gold and material possession as central structuring devices of Scottish colonial literature, which stand in conflict with depictions of Scotland's alleged kindness towards the indigenous populations of Panama. The chapter argues that narratives of benevolence together with narratives of gold and material possessions turn the colonial utopian tradition into a full-fledged myth of the Scottish Atlantic by the end of the seventeenth century. The mythologization of the colonial sphere together with the mythologization of the Scottish settlers functions as an aesthetic instrument to enter the competition over power in the late-seventeenth-century Atlantic.

LOCKE AND THE PURSUIT OF HAPPINESS

Think ◽  
2010 ◽  
Vol 9 (24) ◽  
pp. 67-71
Author(s):  
Terence Moore
Keyword(s):  
Seventeenth Century ◽  
John Locke ◽  
First Century ◽  
Pursuit Of Happiness ◽  
Human Understanding ◽  
Essay Concerning Human Understanding ◽  
Twenty First Century

The seventeenth-century philosopher John Locke, transported to the twenty-first century, has been discussing with Terence Moore, a twenty-first century student of language, questions concerning words, meanings and understanding. In this conversation Moore tackles Locke on the role he assigns to happiness in his An Essay Concerning Human Understanding.

scholarly journals A Further Note on Federal Causes of Action

2017 ◽  
Author(s):  
John F. Preis
Keyword(s):  
Eighteenth Century ◽  
Subject Matter ◽  
Federal Courts ◽  
First Century ◽  
Historical Approach ◽  
Twenty First Century ◽  
Over Time

In the article, I argue that federal causes of action ought to be treated as (1) distinct from substantive rights, (2) synonymous with the availability of a remedy (but not whether a remedy will in fact issue) and (3) distinct from subject matter jurisdiction (unless Congress instructs otherwise). This thesis is built principally on a historical recounting of the cause of action from eighteenth century England to twenty-first century America. In taking an historical approach, I did not mean to argue that federal courts are bound to adhere to centuries-old conceptions of the cause of action. I merely used history to show why the cause of action has taken on various identities and, further, why these identities have changed over time. By closely attending to these changes, we can better determine whether linguistic changes signal substantive changes in doctrine, or are simply loose language.

scholarly journals Recorder Use in Sacred Music during the Spanish Siglo de Oro: Archival Evidence, Historical Practices, and Applications in Performance - Audio_Files

2021 ◽  
Author(s):  
Julia Miller
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Sacred Music ◽  
First Century ◽  
Siglo De Oro ◽  
Scholarly Research ◽  
Twenty First Century ◽  
Historical Practices

This article presents findings and conclusions from a recently completed Ph.D. project which researched the use of recorders in performing sacred music in Spanish cathedrals and churches during the sixteenth and early seventeenth centuries. This study also examined interactions of the historical findings with artistic questions arising in twenty-first-century performance of sacred music repertoire. Paradoxically, while numerous sets of recorders were purchased by ecclesiastic institutions during the sixteenth century, most contemporary compositions did not specifically call for their use. As well, surviving sixteenth- and early seventeenth-century documentation is highly fragmentary regarding the participatory role of recorders in sacred repertoire of this period. Scholarly research and writing had not addressed this issue, and many questions persisted regarding any role of recorders in this repertoire. Sacred music of this era offers the modern musician an extensive and rich potential repertoire of supreme quality and beauty. Therefore, in seeking an historically informed basis for performance, this project asked if recorders were used in such works in Spanish ecclesiastic institutions during the sixteenth and early seventeenth centuries, and, if so, how.

The Maya: A Very Short Introduction

2020 ◽  
Author(s):  
Matthew Restall ◽  
Amara Solari
Keyword(s):  
Seventeenth Century ◽  
First Century ◽  
Artistic Expression ◽  
Short Introduction ◽  
Maya Civilization ◽  
Twenty First Century ◽  
City States ◽  
The Universe

The Maya: A Very Short Introduction examines the history and evolution of Maya civilization, explaining Maya polities or city-states, artistic expression, and ways of understanding the universe. Study of the Maya has tended to focus on the 2,000 years of history prior to contact with Europeans, and romantic ideas of discovery and disappearance have shaped popular myths about the Maya. However, they neither disappeared at the close of the Classic era nor were completely conquered by Europeans. Independent Maya kingdoms continued until the seventeenth century, and while none exists today, it is still possible to talk about a Maya world and Maya civilization in the twenty-first century.

From the Ashes

Daphnis ◽  
2018 ◽  
Vol 46 (4) ◽  
pp. 505-544
Author(s):  
Thea Lindquist ◽  
Richard Hacken
Keyword(s):  
Seventeenth Century ◽  
Research Community ◽  
First Century ◽  
Scholarly Research ◽  
Early Twenty ◽  
Twenty First Century ◽  
The Impact ◽  
Looking Back

In 2004, fire struck the Herzogin Anna Amalia Bibliothek (HAAB) in Weimar. The fire particularly affected its seventeenth-century collections, among them rich holdings of works associated with the Fruchtbringende Gesellschaft, the foremost seventeenth-century German cultural society. This article investigates the impact of the blaze, looking back over the decade that has elapsed since the event. Among the questions investigated are: what are the numbers of lost, damaged, and surviving volumes? What are the effects on the scholarly research community? How successful has the HAAB been in replacing lost Society editions? What roles have the HAAB’s duplicates and restoration efforts played in the editions’ continued accessibility? How has, in sum, the significance of the library’s Fruchtbringende Gesellschaft holdings been altered due to the damage inflicted by an early twenty-first century disaster?

Margaret Cavendish

2019 ◽  
Author(s):  
David Cunning
Keyword(s):  
Political Philosophy ◽  
Seventeenth Century ◽  
Cross Section ◽  
Philosophy Of Mind ◽  
Sensory Perception ◽  
First Century ◽  
Margaret Cavendish ◽  
Human Beings ◽  
Twenty First Century ◽  
The Universe

Margaret Cavendish, a seventeenth-century philosopher, scientist, poet, playwright, and novelist, went to battle with the great thinkers of her time, and in many cases arguably got the better of them, but she did not have the platform that she would have had in the twenty-first century. She took a creative and systematic stand on the major questions of philosophy of mind, epistemology, metaphysics, and political philosophy. She defends a number of theses across her corpus: for example, that human beings and all other members of the created universe are wholly material; that matter is eternal; that the universe is a plenum of contiguous bodies; that matter is generally speaking knowledgeable and perceptive and that non-human creatures like spiders, plants, and cells exhibit wisdom and skill; that motion is never transferred from one body to another, but bodies always move by motions that are internal to them; that sensory perception is not via impressions or stamping; that we can have no ideas of immaterials; and that creatures depend for their properties and features on the behavior of the beings that surround them. Cavendish uses her fictional work to further illustrate these views, and in particular to illustrate the view that creatures depend on their surroundings for their social and political properties. For example, she crafts alternative worlds in which women are not seen as unfit for roles such as philosopher, scientist, and military general, and in which they flourish. This volume of Cavendish’s writings provides a cross-section of her interconnected writings, views, and arguments.

Sign in / Sign up

Export Citation Format

Share Document