FINDING OURSELVES AFTER DARWIN: CONVERSATIONS ON THE IMAGE OF GOD, ORIGINAL SIN, AND THE PROBLEM OF EVIL. Edited by Stanley P.Rosenberg. Grand Rapids, MI: Baker Academic, 2018. Pp. vii + 384. $34.00.

2020 ◽  
Vol 46 (3) ◽  
pp. 387-388
2020 ◽  
Vol 27 (1) ◽  
pp. 74-76
Author(s):  
Carol King

Review of Stanley P. Rosenberg, Michael Burdett, Michael Lloyd and Benno van den Toren, eds., Finding Ourselves After Darwin: Conversations on the Image of God, Original Sin, and the Problem of Evil (Grand Rapids, Mich.: Baker Academic, 2018), pp. vii + 375, ISBN 978-0801098246. £19.99


Author(s):  
David P. Barshinger

This chapter describes Jonathan Edwards’s doctrine of sin and evil. It emphasizes the role of the Bible as foundational to his theology while also highlighting his desire to defend the reasonableness of traditional Christian doctrine in light of eighteenth-century intellectual challenges. The chapter explores Edwards’s theodicy in response to the problem of evil—how he sought to absolve God of the charge that he is the author of evil. It describes Edwards’s doctrine of original sin and human depravity, which he explained by defending the universality of sin and the transmission of Adam’s sin to his posterity and in which he developed an innovative metaphysic using occasionalism and continuous creationism. As a pastor, Edwards preached on sin to warn people of punishment, call them to repentance, and emphasize redemption in Christ. The chapter recommends giving greater attention to Edwards’s sermons and pastoral ministry in understanding his view of sin and evil.


enadakultura ◽  
2021 ◽  
Author(s):  
Eka Oragvelidze

The main objecvtive of Davit Guramishvili's poetic work is getting to know one’s self. Thus, the author’s lyrical "I" is clearly visible in the poem. In order to get to know one’s self, meaning of the human existence needs to be explored. The image of God as well as the sinful nature has been inherited in the humankind.Christ has redeemed the humankind from the captivity of original sin, paying the "old debt". "Davitiani” is based on such Christian ideology. On the one hand, the poet notes that God undertook the obligation to save his creatures in the first place. At the same time, Davit Guramishvili believes that he is indebted to God as he is born as his image, in his likeness. The second reason behind man's duty to God is the redemption of sins and the restoration of damaged image. The New Testament has imposed a "new debt" on mankind.The main purpose of the "new man", which is deification, begins with the discovery of the likeness of God in himself, then - with repentance of the sins. At the end, the person on the path of personal perfection meets God.Davit Guramishvili's lyrical character also starts to strive for "deification". He regrets that he has been robbed of the light of the Lord. Like a sinful Adam he is dressed in leather, and deprived of the sun of paradise, is buried in the abyss of hell.Remembering the passion of the Savior on the cross is the duty of the Christian. He should sympathize with and mourn the martyrdom of Jesus with his own sins. The most ardent co-sufferer of the sufferings of Christ is the Mother of God. The poet's lyrical protagonist recalls the tragedy of Golgotha ​​and seems to feel the pain inflicted by the Lord’s wounds, expressing the communion of the sufferings of the Virgin. David Guramishvili, as a Christian author, thus becomes an accomplice of the Lord's passion.Such a principle of liturgical thinking in the work of David Guramishvili, first of all, relies on the idea of St. Paul the Apostle, according to which the man would gain life in Christ through crucifixion. Such a concept is also revealed in the old Georgian theological poetry. It is noteworthy that the poet's lyrical protagonist will also replace Adam and by considering his mourning as his own tragedy, he tries to establish a personal "I".The poet sympathizes with the Adam's sin. However, he rejoices by the fact that he is freed from the "old debt" and this time he feels a new duty towards the Savior, Christ. For Davit Guramishvili, the poetic path has become an arena of spiritual victory in order to get to know one’s self. Therefore he establishes a personal lyric based on liturgical consciousness. The poet, through his work, aims to glorify the Savior, express gratitude and love towards him and thus pay the "new debt“.


Author(s):  
Michael C. Rea

This book is the second of two volumes collecting together the most substantial work in analytic theology that I have done between 2003 and 2018. The first volume contains essays focused, broadly speaking, on the nature of God; this second volume contains essays focused more on doctrines about humanity, the human condition, and how human beings relate to God. The essays in the first part deal with the doctrines of the incarnation, original sin, and atonement; the essays in the second part discuss the problem of evil, the problem of divine hiddenness, and a theological problem that arises in connection with the idea God not only tolerates but validates a response of angry protest in the face of these problems.


Literator ◽  
2004 ◽  
Vol 25 (2) ◽  
pp. 1-26 ◽  
Author(s):  
M. Van Vuuren

Golding’s Lord of the Flies, first published in 1954, reflects a bleak sense of post-war pessimism. But with undue attention focused on its portrayal of original sin and the problem of evil, readings have often remained reductive. In this article it is argued that the novel’s symbolic narrative is polysemic and, when it is read as anagogic myth, may be seen to span Judaeo-Christian Heilsgeschichte or salvation history, rewriting its chapters of creation, Fall, the problem of evil, the failure of law, the hope of salvation, the mission of a messianic figure, and – in the clearest departure from the Biblical narrative – an ambiguous representation of his return. This study examines the novel’s often paradoxical symbolism using Frye’s phases of anagogic myth, with its poles of apocalyptic and demonic imagery. It traces the relation of symbols to their counterparts in Biblical narratives, drawn in particular from the symbolic writings of the origin and end of humanity, to elucidate Golding’s bleak but certainly not hopeless rewriting of the salvation story for a post-faith readership.


2021 ◽  
Vol 30 (1) ◽  
pp. 61-69
Author(s):  
Daniela C. Augustine

Abstract In this response Daniela C. Augustine engages the three articles, published in the present issue of the journal, which dialogue with her monograph The Spirit and the Common Good: Shared Flourishing in the Image of God (Grand Rapids, MI: Eerdmans, 2019). Her dialogue partners are Frank D. Macchia, Chris E.W. Green, and Joseph M. Lear.


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