The chapter argues that Jonathan Edwards’s concept of God was largely traditional and that arguments to the contrary which privilege his discussions of a so-called social Trinity are mistaken. It also takes issue with the currently popular view that Edwards was a panentheist. There is a clear sense in which God includes the world but—with one unique exception—the world does not include God. Just as the coming into being of Raphael’s Dresden Madonna is a literal part of his painting it, so God’s ‘acts’ of creation or emanation are properly regarded as parts of him, and what he does (that is, what he emanates) is literally part of that action. But what God creates or emanates is the history of redemption, and some parts of that history are more central or immediately salient than others. The material world, for example, is essentially nothing more than a platform on which the drama of redemption is enacted. The central or most immediately salient, on the other hand, are the lives of the saints, and it is only the latter whose lives can be said to include God. For because the saints necessarily include the Holy Spirit, they necessarily include God. The chapter concludes with a discussion of Edwards’s views on the ontological status of mathematical, logical, metaphysical, and morally necessary truths. The chapter argues that they are neither created by God nor exist independently of him but are instead aspects or expressions of his goodness.