Summary of fossil vertebrate taxa named by Richard C. Fox, with an annotated list of taxa named between 1962 and 2012 and new photographs for non-mammalian therapsid and mammalian holotypes erected between 1968 and 1994

2013 ◽  
Vol 50 (3) ◽  
pp. 213-234 ◽  
Author(s):  
Craig S. Scott ◽  
James D. Gardner

Beginning in 1962 and extending to the present, Richard C. Fox and colleagues have named 87 species of fossil vertebrates (1 fish, 4 amphibians, 2 choristoderes, 12 lizards, 1 crocodile, 1 dinosaur, 2 “pelycosaurs”, 2 non-mammalian therapsids, and 62 mammals) and numerous new supraspecific taxa. Virtually all of these species continue to be accepted, although the higher-level assignments of several have been altered. The vast majority of the named species were founded on specimens, collected during the mid-1960s to early 2000s by field parties under Fox’s direction, from the Late Cretaceous (late Santonian to late Maastrichtian) and Paleocene of Alberta and Saskatchewan, Canada, and that are housed at the University of Alberta Laboratory for Vertebrate Paleontology. Here we present (i) an annotated list of all fossil vertebrate species named by Richard Fox between 1962 and 2012, (ii) updated information on the stratigraphic nomenclature and age estimates for the eight localities in Alberta that yielded holotypes for all the Cretaceous mammal species named by Richard Fox from that province, and (iii) new photographs for the holotypes of the one non-mammalian therapsid and 43 Late Cretaceous and Paleocene mammal species named by Richard Fox before 1995.

1946 ◽  
Vol 24d (5) ◽  
pp. 157-173 ◽  
Author(s):  
E. H. Strickland

In 1938 a list of 1348 species of Diptera that, at that time, were known to occur in Alberta was published in the Canadian Journal of Research. Upon its appearance, specialists in several different groups in this order offered to re-examine all of the material in the University of Alberta collection that belonged to the families in which they were interested.This re-examination necessitates the replacement of 50 of the names that were recorded in 1938 and the addition of about 300 new records. These, together with the information generously provided by members of the Dominion Division of Entomology regarding unpublished records of species that are not represented in the University collection, brings the total Albertan records of flies to nearly 1900 species. A capture of unusual interest is the 'eye gnat' (Hippelates pusio Lw.), the distribution of which, on this continent, was, supposedly, confined to "the southern United States where the winters are mild".


2013 ◽  
Vol 32 (2) ◽  
pp. 204-234 ◽  
Author(s):  
Paul Brinkman

A Field Museum expedition to collect Late Cretaceous dinosaurs operated for three and a half months in the summer of 1922 in the Red Deer River badlands (Oldman and Dinosaur Park formations, Belly River Group) in an area now known as Dinosaur Provincial Park in southern Alberta, Canada. Associate Curator of Vertebrate Paleontology Elmer S. Riggs led the expedition. He was ably assisted by veteran collectors George F. Sternberg and John B. Abbott. A trio of novice collectors, Anthony Dombrosky, George Bedford and C. Harold Riggs, Elmer's youngest son, rounded out the party. The expedition was a success, netting several quality specimens of duckbilled dinosaurs; one small, partial theropod skeleton; an unidentified duckbilled dinosaur skull; four turtles; other miscellaneous fossil vertebrate remains; numerous fossil plants and invertebrates; and a large fossil log. In 1956, one of these specimens—a nearly complete lambeosaurine hadrosaur reconstructed as Lambeosaurus—debuted as the less fortunate partner of Gorgosaurus in the museum's iconic ‘Dinosaurs, Predator and Prey’ exhibit in Stanley Field Hall. Both of these specimens are still on display in a permanent exhibit called ‘Evolving Planet’. Another notable specimen prepared in 1999-2000 after nearly eighty years in an unopened field jacket has been identified as a juvenile Gorgosaurus. This specimen—nicknamed ‘Elmer’—was recently touring the globe as part of the ‘Dinosaurs: Ancient Fossils, New Discoveries’ exhibit. More importantly, the expedition was an invaluable shakedown experience for the fossil hunting crew and their new equipment in the months before they left on an ambitious, multi-year fossil mammal collecting expedition to Argentina and Bolivia. An oft-repeated myth holds that Riggs viewed the Alberta expedition as a failure and departed the field the moment he obtained permission to go to South America. This paper shows that myth to be unfounded.


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Leslie Aitken

McDonald, Megan.  Judy Moody and the Right Royal Tea Party. Illustrated by Peter H. Reynolds. Candlewick Press, 2018. The multi-volume Judy Moody series continues here as Judy attempts to complete a grade three assignment: create a family tree. Learning that one of her British ancestors was “Mudeye” Moody, rescuer of a prisoner from the Tower of London during the reign of Queen Elizabeth I, Judy embellishes: the rescuer was a young prince; the prisoner was a princess; she, herself, is akin to royalty, a future Queen. There is, however, a rival for her title, her schoolmate, Jessica Finch. Jessica, too, has British roots. She, too, claims kinship with Mudeye Moody. Jessica’s Mudeye, however, was a rat catcher who rescued his lady from the Tower in the time of Queen Victoria. Unaware that more than two centuries elapsed between the reigns of Elizabeth I and Queen Victoria, the two girls decide that Mudeye Moody, the one-and-the-same, is their mutual ancestor. They ally; they are “step sisters.” They will keep secret Judy’s relationship to the rat catcher, but, together, they will stage a “Right Royal Tea Party.”  Judy Moody is a domineering child. No constitutional monarch is she; she is a despot, her younger brother the target of her bullying. In both conversational and narrative passages, scatology is the norm. Judy and her friends belong to the “Toad Pee Club.” They meet in the “Toad Pee Tent.” Her younger brother’s Siamese Fighting  Fish is named “Prince Redmond the Farter.” It communicates, of course, by ”farting.” Throughout the book, the young brother is referred to as “Stink.” (There is never any adult censure of this talk.) Dubious diction continues in Judy’s letter to the current Queen Elizabeth. She asks: “...Did you ever ride a hinny? (That’s a cross between a horse and a donkey, not a hiney?) … P.S. Sorry if I’m not supposed to say hiney in a letter to the Queen.” (Among its various uses, “hiney” is slang for “buttocks.” It is, as well, a derogatory 20th-century term for a German soldier.) Questions spring to mind as one reads this book: does the writing merely reflect the anal obsessions of children, or does it encourage them? The same could be asked about bullying behaviours. It is also curious that the historical dates of Elizabeth I (who died in 1603) and Queen Victoria (who came to the throne in 1837) are never given. There are natural opportunities within the story to do so: Peter Reynold’s illustration of “Famous Women Rulers” is one such opportunity; the Moody family’s trip to Wolff Castle is another. Of course, if Judy and Jessica discover the dates, they must give up their assumptions about Mudeye; he would have to have lived for more than two centuries to perform his dual acts of gallantry. Are the presumed readers (upper primary, lower elementary school children) thought to be too immature to appreciate this absurdity? Or must they be kept in ignorance lest the contrivance of the plot be revealed?    In Canada, school children are taught that the Queen is a constitutional monarch, a symbol of national unity, not a ruler. Because she lives in England, she has a Canadian representative who performs her ceremonial duties. A Canadian Judy Moody might dream differently—perhaps pretending that she is an astronaut like Governor General Julie Payette. While much imagination went into the premise of this book, it lacks thoughtful, well considered composition.  However popular the Judy Moody books, this entry in the series is weak. Not recommended: 1 out of 4 stars Reviewer: Leslie Aitken Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special and academic libraries. She is a former Curriculum Librarian of the University of Alberta.


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sarah Mead-Willis

Heltzel, Anne. Circle Nine. Somerville, Mass.: Candlewick Press, 2011. Print. Why are hapless females in YA novels always named Abby? I don’t know, the amnesiac narrator of Circle Nine would reply. That’s just what it says on my necklace.  So begins Anne Heltzel’s debut thriller: a teenaged girl awakens on the pavement outside a burning building with no memories and no name, save the one she wears in gold around her neck. With her is a mysterious, charismatic youth named Sam, who claims to be her friend. Sam persuades Abby to retreat from the fire and into the woods, where they hide in the safety of his “cave-palace”: a glittering subterranean paradise full of shimmering fabrics and sumptuous furniture. There, the two of them sip pomegranate wine, discuss fine literature, and forswear all contact with the outside world, which Sam likens to an Aleghierian hell (hence the book’s title). We suspect this a fantasy, invented by Abby to protect herself from an uglier cave and an uglier Sam, to say nothing of the ugly events occluded by her smoke-kippered memory. The question is: whose fantasy is it? What sixteen-year-old with cheap bling on her neck would retreat into a happy place wrought with literary allusion, Platonic cave metaphors, and Oriental carpets? This is clearly the reverie of the author herself, still in love with her various muses. Abby’s fantasyland, though out of character, is not necessarily a detriment to the novel itself. Indeed, we could do without the predictable combination of flashbacks and sleuthing by which Abby reconstructs her true identity, and abide instead within her doomed and darkly luminous otherworld. For it is there that Heltzel’s storytelling is at its boldest, her writing most sensuous and wild, and it is here that the novel promises—if only briefly—to be something other than the dreary chestnut about a naïve girl brought low by bad luck and sly men.Recommended with reservations: 2 out of 4 starsReviewer: Sarah Mead-Willis Sarah is the Rare Book Cataloguer at the University of Alberta's Bruce Peel Special Collections Library. She holds a BA and an MLIS from the University of Alberta and an MA in English Literature from the University of Victoria.


2018 ◽  
Vol 7 (3) ◽  
Author(s):  
Leslie Aitken

Fergus, Maureen. InvisiBill. Illus. Dušan Petričić. Tundra Books, 2015.The plot of this amusing picture book is simple: Bill would like someone at the dinner table to pass him the potatoes; he is repeatedly ignored. Bill mutters,                “What am I. Invisible?... PLEASE PASS THE POTATOES!”In response, Mother continues checking messages on her “whatchamacallit,” and Father answers his “thingamajiggy.” (We have to admire the use of the terms “whatchamacallit” and “thingamajiggy;” Fergus deftly avoids the stale dating that comes with naming current technologies!) The story proceeds: Bill’s brother declares the scientific name for potatoes to be “SOLANUM TUBEROSUM.” His little sister begins to juggle the tubers. No one passes the potatoes. Bill’s fate is sealed; he becomes invisible.The romp through Bill’s family’s solutions and sorrows as they try to regain their invisible child and brother is complemented by the witty cartoons of Dušan Petričić.  Only a few of these drawings are large and distinct enough to share in a group storytelling session; none-the-less, they would be much appreciated by the individual reader.That reader might easily be a child of eight years of age—the approximate age of “Bill,” as Petričić depicts him. By the end of grade three, and certainly at the grade four reading level, most children could handle independently such passages as the one below:               Bill was in no mood to eat dinner with his family who had, after all, caused his invisibleness. So he took three peanut-butter-and-pickle sandwiches up to his room and spent the evening with his gerbil, Gerard.The humour in this story, however, is not for the exclusive delight of the primary school-aged; if you are a “middle child” of any age, you might just think that Maureen Fergus wrote the book with you in mind!Home, school, and public libraries should find this a popular addition to their collections. Depending on the ages involved, it might also prove a helpful gift for that once-youngest child whose family position has been “reordered” by a newcomer. Reviewer: Leslie AitkenRecommended: 3 out of 4 starsLeslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special and academic libraries. She is a former Curriculum Librarian for the University of Alberta.


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Shawna Manchakowsky

Cass, Kiera. The One. New York: Harper Teen/Harper Collins Publisher, 2014. Print.Book Three in The Selection seriesThe One is the third instalment of Kiera Cass’ Selection series.  The first book, The Selection, begins with thirty-five girls who are chosen across the country to vie for the prince’s heart to become the next queen of Illéa.  For most girls, this would be a dream come true.  For America Singer, one of the selected, she could not care less.  She does not want to leave her family or her childhood sweetheart behind.  Soon swept into a world so different from her own, she begins to see not everything is perfect at the castle or as simple as it seems.The Elite, book two, picks up right after one of the eliminations and begins with the final six girls (the elite).  There is more turmoil as America battles with her feelings for her childhood sweetheart, Aspen, who is a guard at the palace, and Maxon, the prince, who has more aspects to him than she originally thought.  Tension rises when the rebels attack the castle and the girls are under siege.  While America struggles with her feelings, she decides that she does, in fact, want to be there and will now try for Maxon’s heart, if she still has a chance.The One, book three, begins with the castle under attack.  We have learned secrets about the king at the end of book two and are beginning to understand the rebels’ motives. Competition is also fierce as it is now down to the top four girls and each girl is desperately trying to win Maxon’s heart.  America feels strongly for the prince, but how can she know if she loves him when he still has three other girls that he is dating?  Does he love her or one of the other girls more?  Can she really turn away from Aspen, her first true love? Full of action, suspense and heartache, you will want to know how this book ends. The story is a mix between The Hunger Games, The Bachelor and Cinderella. This series is sure to thrill teenage audiences looking for adventure and romance.Highly Recommended: 4 out of 4 starsReviewed by: Shawna ManchakowskyShawna Manchakowsky recently completed her MLIS at the University of Alberta.  When she is not working at Rutherford Library as a Public Service Assistant, she can be found with her husband parenting her two young girls; avoiding any kind of cooking; and reading for her two book clubs. In between book club titles, she tries to read as much teen fiction as she can get away with. 


2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Sandy Campbell

Ellis, Kathryn.  Home in Time for Dinner.  Markham, ON: Red Deer Press, 2012. Print.From the author of the book Degrassi Junior High and scripts for the original Degrassi Junior High television show, comes a story about a thirteen-year-old boy who has grown up in Texas, not knowing that is father had abducted him from his Canadian mother in a nasty divorce and custody battle. Ellis is definitely in tune with teenage boys.  She flawlessly takes the reader through Chris Ramsey’s discovery that he is one of the “missing children” profiled on television,  his plan to escape and his flight to Canada.  By presenting the story through Chris’s eyes, Ellis draws the reader into the world of a confused and distressed, but determined teenager.Ellis masterfully responds to all of the obvious objections to the events in the story.  Why doesn’t Chris just go to the police?  His father has taught him to fear and avoid the police.  Chris makes terrible errors in judgement on his journey, but we know that his father has always controlled him, and not allowed him to make decisions, so he has little experience with it.  Remarkably, his mother still lives in the same apartment in Kingston, but Ellis tells us that she’s been waiting for him to return.  So while, objectively, the plot is too tidy, it doesn’t seem that way when you are reading the story.  The one point that really stretches the suspension of disbelief is Chris’ being easily smuggled across the border. While the plot line is simple, Ellis has a knack for getting at the essence of a situation in just a few words.  Whether the alcoholic former preacher who gives Chris a ride, the manipulative Moth who gives a him a place to sleep and then robs him or the moment when Chris’s mother recognizes her child who has been missing for years,  Ellis creates unforgettable characters and scenes.  This is one of the best young adult novels that I have read recently.  It is not a high literary work, but it is a good read and would be a great addition to public and junior high school libraries. Highly recommended:  4 stars out of 4 Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Robert Desmarais

Dear Readers, This issue marks the one-year anniversary of The Deakin Review of Children’s Literature, and our reviewers and editors are delighted to report that well over 100 English language books have been reviewed. We’re thrilled that so many reviews have been shared with our readers and although we’ve only been around for a year, we’re optimistic that our publication will be around for years and decades to come. Indeed, our user statistics continue to grow each month and it is fascinating to see that our publication has a growing international readership. As I look ahead to the next year I know we’ll continue to publish thoughtful reviews of new titles from picture books to teen fiction, and we’ll expand our offerings to include an occasional interview with an author or illustrator. We’re considering other changes like themed issues, guest editorials, and articles, but our raison d’être will always be to publish high quality book reviews. Our publication is distinctive in that our reviewers are all librarians, library staff, and educators from the University of Alberta, and thanks to this fine team we are able to serve our readers with so much thought-provoking content about the world of children’s book publishing. I wish you all a restful break now that summer is upon us and children are out of school, and I hope you share our excitement for the abundance of charming books in this issue. Happy reading! Robert DesmaraisManaging Editor   


2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Gail De Vos

Jordan-Fenton, Christy and Margaret Pokiak-Fenton. Illus. Liz Amini-Holmes. A Stranger at Home: A True Story. Toronto: Annick Press, 2011. Print. This straightforward and powerful sequel to Fatty Legs begins with Margaret’s return after her two year travail in residential school. Her eager anticipation quickly turns to bewilderment when she no longer feels part of her family or culture due to the changes she has been forced to undergo: English is now her first language of communication, her stomach cannot accept the once familiar foods, she is anxious about the possible damnation of her family members because of the lack of prayers in the family home. Margaret’s memories, thoughts and experiences, captured by her daughter-in-law, are presented in an accessible and believable manner. Margaret’s father is the one stable anchor on her return to a home that has become almost as foreign to her as was the school she just left. Besides the changes in family dynamics, Margaret is also presented with concrete examples of fears of the unknown and unfamiliar in the wider community with the presence of the trapper the people call the Du-bil-ak (the devil). Margaret points out that his skin colour is similar to that of Lena Horne, her father’s favourite singer, but this does not lessen her fear of the man either. Margaret’s major solace during this difficult year of transformation and searching for her identity is reading and rereading. As she regains her sense of herself through her reading concrete experiences with the dog team and her family, she develops the strength she needs to fulfil her father’s wishes to return to the detested school with her younger sisters. Accompanied by colourful and expressive illustrations as well as relevant photographs, the setting and people of home are vivid and present for the reader. The footnotes supply readers with explanations of Inuit terms and cultural practices. A brief account of the practice of residential schools follows the narrative. Highly recommended: 4 out of 4 stars Reviewer: Gail de Vos Gail de Vos, an adjunct instructor, teaches courses on Canadian children's literature, Young Adult Literature and Comic Books and Graphic Novels at the School of Library and Information Studies for the University of Alberta and is the author of nine books on storytelling and folklore. She is a professional storyteller and has taught the storytelling course at SLIS for over two decades.


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