Mapping and Bibliometric Analysis of American Historical Review Citations and Its Contribution to the Field of History

2016 ◽  
Vol 15 (04) ◽  
pp. 1650039 ◽  
Author(s):  
Zehra Taşkın ◽  
Sümeyye Akça
Keyword(s):  
Scholarly Communication ◽  
Historical Review ◽  
The Other ◽  
Future Studies ◽  
Journal Citation Reports ◽  
American Historical Review ◽  
The World ◽  
Degree Of Convergence ◽  
Different Characteristics ◽  
Leading Journals

This paper aims to represent the bibliometric characteristics of the American Historical Review (AHR) in an attempt to highlight the journal's contribution to the field of History as one of the leading journals in Journal Citation Reports (JCR). AHR has the highest impact factor among the other journals in its field, and has been bringing together scholars from all over the world since 1895. Although the field of History is known as localized and non-interdisciplinarity, the present study's findings reveal that AHR has different characteristics compared to traditional contributions to the field of History by other journals. In addition, the results show that approximately three quarters of AHR citations, from 67 different categories, are gathered by articles. This indicates that AHR has an increased degree of convergence with other disciplines. These findings may be interpreted as an indication that traditional historical scholarly communication is increasingly changing toward interdisciplinarity. However, it would be problematic to generalize these findings for all history literature, based on a single journal evaluation. This study suggests that AHR has become increasingly diversified and consequently no longer reflects the main characteristics of the field of History. Future studies of more History journals are needed to validate the results and reveal possible changes in the field.

scholarly journals La búsqueda de la identidad. Imaginación, libertad y compromiso

1999 ◽  
pp. 189-198
Author(s):  
Adriana Yañez Vilalta
Keyword(s):  
Historical Review ◽  
Rainer Maria Rilke ◽  
Thomas Mann ◽  
The Other ◽  
Arthur Rimbaud ◽  
Gerard De Nerval ◽  
Jean Paul ◽  
The World ◽  
Alter Ego ◽  
Looking Glass

This essay is a brief historical review of the concepts of the “double”, the “other”, the “alter ego”. The metaphorical search for identity spreads out through dreams, imagination and creativity. Jean-Paul Richter, Gérard de Nerval, Goethe, Arthur Rimbaud, Thomas Mann, Robert Musil, Rainer Maria Rilke and the french surrealists are some of the authors studied. They contribute to the development of a new conception of the world and of the human being, asserting at each step the power of freedom and action and, at the same time, responsibility, devotion and engagement. Everything implies negation and its double: love and betrayal, ingenuity and grotesqueness, fantasy and pain, sublimity and evil. A universe of echoes and reflections, where one plays with the most secret intimacy. The interior world is a labyrinth and the labyrinth a looking glass.

scholarly journals SUBALTERN PHENOMENA UNDER THE CLUTCHES OF DOMINATED SECTIONS

2020 ◽  
pp. 148-153
Keyword(s):  
Latin American ◽  
Focal Point ◽  
Historical Review ◽  
The Other ◽  
American Institute ◽  
Subaltern Studies ◽  
Indian History ◽  
American Historical Review ◽  
Indian Students ◽  
Fundamental Consideration

Surely, it's an uncommon phenomena when a foundation of intuition, regardless of whether in history or the other control, gets among the Western institute with such a fundamental consideration that has been allowed to the Subaltern staff of antiquarians whose work spins dominantly around the pilgrim seasons of Indian history from a possessed country that remaining parts resoundingly covering the accumulation. Antiquarians may remember that even the American Historical Review, that is never a main hypothetical diary, or in any case helpless against the post-modem overabundances, dedicated the majority of the pages of one of its ongoing issues to Subaltern Studies and its horribly wide effect not exclusively on recorded examinations among the American institute, anyway also in the far side a geographic district bunch of inferior investigations referring to the moving work of Indian students of history, the Subaltern Studies Community has proclaimed its goal to introduce the inferior at the focal point of Latin American examinations, though it's noteworthy that their automatic presentation occurs all through a diary of social examinations. In bound circles among the American world, there's a serious aroma of avuncular love among the overall quite comfortable gathering given to Subaltern Studies: taught almost exclusively in British colleges, the underlying centre of inferior antiquarians stick out, generally it's commonly dear notional, as living declaration to the proceeded with intensity of the 'homeland' to rule its external limit.

scholarly journals Frank Tannenbaum y la revolución mexicana

Secuencia ◽  
1997 ◽  
pp. 127
Author(s):  
Charles A. Hale
Keyword(s):  
Historical Review ◽  
Industrial Workers ◽  
Hispanic American ◽  
Brookings Institution ◽  
American Historical Review ◽  
The World

<p>En  este  ensayo,  publicado  originalmente  en ingles en Hispanic  Américan Historical Review, Charles   A.  Hale   analiza   la orientación   intelectual   de  Frank   Tannenbaum   en  los  años veinte  y el impacto   que  esta  tuvo  en  SU  interpretación  de la Revolución Mexicana  a partir de  su biógrafa,  en  particular  su trayectoria desde   que  fue  agitador   radical   de  la Industrial  Workers of the  World  hasta  economista de la Brookings Institution.</p>

Introduction

2015 ◽  
pp. 1-24
Keyword(s):  
Information Technology ◽  
Information Age ◽  
Historical Review ◽  
The Other ◽  
The World ◽  
The Individual ◽  
Library User ◽  
The Way

The liberation of learning is a prelude to the expansion of the personal conscience—this expansion is the first of two of the only natural freedoms given to the individual, the other being the employment of one’s physical, mental, and emotional abilities in accord with that conscience—and becomes the foundation of all other rights and corruptions that both bless and plague every society ever created by mankind. This is fundamental and explains why universal learning is necessary for any kind of progress in the way we see, think about, and treat one another and the World around us. For every book somebody wants you to read, there is a book they do not want you to read—both can be found at the library. Let that sink into your thoughts for a moment, its meaning. That is the ”library,” its very concept, and this is what it has come to represent in the minds of millions of patrons. It is a fine heritage matched by no other institution, and one that all its workers should be proud to be a part of and hopefully protect and perpetuate. This introductory chapter covers a few brief insights into why I wrote this book—subjective motivates and goals guiding its completion. The chapter is concluded with a light historical review of the pivotal technologies establishing the foundation of information technology leading into the Information Age and paving the way to changes in the library user environment.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Experiment role in the world music (based on the «The Road» album of the Ukrainian «Dakha Brakha» band)

2018 ◽  
pp. 215-227
Author(s):  
Iia Fedorova
Keyword(s):  
Folk Music ◽  
World Music ◽  
The Other ◽  
Modern Music ◽  
Musical Practice ◽  
The Road ◽  
Music Practice ◽  
The World ◽  
Binary Oppositions ◽  
Musical Practices

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.

Does Literature Matter Today? Thoughts of the Outside

CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie
Keyword(s):  
Aesthetic Education ◽  
The Other ◽  
Human Values ◽  
Literary Texts ◽  
Lost Cause ◽  
Western Tradition ◽  
The World

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.

Simone de Beauvoir's Philosophy of Individuation

2017 ◽  
Author(s):  
Laura Hengehold
Keyword(s):  
Lived Experience ◽  
20Th Century ◽  
Sexual Difference ◽  
Gilles Deleuze ◽  
The Other ◽  
Simone De Beauvoir ◽  
Second Sex ◽  
Other Hand ◽  
The World

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

The World after the End of the World

2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi
Keyword(s):  
The Other ◽  
The World ◽  
History Of ◽  
The Absolute ◽  
End Of The World

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.

Sign in / Sign up

Export Citation Format

Share Document