Domestic Audiences and Economic Opportunity Cost: African Democratisation as a Determinant in the Recognition of China over Taiwan, 2001–2018

2020 ◽  
pp. 002190962092653
Author(s):  
Bhaso Ndzendze

This paper expands upon a hitherto underexplored finding by Rich and Banerjee’s 2015 model which finds that Taiwan has done comparatively better with non-democracies in Africa. The paper proposes that democratisation makes an African state more responsive to domestic economic imperatives and thus more likely to form relations with the demographically and economically larger People’s Republic of China because of the prospective trade, aid and investment gains to be made once such a switch is affected. Seven case studies conducted over the 2001–2018 period yield results which are in line with this hypothesis.

Author(s):  
Jessica Milner Davis

AbstractSatire’s critical bite exposes it more often than other forms of humor to various kinds of restraint or control. While most studies of satire focus on its formal censorship (by editorial, legal or political decision), others acknowledge the additional role of internalized constraints (such as personal humor tastes and cultural conventions) that influence satirists in their creative work (self-censorship). This paper argues that constraints on satire (and humor generally) are not limited to those summed up as censorship and self-censorship and that examining reactions that occur after the initial success of a published satire helps to identify a wider range applying to satire and humor in different cultures and times. Focusing on reception rather than creation, therefore, this paper looks at specific cases of successfully published satire that subsequently stirred expressions of public offence in contemporary Australia, Japan, and the People’s Republic of China (PRC). A distinction is drawn between reactions stemming from personal and cultural constraints and opposition shaped by economic and politico-legal forces and interactions between the two are also considered. Moderators of the backlash effect also include the medium of communication and some stylistic features of satire.


Sign in / Sign up

Export Citation Format

Share Document