“And How Pretty They Are!”: Lawn Tennis, Tourism, and Gender Relations at Niagara-on-the-Lake, Ontario, 1880s-1920s

2021 ◽  
pp. 009614422098334
Author(s):  
Robert J. Lake
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Gender Relations ◽  
Lake Ontario ◽  
Tourism Industry ◽  
High Class ◽  
Role Of Women ◽  
Upper Middle Class ◽  
And Gender

In the four decades straddling the turn of the nineteenth century, the small Ontario town of Niagara-on-the-Lake experienced marked growth in its tourism industry. Catering predominantly to wealthy upper-middle-class Canadian and American visitors, the lake-side settlement offered numerous opportunities for polite recreation. Chief among them was lawn tennis, a sport that sat somewhat outside of the mainstream in terms of its high-class, mixed-sex participation demographic. While its players were imbued with a strong amateur philosophy, local boosters recognized the sport’s potential to generate tourism income through its two tournaments, but this hinged on the outward presentation among its players/guests of refined gentility—a reflection of both class and gender—both on and off the court. This article considers how lawn tennis tournaments fit into the town’s burgeoning tourism industry, and examines gender relations—particularly the role of women—in relation to this development.

Untidy Realms

2017 ◽  
Author(s):  
Varuni Bhatia
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Gender Relations ◽  
Sacred Spaces ◽  
Musical Traditions ◽  
And Gender

The chapter maps the field of Vaishnava traditions in nineteenth-century Bengal to show the plural and myriad worlds that these traditions operated in—worlds that the emerging middle-class and educated Bengali Vaishnava would actively seek to disciple and define. The chapter follows closely from the argument extended in the first chapter, about the discursive nature of the “decline” thesis, and seeks to fill in the gaps that the reader may have about precisely what was being read as “decline” in the first place. Weaving together colonial sources alongside biographies, autobiographies, fiction, and information derived from contemporary periodicals, the chapter demonstrates the plurality of nineteenth-century Bengali Vaishnava worlds: its sacred spaces, musical traditions, myriad “sects,” charismatic gurus, and their old and new patrons. This chapter illustrates how crucial the study of Vaishnava traditions is to understanding caste and gender relations in Bengal.

CLASS AND GENDER DYNAMICS OF THE PORNOGRAPHY TRADE IN LATE NINETEENTH-CENTURY BRITAIN

2015 ◽  
Vol 58 (1) ◽  
pp. 137-156 ◽  
Author(s):  
JAMIE STOOPS
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Late Nineteenth Century ◽  
Negative Effects ◽  
Gender Dynamics ◽  
Female Participation ◽  
Late Nineteenth ◽  
And Gender ◽  
Sexual Immorality

ABSTRACTDuring the second half of the nineteenth century, British social purity campaigners framed the pornography trade as a major source of cultural and moral pollution. As in their anti-prostitution efforts, purity campaigners presented the abolition of pornography as an attempt to protect women, children, and impressionable members of the lower classes from sexual immorality. Their rhetoric and policy efforts, however, reveal deeply entrenched fears of middle-class vulnerability to the negative effects of pornographic literature and images. Building on existing obscenity studies scholarship, this article explores the role of class and gender tension in nineteenth-century pornography regulation. In contrast to the majority of work on Victorian pornography, this article focuses on the British lower classes as producers and distributors rather than consumers of pornography. In addition, this article argues for a higher level of female participation in the pornography trade than has been previously recognized. By focusing on the contradictions and biases at the heart of campaigns against pornography, this article explores the ways in which regulation efforts and discourses of obscenity were shaped by the class and gender dynamics of the pornography trade.

scholarly journals Eligibility Criteria for the Upper Middle Class

2020 ◽  
Vol 30 (4) ◽  
Author(s):  
Meilutė Taljūnaitė
Keyword(s):  
Middle Class ◽  
Social Stratification ◽  
Social Role ◽  
Class Model ◽  
Eligibility Criteria ◽  
Self Employment ◽  
The Family ◽  
The Us ◽  
Upper Middle Class

Each country has its own criteria for the upper middle class. On the other hand, it is clear that even the general principles that define the middle class in different countries differ markedly between them. The US and British criteria are often compared. The role of the family as an element of social stratification is important in the British upper middle class model. The article advocates the influence of family stratification on the formation of the upper (and not only) middle class in Lithuania. Not only does the upper middle class have self-employment, its income is above average and it has higher education, it also influences, identifies trends and fundamentally shapes public opinion (an aspect of its ‘social role’). The broad upper middle class is not so much a guarantor of the welfare state but of social stability in the country.

The Role of Women in Hobbes's Economic Thought

2021 ◽  
pp. 1-17
Author(s):  
Joanne Boucher
Keyword(s):  
Gender Politics ◽  
Economic Thought ◽  
The State ◽  
Human Beings ◽  
State Of Nature ◽  
Role Of Women ◽  
And Gender

Abstract This article examines the role of women in Hobbes's economic thought. First, I frame Hobbes's economic thought in relation to his philosophical materialism so as to underscore the extent to which Hobbes's materialism entails the insight that human beings are, by definition, productive, economic creatures. I argue that his description of the economy, even without explicit acknowledgment, necessarily positions women as crucial economic actors. I then consider the implications of this in relation to the feminist possibilities of Hobbes's gender politics. I conclude that when deliberating on this question, we face the same conundrum that is evident in all literature considering Hobbes and gender. His radical comments about women in the state of nature are undermined by his seeming indifference to the state of women in commonwealths once they are founded.

The Evolution of the Role of Women in Labor Markets in Developed Economies

2019 ◽  
pp. 1-20
Author(s):  
Elisabeth T. Pereira ◽  
Stefano Salaris
Keyword(s):  
Labor Markets ◽  
Gender Gap ◽  
Wage Gap ◽  
Participation Rate ◽  
Developed Countries ◽  
Gender Inequalities ◽  
Developed Economies ◽  
Role Of Women ◽  
And Gender

The role of women in labor markets has been characterized by great changes in the last century, with gender inequalities decreasing in most developed countries. The stereotypes related to women in labor markets have been hard to break within social norms and cultures. Many efforts have been made in recent decades by governments and national and international institutions to decrease and promote women's empowerment and gender equality in labor markets. This chapter has as its main purposes to provide an overview of the evolution of the role of women in labor markets in developed countries and to investigate this evolution based on a set of variables: gender participation rates, education, employment, the gender gap in management, wages and the gender wage gap, and public policies and laws. However, despite the positive evolution of the participation rate of women in labor markets that has been observed in recent decades, gender inequalities still persist.

Women in Buddhism

Buddhism ◽  
2012 ◽  
Author(s):  
Kim Gutschow
Keyword(s):  
Ample Evidence ◽  
Buddhist Studies ◽  
Methodological Choices ◽  
History Of ◽  
Role Of Women ◽  
And Gender ◽  
Women And Buddhism ◽  
The One ◽  
Women In Buddhism

The very existence of a “Women and Buddhism” entry but no “Men in Buddhism” entry implies a set of methodological lacunae in Buddhist studies. On the one hand, Buddhist studies have often proceeded as if the history of men in Buddhism stands in for Buddhist history, with little effort made to mention or recover the significance of women. On the other hand, systematic methodological choices, such as the discounting of feminist analysis and the privileging of text over other sources of knowledge, have exacerbated the tendency to elide the role of women in Buddhism. This elision of women, or their marginalization, in Buddhist analyses where “man” or “male” is assumed to represent “human” has prompted a countersurge of analyses. These latter analyses have found ample evidence for the centrality of gender and women in shaping Buddhist society and soteriology. Although works are now available that cover the role of women and gender in most Buddhist eras or societies, these have only scratched the surface of an extraordinarily rich set of material and questions. It remains to be seen how well Buddhist scholarship can give gender and women their proper place in developing its central concerns.

The Flageolet: A Woodwind Instrument that Transcended Social Class and Gender in Nineteenth-Century England

2020 ◽  
pp. 1-24
Author(s):  
Douglas MacMillan
Keyword(s):  
Nineteenth Century ◽  
Social Class ◽  
Societal Implications ◽  
Public Performance ◽  
Professional Musicians ◽  
Concert Hall ◽  
Music Making ◽  
Music Hall ◽  
And Gender

The flageolet – a woodwind instrument closely akin to the recorder – achieved considerably popularity in nineteenth-century England. It was predominantly an instrument of the amateur musician, and its story becomes a mirror of the musical society in which the instrument flourished. An account of the organology of the flageolet in both its English and French forms, and of its evolution into double, triple and transverse versions, precedes a study of pedagogical material and repertoire. The work of William Bainbridge, who modified the flageolet to simplify its technique and hence enhance its suitability for amateur players, is emphasized, along with his skill as an innovator of complex flageolets. The flageolet attracted a small number of professional exponents who tended to favour the French form of the instrument. The principal focus of the article is an examination of the role of the flageolet within the context of musical praxis in England and its societal implications during the long nineteenth century. After consideration of matters of finance, social class and gender, the article examines the use of the flageolet by amateur and professional musicians, particularly highlighting the importance of the instrument in domestic music-making as well as in amateur public performance. Professional use of the instrument within the context of the concert hall, the theatre, the ballroom and the music hall is explored and examples given of prominent players and ensembles, some of which were composed entirely of female musicians. Final paragraphs note the playing of the flageolet by itinerant and street musicians.

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