Improvisation Based on Audience Requests: Pedagogical Possibilities of the Application “Sanka Play” for Performer and Audience Interaction in Elementary School Music Classes

2021 ◽  
pp. 025576142110695
Author(s):  
Daisuke Terauchi

In 2017, I developed a computer application entitled “Sanka Play,” which enables audience members to participate in improvisational performances by making real-time requests to performers. In most cases of free improvisation, the audience atmosphere influences performers. While audience–performer interaction is generally nonverbal, Sanka Play allows timeous written verbal interaction. This study determines the positive pedagogical possibilities of using Sanka Play for elementary school music classes. It was expected that using Sanka Play for group improvisation activities in music classes would encourage various styles of expression among the students. Sanka Play was used in two fifth grade (age 10–11 years) music classes in a Japanese elementary school. Observation of class videos revealed that the application induced students to use various modes of expression, such as music, dance, theatrical acting, and even karate. Furthermore, various requests the students made not only improved performance in general but also helped highlight particular strengths in each student’s performing ability. The observations reveal Sanka Play’s pedagogical usefulness and several factors that teachers should consider when using the application. This research illustrates the possibilities of employing a new teaching approach to encourage students to creatively use their inherent expressive abilities.

2017 ◽  
Vol 46 (4) ◽  
pp. 1-19
Author(s):  
Sumi Kwon ◽  
◽  
Hey-jin Kim ◽  

Semiotica ◽  
2015 ◽  
Vol 2015 (204) ◽  
Author(s):  
Mitchell Wong ◽  
Marcel Danesi

AbstractThis article presents a system of music notation that uses a combination of colors and shapes to represent sound. This system may present advantages over the traditional system of music notation, as its symbols are inherently related to the musical information that they communicate. The present article explains the basic workings of the system. It then describes an ethnographic study in which the system was used to teach music literacy to a group of elementary school music students. It concludes with the implications that such a system might have in the spheres of music performance and music education.


1975 ◽  
Vol 62 (4) ◽  
pp. 89-90
Author(s):  
Donald W. Roach

1944 ◽  
Vol 30 (3) ◽  
pp. 16-17
Author(s):  
Fowler Smith

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