Black Urban Leisure Pursuits and Cultural Identity in Eighteenth-Century South Carolina and Georgia

2005 ◽  
Vol 1 (1) ◽  
pp. 83-106
Author(s):  
William Hunt Boulware
Keyword(s):  
Eighteenth Century ◽  
South Carolina ◽  
Cultural Identity ◽  
Urban Leisure

A Changing Spanish Identity

2017 ◽  
Author(s):  
Kathryn L. Ness
Keyword(s):  
Eighteenth Century ◽  
Cultural Identity ◽  
Early Modern ◽  
Cultural Change ◽  
Spanish Empire ◽  
Data Sets ◽  
Modern History ◽  
Early Modern History ◽  
Spanish Novel ◽  
Research Questions

“A Changing Spanish Identity” outlines the research questions and data sets discussed in Setting the Table by introducing the notion of early modern Spanish cultural identity and the changes it encountered in the eighteenth century. It explains the author’s use of Don Quixote as a guide through the study and why this quintessential Spanish novel is appropriate for exploring themes of cultural change and identity. The chapter argues that, despite the major role the Spanish Empire played in early modern history, it has been largely underrepresented in studies of the Atlantic world. The majority of the chapter contains a brief introduction to the three sites addressed in the study as well as the methodology used to investigate these sites. The chapter concludes with an outline of subsequent chapters.

FROM LAVAPIÉS TO STOCKHOLM: EIGHTEENTH-CENTURY VIOLIN FANDANGOS AND THE SHAPING OF MUSICAL ‘SPANISHNESS’

2020 ◽  
Vol 17 (2) ◽  
pp. 177-199
Author(s):  
ANA LOMBARDÍA
Keyword(s):  
Eighteenth Century ◽  
Popular Culture ◽  
Cultural Identity ◽  
Chamber Music ◽  
Musical Identity ◽  
Violin Sonata ◽  
Violin Music ◽  
Musical Traditions ◽  
Solo Violin

ABSTRACTSince the mid-eighteenth century the fandango has been regarded as the epitome of Spanish cultural identity. It became increasingly popular in instrumental chamber music, as well-known examples by Domenico Scarlatti, Antonio Soler and Luigi Boccherini show. To date, published musicological scholarship has not considered the role of solo violin music in the dissemination of the fandango or the shaping of a ‘Spanish’ musical identity. Now, eight rediscovered pieces – which can be dated to the period 1730–1775 – show that the violin was frequently used to perform fandangos, including stylized chamber-music versions. In addition to offering evidence of the violin's role in the genre, these pieces reveal the hybridization of the fandango with foreign musical traditions, such as the Italian violin sonata and French courtly dances, demonstrating hitherto overlooked negotiations between elite and popular culture in mid-eighteenth-century Spain. Analysis of these works’ musical features challenges traditional discourses on the ‘Spanishness’ of the fandango and, more broadly, on the opposition between ‘native’ and ‘foreign’ music in eighteenth-century Spain.

scholarly journals A Visualization Tool for 1790s Charleston: Locating an Enslaved Population Using GIS

2021 ◽  
pp. 009614422110485
Author(s):  
Sarah Collins
Keyword(s):  
Eighteenth Century ◽  
South Carolina ◽  
Urban Population ◽  
Visual Representations ◽  
Study Data ◽  
Visualization Tool ◽  
Late Eighteenth Century ◽  
The City ◽  
Case Study Data

This article promotes the value of GIS methodologies to integrate and analyze a range of historic sources dating to the eighteenth century, utilizing Charleston, South Carolina as a case study. Data compiled from the 1790 Federal Census, the 1790 Charleston trade directory, and Ichnography of Charleston 1788 provide vital and complementary evidence that allows the population of the city to be located, which in turn provides a means of assessing late eighteenth-century residency patterns and the enslaved urban population. The value of data visualization is explored, underscoring the need for historians to engage with visual representations of data to communicate research results.

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