Peter Handke's Reception of Miguel de Cervantes's Don Quixote of La Mancha (1605) in Der Bildverlust: oder Durch die Sierra de Gredos (The Loss of Image or Through the Sierra de Gredos) (2002)

2013 ◽  
Vol 37 (1) ◽  
pp. 262-275
Author(s):  
Gabriele Eckart
Keyword(s):  

Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the early modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of the Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547–1616). This volume contains seven sections, exploring in depth Cervantes’s life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. This handbook explores his famous novel Don Quixote, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.


Author(s):  
Edwin Williamson

When it first appeared in 1605, Cervantes’s great novel Don Quixote de la Mancha became an international sensation. This chapter follows the chronology of the plot in a critical manner providing the reader with important insight into why Don Quixote has become the second best-selling book of all time. Including the famous scenes of the windmill, the liquidation of Don Quixote’s library, the funeral of Grisóstomo and redemption of Marcela, Ginés de Pasamonte and the galley slaves, El curioso impertinente, the famous tale of Cardenio the star-crossed lover, and a commentary on the role of drama and novels of chivalry in society, Don Quixote, Part One sets the hero and his trusty country squire against the world at large. This chapter explores its deep cultural significance and answers the question of whether or not it is merely a ‘funny book’.


2019 ◽  
Vol 51 ◽  
pp. 125
Author(s):  
Paloma Ortiz-de-Urbina Sobrino

El presente trabajo estudia el modo en el que el compositor Roberto Gerhard pone en música, en su ballet Don Quixote (1950), la novela Don Quijote de la Mancha de Miguel de Cervantes, concretamente el enigmático episodio de ‘La Cueva de Montesinos’, contenido en la segunda parte de la obra. Se examina cómo el músico trata de producir en el oyente el mismo efecto –ambiguo y contradictorio, mezcla de lo cómico, lo absurdo o lo grotesco– que se genera en el lector de este desconcertante capítulo, poblado de figuras míticas de diferentes épocas, que conviven con un protagonista real. Para ello se analizan, en primer lugar, los diferentes planos míticos y legendarios utilizados por Cervantes; se repasan, en segundo lugar, las fuentes literarias de las que bebe el autor para crear dichos relatos míticos y se estudian, finalmente, los originales medios de los que se vale Roberto Gerhard para llevar a la música el magistral episodio cervantino.


2021 ◽  
Author(s):  
Pilar Serrano Sánchez de Menchén

Don Quijote en la Calle (Don Quixote on the street) is a popular show that takes place in Argamasilla de Alba (Ciudad Real). It is currently performed during the town’s Cervantine Days (April-June). At the moment, around 150 locals take part in this show, bringing the adventures of Don Quixote to life: horses, live music, dances from the Golden Age, fireworks, etc. In doing so, this unusual type of show achieves a unique staging. Heir to Estampas del Quijote (a street theatre that was formerly performed in the town), the Town Council of Argamasilla de Alba has applied to the Junta de Comunidades de Castilla-La Mancha for Don Quijote en la Calle to be declared worthy of ‘Regional Tourist Interest’.


Author(s):  
Edwin Williamson

A critical commentary on the major episodes of Don Quixote Part Two, this chapter shows how the pivotal episode of Dulcinea’s alleged enchantment (DQ II. 10) brings about a transformation in the character of each of the protagonists and in the nature of their relations, as well as providing a new unifying principle for the episodic narrative. Cervantes’s parody of the books of chivalry reaches its climax at the Duke’s palace, where an inversion occurs in the relationship between Don Quixote and Sancho Panza that will lead to the decline and fall of the would-be hero. In this second part, Cervantes’s modulations of comedy and pathos fashion the paradoxical madness of the Knight of La Mancha into an unprecedented literary phenomenon that would come to resonate powerfully with modern readers.


Sign in / Sign up

Export Citation Format

Share Document