The Theology of History in T. S. Eliot's Four Quartets

1999 ◽  
Vol 2 (1) ◽  
pp. 31-47
Author(s):  
Joseph Schwartz
2021 ◽  
pp. 1-17
Author(s):  
Henning Trüper

In this article I will discuss various thoughts of a few recent representatives of the tradition of the philosophy of history—Heinz Dieter Kittsteiner, Ulrich Beck, and finally Karl Rahner—and bring them into a conversation with Dipesh Chakrabarty's work on the problems of human species history and the Anthropocene. The aim of this undertaking is to gain greater clarity on the question of the work that theology continues to do for historical thought. I argue that Rahner's notions about “inclusivism”—according to which the possibility of salvation is vested in the species history of humanity rather than in the history of Christian revelation—and his related notion of an irresolvable tension between “anonymous” and what one might then call “onomastic” histories signal the continuing significance of a theology of the baptismal sacrament for historical thought. Rereading Rahner's thought sheds light on certain quandaries of the Anthropocene discussion, regarding the way in which species history can be related to other kinds of history writing, and the novel opening for theodicy generated by the breakdown of the culture–nature divide.


Augustinus ◽  
2017 ◽  
Vol 62 (1) ◽  
pp. 9-25
Author(s):  
Martin Bellerose ◽  

The article deals with the foundations of Augustine’s Theology of History, as can be read in Book V of The City of God. A distinction among the pagan belief in destiny and Christian faith is made. The text which is analyzed is considered as the source of Augustine’s Theology of History, in Books XV-XVIII of the City of God, and also of his doctrine about Predestination. The article also deals with the relationship within the process of salvation, between divine grace and human deeds.


Literator ◽  
1994 ◽  
Vol 15 (2) ◽  
pp. 159-182 ◽  
Author(s):  
E. Deudney

This paper is a preliminary survey of the visions of the s e lf in poetry. It is concerned with the transformation of consciousness as depicted by each of the three poets a Romantic, a Modernist and a Postmodernist poet respectively and expressed in specific poems with a cyclical nature. The romantic poet Coleridge's “The Rime of the Ancient Mariner” is taken as the first example. It is found to be an allegory of the metamorphosis of the poet’s temporal subjective consciousness into an ‘eternal ’ subject position in the narrated text. Eliot’s "Four Quartets" exemplifies the Modernist mode of consciousness as an 'anironic vision of unity' achieved by adhering to a religio-aesthetic meta-narrative. Breytenbach (1988:115) calls his volumes of prison poetry "The Undanced Dance". Taken as a whole "The Undanced Dance" has a structure which concurs with what Brodey (1971:4) calls "an Einsteinian time-space form of relations” and lures its readers into the trap of falling into postmodern quantum consciousness.


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