Learning to Live Against the Norm: Strategies of Self-Building in US Back-to-the-Land Communes / Lernen, gegen die Norm zu leben. Strategien des Selbstbaus in U.S.-Landkommunen

2021 ◽  
pp. 152-173
Author(s):  
Christina Linortner
Keyword(s):  
Author(s):  
Jason G. Strange

The second of three chapters exploring the history of homesteading in the area around Berea, Kentucky, chapter 3 presents the story of rural subsistence from the late 1800s up to the economic boom generated by World War II. The chapter is framed in terms of the “parable of enclosure”--the idea that yeoman farmers would not voluntarily trade independent livelihood for capitalist wage labor--and argues that as industry and technology generated ever more advanced consumer goods (for example, refrigerators, radios, antibiotics), the peasant way of life became outmoded; once wage labor became available in the factories of the north, millions of Appalachians left the mountains. But, as the chapter documents, some chose to return to a homesteading life, forming an overlooked back-to-the-land movement.


Author(s):  
Daniel Rivers

This essay looks at the worldview of gay male communalists across the United States in the mid-1970s as seen in the rural gay magazine Rural Free Delivery (RFD) in the critical years from 1973 to 1976 as well as in other extant archival sources related to gay communalism. As a clearinghouse for gay men involved in radical, back-to-the-land ventures, RFD provides a complex view of the creation of a largely white, gay male counterculture spirituality that fused the sexual politics of early gay liberationists with ecofeminist, animist, New Age understandings of sexuality, the natural world, and spirit. Gay men who were or who wanted to live in communal spaces nationwide sent letters and stories into RFD, which was published in a variety of gay male communal spaces during these years.


Author(s):  
Leah Modigliani

Jeff Wall and Ian Wallace’s rejection of ‘home’ and ‘homeland,’ and the primacy of the manifesto as an important polemical tool in framing one’s work, are explored in Chapter 3 in relation to Wall’s art history master’s thesis on the Berlin Dada group, which established “myth” as an anti-critical cultural practice that was broadly applied to much of the cultural activity then active in Vancouver. Vancouver’s seeming “lack of history,” the existence of back-to-the-land intentional communities living outside of the urban centre, the proliferation of other performance and media based art groups, and the influence of visiting American artist Robert Smithson’s earthworks are all examined as cultural expressions deemed a-historical or romantic by photo-conceptualists.


Author(s):  
Fiachra Mac Góráin

This chapter discusses the cultural and political reception of Virgil by the nationalist scholar, cleric, and Irish-language expert Patrick Dinneen. Dinneen forges connections between classical antiquity and the Irish experience, seeing himself as a latter-day Virgil, similarly dispossessed of his lands but engaged in the production of a national literature. Among his domesticating receptions of Virgil to the Irish context, he read the Georgics as a model for calling a people back to the land after civil strife. In Dinneen’s reading of Aeneid 6 as recommending a benign form of empire, however, the chapter pinpoints a tension between his favourable view of the Roman Empire as spreading civilization and Christianity, on the one hand, and the potential of empire for injustice and oppression, on the other.


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