scholarly journals Fateful Triangles in Brazil: A Forum on Stuart Hall’s The Fateful Triangle: Race, Ethnicity, Nation, Part II

2019 ◽  
Vol 41 (2) ◽  
pp. 449-470
Author(s):  
Sharon A. Stanley ◽  
João Nackle Urt ◽  
Thiago Braz

Abstract Stuart Hall, a founding scholar in the Birmingham School of cultural studies and eminent theorist of ethnicity, identity and difference in the African diaspora, as well as a leading analyst of the cultural politics of the Thatcher and post-Thatcher years, delivered the W. E. B. Du Bois Lectures at Harvard University in 1994. In the lectures, published after a nearly quarter-century delay as The Fateful Triangle: Race, Ethnicity, Nation (2017), Hall advances the argument that race, at least in North Atlantic contexts, operates as a ‘sliding signifier,’ such that, even after the notion of a biological essence to race has been widely discredited, race-thinking nonetheless renews itself by essentializing other characteristics such as cultural difference. Substituting Michel Foucault’s famous power-knowledge dyad with power-knowledge-difference, Hall argues that thinking through the fateful triangle of race, ethnicity and nation shows us how discursive systems attempt to deal with human difference. In ‘Fateful Triangles in Brazil,’ Part II of Contexto Internacional’s forum on The Fateful Triangle, three scholars work with and against Hall’s arguments from the standpoint of racial politics in Brazil. Sharon Stanley argues that Hall’s account of hybrid identity may encounter difficulties in the Brazilian context, where discourses of racial mixture have, in the name of racial democracy, supported anti-black racism. João Nackle Urt investigates the vexed histories of ‘race,’ ‘ethnicity’ and ‘nation’ in reference to indigenous peoples, particularly Brazilian Indians. Finally, Thiago Braz shows, from a perspective that draws on Afro-Brazilian thinkers, that emphasizing the contingency of becoming in the concept of diaspora may ignore the myriad ways by which Afro-diasporic Brazilians are marked as being black, and thus subject to violence and inequality. Part I of the forum – with contributions by Donna Jones, Kevin Bruyneel and William Garcia – critically examines the promise and potential problems of Hall’s work from the context of North America and western Europe in the wake of #BlackLivesMatter and Brexit.

2019 ◽  
Vol 41 (2) ◽  
pp. 431-448
Author(s):  
Donna V. Jones ◽  
Kevin Bruyneel ◽  
William Garcia Medina

Abstract Stuart Hall, a founding scholar in the Birmingham School of cultural studies and eminent theorist of ethnicity, identity and difference in the African diaspora, as well as a leading analyst of the cultural politics of the Thatcher and post-Thatcher years, delivered the W. E. B. Du Bois Lectures at Harvard University in 1994. In the lectures, published after a nearly quarter-century delay as The Fateful Triangle: Race, Ethnicity, Nation (2017), Hall advances the argument that race, at least in North Atlantic contexts, operates as a ‘sliding signifier,’ such that, even after the notion of a biological essence to race has been widely discredited, race-thinking nonetheless renews itself by essentializing other characteristics such as cultural difference. Substituting Michel Foucault’s famous power-knowledge dyad with power-knowledge-difference, Hall argues that thinking through the fateful triangle of race, ethnicity and nation shows us how discursive systems attempt to deal with human difference. Part I of the forum critically examines the promise and potential problems of Hall’s work from the context of North America and western Europe in the wake of #BlackLivesMatter and Brexit. Donna Jones suggests that, although the Birmingham School’s core contributions shattered all certainties about class identity, Hall’s Du Bois Lectures may be inadequate to a moment when white racist and ethno-nationalist appeals are ascendant in the USA and Europe and that, therefore, his and Paul Gilroy’s earlier work on race and class deserve our renewed attention. Kevin Bruyneel examines Hall’s work on race in relation to three analytics that foreground racism’s material practices: intersectionality, racial capitalism and settler colonialism. William Garcia in the final contribution asks us to think about the anti-immigrant black nativisms condoned and even encouraged by discourses of African-American identity and by unmarked references to blackness in the US context. In ‘Fateful Triangles in Brazil,’ Part II of Contexto Internacional’s forum on The Fateful Triangle, three scholars work with and against Hall’s arguments from the standpoint of racial politics in Brazil.


Author(s):  
Youssef M. Choueiri

This chapter traces the principal historiographical developments in the Arab world since 1945. It is divided into two major parts. The first part deals with the period extending from 1945 to 1970. During this period the discourse of either socialism or nationalism permeated most historical writings. The second part presents the various attempts made to decolonize, rewrite, or theorize history throughout the Arab world. The chapter then shows how in the various states of the Arabic world—some but not all of which have become fundamentalist Islamic regimes—Western models continued to be followed, though often with a more explicitly socialist approach than would be the case in America or Western Europe. By the 1970s, well before the shake-up of radical Islamicization that has dominated the past quarter-century, the entire Arabic world began to push hard against the dominance of residual Western colonial history.


2016 ◽  
Vol 41 (1) ◽  
pp. 22-41 ◽  
Author(s):  
Maggie Griffith Williams ◽  
Jenny Korn

Television is a significant socialization tool for children to learn about their social worlds. The children's brand, Thomas & Friends, targets preschool audiences with manifest messages about friendship and utility as well as troubling, latent messages about race, ethnicity, and difference. Through critical visual and verbal discursive analyses of the film, Hero of the Rails, we expose Thomas & Friends' investment in racial hierarchies despite its broader message of friendship. We identify four ways that Hiro is “othered” in the film: (1) his glamorized description as “strange,” (2) his consistently heavily accented voice, (3) his Japanese origin story, and (4) his pigmentation and powerlessness. Using theories of “othering,” we argue that the representation of cultural difference to the preschooler audience is fearful and propagates racist discourses of yellow peril and Orientalism.


2021 ◽  
Vol 5 (1) ◽  
pp. 200-210
Author(s):  
A. V. Smirnov ◽  
Mona A. Khalil

This paper is an interview with Andrey V. Smirnov, Director of the Institute of Philosophy, Russian Academy of Sciences. The interview was dedicated to the broad set of issues that can all be characterized as relative to the umbrella topic of cultural patterns, the indispensability of cultural difference between nations and civilizations and the roots of such phenomena. Expressing the idea of specific mindsets and inherent value orientations, Andrey V. Smirnov adheres to the theoretical approach designed to underline these elements. The panhuman (vsechelovecheskoye) serves for these ends as well as the collective cognitive unconscious. The visions of panhuman oppose to the universalist paradigm (obshechelovecheskoye) and express concern about the drawbacks of cultural unification. Each culture shares one of these two approaches to a certain extent, and the viability of such cultures can be accessed with the view to the interests, goals and projects such cultures or nations nurture. All such phenomena stem from collective cognitive unconscious. Language as its signifier illustrates innate logical structures that also vary: while, for instance, the Arab thought runs on process-based logic that focuses on actions, European one represents substantial logic — that of the existential feeling. In this way all intercultural communication should take others’ visions and adopt to them, which is important not only for translators and interpreters, but also in the political sphere. Advocates of globalism and supranationalism are driven by ideas generated in the West and remain ignorant of the practices that are actually relevant in localities other than the USA or Western Europe. Many examples can be found in the societal shifts that Russia faces. The seemingly non-alternative modernisationalist initiatives that fall within the universalist liberal model are inadequate for the thought style and the corresponding institutional, authority and educational system. The most obvious examples of this deal with the digital sphere, but the cyber transformations as such are not imposing the universalist vision. Rather, it is the underlying culturally-rooted effects of the leverage the United States as the IT leader have and make use of. The questions on how these intercultural communications function now, what form should they take and the very transformations that burden self-sufficient cultures should be analyzed by philosophers. The realities of modern civilizations suggest that those who are set aside in the periphery raise voices and realize national subjectivity.


2015 ◽  
Vol 8 (1) ◽  
pp. 47-59
Author(s):  
Fiona Nicoll

It is both a pleasure and a significant responsibility to review two field-shaping works in critical indigenous studies. The White Possessive showcases the unique intellectual contribution of Aileen Moreton-Robinson, both within Australia and internationally. Prising apart concepts of race, ethnicity and cultural difference, her book makes visible and accountable the patriarchal white subject of possession that subtends them. Mohawk Interruptus is a rigorous ethnographic account of the intra-subjective and intersubjective dimensions of academic disciplines and political practices that produce and police the ‘authenticity’ of Indigenous people. Both books should be read and studied by scholars across academic disciplines in the humanities and social sciences. In particular, they break new ground for researchers in law, sociology, women’s studies, critical race and whiteness studies, postcolonial studies, anthropology, political theory and cultural studies.


2015 ◽  
Vol 11 (2) ◽  
pp. 242-259
Author(s):  
Slobodanka Vladiv-Glover

The paper analyses the relationship of lyrical drama, which emerged as the dominant genre of European Modernism, and opera, representing a paradigm shift in European thought on the eve of World War One. The musical metaphor of love-death, originating in Wagner’s Tristan and Isolde, was adopted widely and transposed into verbal art by the dramatists and prose-writers of Modernism in Eastern and Western Europe. This metaphor or leit-motif is read in the context of the theory of the Freudian death-drive and the emergence of a modern analytic of finitude, which announces a new European cultural paradigm, grounded in identity and difference. A new ‘modern’ sensibility is formed out of these metaphysical elements, which come to expression in the Modernist genre of lyrical drama, in which a synaesthetic relationship is forged between music and the verbal text. A musical motif (love-death) is generalised into desire in the verbal text which it structures through intonation, gesture and the representation of unconscious drives on stage.


1996 ◽  
Vol 5 (4) ◽  
pp. 449-470 ◽  
Author(s):  
James S. Frideres

Canada has accepted immigrants since the turn of the century and has been a major player in the world wide movement of people. However, until the 1960s, most immigrants were white and from Western Europe. By the late 60s, Canada's immigration policy took on a more universalistic criteria and immigrants from around the world were able to enter. In 1971, Canada established a multicultural policy, reflecting the multi-ethnic composition of Canadian society. However, a quarter century later, economic and ideological pressures have forced the government of the day to rethink its immigration policy. The present paper reviews Canadian immigration policy and assesses the current situation. An analysis of the 1994 immigration consultation process is presented which led to the new changes in immigration policy. Recent changes in the organizational structure of the Department of Citizenship and Immigration and its policy are evaluated. The implications of the new immigration policy are discussed, particularly as it relates to Asian immigration.


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