scholarly journals A Bedtime Yarn by N. Winstanley

2018 ◽  
Vol 7 (3) ◽  
Author(s):  
Janice Kung

Winstanley, Nicola. A Bedtime Yarn, illustrated by Olivia Chin Mueller, Tundra Books, 2017.This picture book explores the dreams of Frankie, a little bear who has trouble falling asleep at night. To help him sleep, his mother provides a ball of yarn for him to hold while she works on the other end, knitting a special surprise for Frankie. Each ball of yarn is a different colour with its own story that takes the young bear on incredible adventures. For instance, a sea-green yarn invokes a dream that takes him deep into underwater caverns and a brown yarn reminds him of cake as a result of his upcoming birthday celebrations. Every colour depicts a new dream and unique experience. The story concludes with Frankie’s mother surprising him with a multi-coloured blanket that was made from all the different colours of yarn that he held.   Beautiful artwork illustrated by Olivia Chin Mueller accompanies the story, including strands of coloured yarn that surround the images. The author creatively used colour as the starting off point for representing the wide variety of dreams that the little bear encounters. This children’s book teaches readers about different colours and the imaginative element of dreams. This book is suitable for children from Kindergarten to Grade 2.     Recommended: 3 out of 4 starsReviewer: Janice KungJanice Kung is a Public Services Librarian at the University of Alberta, John W. Scott Health Sciences Library. She obtained her undergraduate degree in commerce and completed her MLIS degree in 2013. She believes that the best thing to beat the winter blues is to cuddle up on a couch and lose oneself in a good book.

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Kim Frail

Siminovich, Lorena. I Like Vegetables: A Touch-and-Feel Board Book. Somerville: Candlewick Press, 2011. Print.“I Like Vegetables” is a dream come true for any nutritionally conscience parent, children’s librarian or teacher. The brightly hued collage illustrations are intriguingly textured with patterns and “touch & feel” inlays. Silky peas and rough-skinned carrots invite young readers to learn about vegetables. The layout is quite clever as it leverages contrast and comparison as a learning method. On one side of the page vegetables are depicted as they would appear growing in the garden while on the other side they are in the home being prepared for the dinner table. In addition, the nature side of the page illustrates the concept of opposites. For example, there are “tall” and “short” cornstalks. Orange carrot roots are “below” the ground, while the feathery green tops are “above”. The indoor side of the page features close-ups of vegetables against a wood-grain background that evokes a cutting board. Here children get a different perspective on the harvested veggies. We see shelled peas, open cornhusks and a cross-section of a pumpkin. The concluding series of images features an “empty” gardener’s basket next to a basket “full” of colourful vegetables on a blue and white gingham picnic tablecloth inlay.  This is primarily a picture book with only the names of the vegetables and the two opposing concepts appearing on each page. The typeset is Helvetica and is large and easy to read.  It is a sturdy board book and the inlays could not be easily ripped out or damaged. It is therefore a welcome addition to any toddler’s library. Other titles in the “I Like” series by Siminovich include: “I Like Toys “, “I Like Bugs” and “I Like Fruit”. “I Like Vegetables” is sure to engage children from ages 1-3. Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old. 


2018 ◽  
Vol 7 (3) ◽  
Author(s):  
Janice Kung

Knapp, Andrew. Let’s Find Momo. Quirk Books, 2017.This hide-and-seek board book is the latest from photographer, Andrew Knapp and his extremely photogenic border collie named Momo. The black and white border collie loves hiding and invites young readers to find itself and other objects. Left-hand pages list three different objects and Momo who are hidden in the corresponding right pages. Each page explores different environments along with objects that are typically found therein, but not always. For instance, in the library, readers are tasked to find a lollipop, a banana, a balloon, and Momo.Similar to Where’s Waldo, this picture book allows readers to find objects and the cute little dog that does his very best at staying hidden. The border collie takes readers on many adventures such as to a merry-go-round, gymnasium, garden, bedroom, and even a farm. With themes carefully selected, they provide a wide range of new words for young readers to learn. Each location is beautifully photographed with vibrant colours and unique angles while, at the same time, teaches new vocabulary to young children, aged 2-4.  Highly Recommended: 4 out of 4 starsReviewer: Janice KungJanice Kung is a Public Services Librarian at the University of Alberta, John W. Scott Health Sciences Library. She obtained her undergraduate degree in commerce and completed her MLIS degree in 2013. She believes that the best thing to beat the winter blues is to cuddle up on a couch and lose oneself in a good book.


2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Janice Kung

Atkinson, Cale. Where Oliver Fits. Toronto, Tundra Books, 2017. Oliver is a unique little puzzle piece with a cute round head smattered with blue and orange. He wants to be part of a bigger picture and goes on a journey to find where he fits. As he finds different puzzles, he discovers that the other puzzle pieces are not like him at all. Some puzzle pieces complain that he does not have enough of the right colour to fit properly. Others say that he is not the right shape. Determined to find his place in the world, he decides that he needed to be more like others in order to be accepted. He uses creative strategies to change his shape and colour, however, after continuing to be rejected, he becomes desperate enough to create a disguise to finally fit into a puzzle. Although he finally finds his fit, Oliver begins to question whether or not it was right to pretend he was someone else and learns that it is better to be himself.                    This is a wonderful story of imagination. Children learn through the eyes of Oliver that it is better to be one’s true self rather than changing to fit in. The illustrations are bright, colourful, and capture all the conflicting emotions that Oliver goes through. Designed for children ages 3-7, this book provides a good moral lesson in a fun and creative way.      Recommended: 4 out of 4 starsReviewer: Janice Kung Janice Kung is a Public Services Librarian at the University of Alberta, John W. Scott Health Sciences Library. She obtained her undergraduate degree in commerce and completed her MLIS degree in 2013. She believes that the best thing to beat the winter blues is to cuddle up on a couch and lose oneself in a good book.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Dale Storie

Durand, Hallie. Mitchell's License. Illus. Tony Fucile. Somerville, Mass: Candlewick Press, 2011. Print. Three and a half year old Mitchell, who never wants to go to bed, receives his “remote-controlled dad driver’s license”, which allows him to drive his father around the house like a car.  This delightful picture book features plenty of visual sight gags as Mitchell puts the car into gear (by pulling on his father’s ears), checks the tires (feet), cleans the windshield (eyeglasses), and honks the horn (nose).  Although Mitchell initially drives his dad straight into a wall, over time he learns how to avoid collisions and make hairpin turns.  The book concludes with the son trying to feed his dad some gas (a cookie) before being driven off to bed. This is the first picture book by author Durand (also known for the Just Desserts books), whose husband invented the “remote-controlled dad” game for their children.  There isn’t much of a story, nor does there need to be; the pleasure in the book is the driving game and the interaction between Mitchell and his dad.  Fucile, who is well known from his career in animation, is a perfect illustrator for bringing this high-speed adventure to life, especially the overtly slapstick scenes where Dad collides into the wall or has “oil” poured into his mouth.  Many pages use a lot of white space, which when combined with Fucile’s graphic style; make the illustrations look as though they were taken directly from a sketchbook.  This effect gives the whole book a feeling of fluidity and improvisation that complements the driving game being enacted, while never coming off as blatantly cartoony. This book is highly recommended, especially for any child who loves cars and driving.  However, parents should probably expect children to demand their own driver’s licenses after reading this book! Highly recommended: 4 out of 4 stars Reviewer: Dale StorieDale is Public Services Librarian at the John W. Scott Health Sciences Library at the University of Alberta. He has a BA in English, and has also worked in a public library as a children's programming coordinator, where he was involved with story times, puppet shows, and book talks. 


2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Sandy Campbell

Taniton, Raymond and Mindy Willett.  At the Heart of It: Dene dzó t’áré.  Markham, On:  Fifth   House, 2011.  Print. Indigenous author Raymond Taniton is a member of The Sahtugot’ine, or the “people of Great Bear Lake”.  In At the Heart of It, Taniton invites readers into his world.  We meet his family, see the Sahtu Region where he lives, meet the elders in the community, learn how to make a traditional hand drum, learn some games and read some of the stories.  The stories are particularly important. This book is the most recent in Fifth House’s “The Land is Our Story Book” series, all co-authored by writer Mindy Willett. Taniton concludes this volume by saying, “The land is our storybook. It is our school, our library, our church. It is where we learn our stories and where we discover who we are as true Dene people. The land is at the heart of it all”.  And in this book Taniton and Willett do succeed in helping us to understand “the land”. This is a picture book, an educational book and a celebration of what it means to be Satugot’ine. Tessa Macintosh’s photographs are used throughout. The top of each page has a border image of the beaded toes of twenty-one moccasins. Often a large image will form the background of a page with text and other images superimposed.  For example, for the story “The Lake is the Boss”, the background is an image which looks out through the mouth of a cave.  The story is about a giant wolf that lived in the cave. The text, along with smaller images of the island that the wolf became when he turned to stone, is superimposed on the cave photograph.  The images and text, taken together, form many lessons for young people.  The stories provide metaphorical and philosophical lessons, but the book also provides practical lessons, such as the illustrated steps to making a drum.  As a whole, the book celebrates Raymond Taniton’s family, the Sahtugot’ine people and their way of life.   Highly recommended for elementary school and public libraries. Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Sandy Campbell

Sammurtok, Nadia. Siuluk: The Last Tuniq. Illustrated by Rob Nix. Inhabit Media, 2018.This picture book, published in both English and Inuktitut syllabic script, tells the story of the last of the Tuniit, or the giants of the Eastern Arctic. The story is connected to a large rock, near Chesterfied Inlet in Nunavut, which is called Siuluk’s Rock. Nadia Sammurtok who is from Rankin Inlet and heard the story from her father, recounts that people were unkind to Siuluk and teased him because he was different. Through a show of strength by lifting the very large rock, Siuluk convinced the Inuit people that he really was the strongest man and gained their respect.Both the language and the artwork in the book are simple. The clothing pictured is unadorned. Vegetation is suggested, but not detailed. Rob Nix has taken some liberties with the appearance of the individuals. Artwork left by the Tuniit (also known as the Dorset Culture), typically show rounded faces, similar to modern Inuit. Siuluk’s face is depicted as long and angular, with a prominent and high-bridged, convex nose, more common in some European people.Overall this is a good retelling of the traditional story and conveys the message of tolerance of difference. Libraries with children’s collections, and particularly those that collect polar children’s literature will want to include these volumes. Recommendation: 3 stars out of 4Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Debbie Feisst

Shireen, Nadia. Good Little Wolf. New York: Alfred A Knopf. 2011. Print. Good Little Wolf is British illustrator Nadia Shireen’s picture book debut, and a successful one at that. Shireen, who earned an MA in Children’s Book Illustration from Angela Ruskin University in Cambridge, originally planned a career in law but thankfully pursued her passion for illustration and now, authorship. The story begins with the narrator ensuring a group of youngsters, including a red-hooded girl and a (soother) suckling pig are all comfortable. Rolf is a good little wolf. He is helpful to his friends, the elderly Mrs. Boggins and Little Pig, eats his vegetables and enjoys baking.  One day Rolf meets a Big Bad Wolf, who is clearly surprised by Rolf’s goodness; young children will delight at the Big Bad Wolf sniffing Rolf’s butt to confirm that he is, indeed, a wolf. A few tests are in order to determine his wolf-ness and Rolf fails miserably – until the Big Bad Wolf shows up with Mrs. Boggins and a fork. Suddenly Rolf shows his fierce side and the Big Bad Wolf is going to reform – or so it seems. The quirky illustrations and fresh take on a traditional tale will delight the 4-8 crowd, though parents may need to do some explaining after the final twist when we learn the identity of the narrator . I look forward to Shireen’s next book and won’t have to wait long – “Hey, Presto!” is due out this summer. Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell

Coffelt, Nancy.  Catch That Baby! Toronto: Aladdin, 2011. Print. There comes a point in every toddler’s life when he or she just needs to make a break for it and run away from Mom; if naked, after a bath, so much the better.  Nancy Coffelt captures that moment in this delightful book.  Rudy tosses his towel at the dog, shouts, “No dressed” and the romp begins.  Mom chases, clothing in hand, and is joined in successive panels by other family members all of whom try, but not too hard, to “catch that naked baby”. This is primarily a picture book.  Award-winning illustrator Scott Nash has drawn cartoon style illustrations, with large blocks of bright colour, little visual detail and speech bubbles.   The simple presentation is perfect for toddlers, who will be able to completely relate to “Nudie Rudy” pelting around the house in the buff, although most pre-readers will not end up swinging from vines in the conservatory. Young children will enjoy the repetition in the little bit of text on each page and will love finding Rudy on each page, particularly on pages where those silly adults cannot see him, even though he is so obviously in plain sight that a baby could find him. Catch That Baby! is a gem that will become a favourite read aloud book in many families.  It would make an excellent gift for a toddler and belongs in every public library collection. Highly recommended:  4 out of 4 stars Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Leslie Aitken

Welwood, Margaret. Marie and Mr. Bee. Illustrated by Coralie Rycroft.  Bomars Ventures, 2016.Very few children in Canada’s towns and smaller cities can buy a “locally” published picture book of reasonable quality. Happily for them, young children living in tiny Beaverlodge, Alberta (population, 2,327 as of 2016) can do just that.Marie and Mr. Bee is locally produced. Its author, Margaret Welwood, has teamed with Beaverlodge artist, Coralie Rycroft, to produce an enjoyable work for young children. Its publisher, Bomars Ventures, (also known as “Grandma’s Bookshelf”) appears to operate from Welwood’s address. The book is printed in Canada. It is a paperback, its sturdy, glossy pages stapled to its soft cover along the central fold (technically, “saddle bound”).Because this appears to be a self-published book, Welwood’s professional credentials should be noted. She holds a BA in Psychology and a Diploma in Adult Education, both from the University of Alberta. She is a member of the Writer’s Guild of Alberta, and the Canadian Children’s Book Centre. For twenty years she has taught English as a second language at Grande Prairie Regional College. She edited Northwest Business Magazine; has contributed nonfiction articles to a variety of journals, e.g., The Alberta Report, New Trail, Christian Woman; and has reviewed books ranging from children’s picture books to Bible study materials. This experience culminates in a writing style well suited to engaging, entertaining, and instructing her intended audience.Her book is admittedly didactic in intent, but not in style. A “Note to Parents” [Inside front cover] identifies one of its themes, “…get your work done first, and then it’s time to play.” While this theme evokes the Protestant work ethic (and, indeed, the back cover of the book features an endorsement by the Christian Fellowship Assembly) Albertans of every faith would embrace it.Welwood’s storyline is simple but charming. Marie, like her small forest friends—the Squirrels, Little Bear, and Fox—is a model of industry until Mr. Bee corrupts her with his own carefree attitude to life:            “I don’t have to make honey. The workers make the honey and I eat it!” [p.6]  Ultimately, however, indolence proves painful for Mr. Bee, and tedious to Marie.A secondary theme is much more subtly explored. Marie is wheelchair-bound.  No words allude to her situation; it is simply conveyed by the exquisite artwork of Coralie Rycroft. With ink and colour, Rycroft depicts Marie’s lifestyle in an idyllic log cabin surrounded by beautiful woodlands. Marie is independent, self-sustaining, and fully functioning; the concept is powerfully communicated.Beyond its intended messages, the book conveys a third by its very existence.  Given a few individuals with gifts and initiative, a small community can develop its own “literary oeuvre”, enrich the lives of its citizens, and communicate its cultural norms in ways that the wider world can appreciate.Reviewer:  Leslie AitkenRecommended: 3 stars out of 4Leslie Aitken’s long career in librarianship involved selection of children’s literature for school, public, special, and university collections. She is a former Curriculum Librarian at the University of Alberta.


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Valerie Mayzel

Hobbie, Holly. Elmore. Random House Children’s Books, New York, 2018. Holly Hobbie’s Elmore is a heartwarming story about a lonely porcupine determined to make friends. His prickly exterior makes the other animals scared of him at first, but through his creativity and inventiveness, he finds a way to help others embrace what makes him unique, all while staying true to himself. The invaluable lessons that this picture book teaches are remarkable. Readers learn that what makes us different, makes us special; once we accept and appreciate our differences and share what we have to offer, others will get to know, accept, and appreciate us for who we are. This book also teaches its readers to not ‘judge a book by its cover’. Elmore was judged by the other animals because of his prickly quills, but once he celebrated his differences and the other animals learned what made him special, they felt lucky to be his friend. Hobbie’s use of language is powerful and provides young readers with the opportunity to learn and have discussions about new vocabulary, such as solitude, emphatically, and tuckered out. Hobbie’s whimsical illustrations are adorable and charming, and her realistic portrayal of Elmore’s facial expressions are endearing; readers empathize and grow to love Elmore. This book is highly recommended as a real-aloud for elementary school educators and parents alike, because it creates opportunities to discuss the hidden messages within the story. Children will be able to make their own connections with Elmore and feel comforted by the fact that making friends isn’t always easy, but others will learn to accept them for who they are, once they accept themselves. Editor’s note: It is worth reading more about the author and the history of her namesake character. https://en.wikipedia.org/wiki/Holly_Hobbie Highly Recommended: 4 out of 4 starsReviewer: Valerie Mayzel Valerie Mayzel is a fourth-year student in the Elementary Education program at the University of Alberta. She is very excited to begin her career as a teacher and is looking forward to incorporating a variety of literature in her lessons to support student learning.


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