scholarly journals State Cultural Policy during the Great Patriotic War

Author(s):  
Olga Glushakova

The article describes the content and features of the state cultural policy during the Great Patriotic War. In the pre-war period and in the first years of the war, the state budget cut on cultural expenditures, and all Soviet cultural institutions aimed their activities at achieving the main strategic goal, i.e. victory. The research was based on an institutional approach, as well as methods of analysis, synthesis, and comparison. The author studied various regulatory documents and defined the main features of cultural activities in wartime conditions. Advantages of the socio-political system made it possible to mobilize all types of resources in the shortest time possible. Institutions of culture were responsible for propaganda and recruiting campaign, thus performing the function of ideological and political inspirer of Soviet citizens.

2020 ◽  

The Covid-19 pandemic has had unprecedented and dramatic consequences on the cultural activities and the development of tourism in italian cities. In the midst of this scenario, the Department of History, Archeology, Geography, Art, and the Performing Arts (SAGAS) of the University of Florence organized three days of online conferences in which representatives of political and cultural institutions, along with qualified observers, expressed their views on the future of cultural policy after the health crisis. This book is a collection of all those “voices on the future of our heritage” that spoke in this series of videoconferences. This publication aims at ensuring that they can be heard by a wider audience, to start a reflection on the possibility of redesigning Florence’s cultural and touristic offerings. To bring about such a change, it is necessary to think within a new framework, one that aims at integrating itineraries capable of embracing the entire city, its histories, and its communities.


2021 ◽  
Vol 2 (1) ◽  
pp. 110-115
Author(s):  
Oleksandr Nosyriev ◽  
Tetiana Bukina

The article considers the issues of changing accents and cultural transformation in Ukraine, Great Britain and other European countries. In recent years, Ukraine has seen an active revival in the cultural sphere. From publishing to music, from film production to theater, from fashion to curatorial exhibitions – the Ukrainian cultural environment has become bold, diverse and large-scale. Euromaidan has given impetus to a powerful wave of cultural activism: from discussion platforms to spontaneous exhibitions, from urban regeneration projects to volunteer groups seeking to protect dilapidated national heritage sites. The impetus for it was the dynamism of the Ukrainian creative community. And further development became possible thanks to the support of new state cultural institutions. These institutes emerged after Euromaidan, such as the Ukrainian Cultural Foundation, the Ukrainian Book Institute, and the Ukrainian Institute. Institutions with a long history, such as the State Agency of Ukraine for Cinema, have strengthened their positions. The creation of these new institutions marked the departure from the post-Soviet system of cultural management. And the transition to a consistent and comprehensive cultural policy. The main thing is that the creation of a new system of culture in Ukraine has helped to bridge the gap between the state and cultural activists and the creative sector. One of the most important problems of the cultural sector in Ukraine for the last 25 years is funding. This problem is also relevant for the United Kingdom. But when it comes to finding resources for artists and cultural institutions, British policy has a respectable tradition and a number of successful answers. Support for the arts by both the state and business seems to be a matter of course for the British. At the same time, the idea of the self-worth of art is also supported by the idea of its social significance, as well as the perception of art as a primary source of creativity, innovative development, creative industry. The relationship between the European Union and the society of Ukraine is already yielding some results in the context of ensuring the democratic and European development of the state. For the successful implementation of European integration in Ukraine, it is necessary to apply such mechanisms that will ensure coordinated management of social processes of the state in the direction of European integration. The main mechanism is cultural policy, which should be aimed at regulating the regulatory framework. And the application of regulations in practice. This will allow culture to take a leading position on the path to national modernization. Legislation should be a mechanism for achieving goals, and the main thing should remain that the person should be at the center of cultural policy of the state. Given the experience of the United Kingdom, the formation of Ukraine's cultural policy should be based on the idea of the all-encompassing impact of culture on modern society. Accordingly, such a policy, being aimed at the cultural sector, effectively affects all spheres of public life. Consistent support for culture at the financial and fiscal, legislative and executive, national and local levels should, above all, be based on an awareness of the value of culture. Culture enriches people's lives, changes their worldview and inspires creativity. In the social dimension, its impact has the most significant impact on education, health and cohesion.


2016 ◽  
Vol 17 (1) ◽  
pp. 28-43
Author(s):  
Badikenita Sitepu

Government Budget Analysis in Perspective Democracy Multiparty and CoalitionDemocratic system change in Indonesia resulted in a change of political system and economy of Indonesia. Changes in the political system was also followed by the country’s financial sector reform (or budget) in the process of change towards prosperity residents better. Using time series data from 1982 to 2011, this study found that the coalition is formed to have a positive and significant effect on the level of budget revenues in the state budget approval and the state budget, as well as the approval of the budget at the level of state budget. The Coalition does not have influence on the level of approval signifkan budget on state budget. The number of political parties only aect the level of budget revenues in the state budget approval. The level of tax agreements have a significant impact on the level of state budget approval and the state budget. Revenue budget approval rate has a significant influence on the level of approval of both the state budget expenditures and state budget.Keywords: State Budget; Multiparty System; Coalition; Political Party; Level Tax Agreement AbstrakPerubahan sistem demokrasi di Indonesia berdampak terhadap perubahan sistem politik dan ekonomi Indonesia. Perubahan sistem politik juga diikuti dengan reformasi di bidang keuangan negara (atau anggaran) dalam proses perubahan menuju kemakmuran penduduk yang lebih baik. Dengan menggunakan data time series tahun 1982–2011, penelitian ini menemukan bahwa koalisi yang terbentuk berpengaruh positif dan signifikan terhadap tingkat persetujuan anggaran pendapatan pada APBN dan APBN-P, serta tingkat persetujuan anggaran belanja pada APBN-P. Koalisi tidak berpengaruh signifikan terhadap tingkat persetujuan anggaran belanja pada APBN-P. Jumlah partai politik hanya berpengaruh pada tingkat persetujuan anggaran pendapatan pada APBN. Tingkat persetujuan pajak berpengaruh signifikan terhadap tingkat persetujuan anggaran pada APBN dan APBN-P. Tingkat persetujuan anggaran pendapatan berpengaruh signifikan terhadap tingkat persetujuan anggaran belanja, baik pada APBN maupun APBN-P.


2020 ◽  
Vol 2020 (2) ◽  
pp. 163-187
Author(s):  
Adam M. Suchecki

The political transformation of 1989, as well as Poland’s accession to the European Union in 2004, had a significant impact on the cultural sector and the forms of its organisation and funding. These events also contributed to setting new directions for Polish cultural policy. This is a part of a wider public policy, understood as an intentional and deliberate process of achieving objectives in particular areas of public life. Currently, the library policy is an integral component of Polish cultural policy. It aims to achieve specific objectives and implement tasks in the field of the social circulation of library books and the preservation of the linguistic, cultural and civilisational heritage for future generations. Since 2001, public spending on culture in Poland has remained below 1% of the total expenditures of the state budget. The limited financial resources earmarked for culture in the national and provincial budgets are the main reasons for performing a comparative study of the technical efficiency of cultural institutions in Poland using the example of libraries. The Polish system of public libraries consists of national, educational, school, medical, agricultural, prison and military libraries. The operations of these institutions require adequate funding to guarantee meeting society’s reading and informational needs. The main aim of this paper is to gauge the efficiency of the regional system of libraries in Poland. The research focuses on analysing the public libraries operating in Polish provinces, using data from Polish Statistical Office resources (The Local Database), and one of the nonparametric methods, i.e. the results-oriented CCR model of data envelopment analysis (DEA). It was found that the major reason for the lack of efficiency in most Polish libraries is the insufficient amount of local government’s financial support combined with the lack of self-financing opportunities for such cultural institutions


Author(s):  
Emilia Anna Zimnica-Kuzioła

<p>Artykuł  dotyczy  organizacji życia teatralnego w Polsce po roku 1989.  W okresie transformacji ustrojowej nastąpiły zmiany w zakresie funkcjonowania instytucji kultury, w tym i teatrów. Polityka państwa określana jest przez pojęcia decentralizacji czy dewolucji (odejście od monopolu państwowego, przekazywanie instytucji kultury władzom gminnym i samorządom wojewódzkim) i deregulacji (proces odchodzenia od kontroli państwa, ideologiczna niezależność instytucji kultury). Publiczne teatry w Polsce  reprezentują model teatru repertuarowego, którego podstawą jest stały zespół aktorski. Wzrasta jednak liczba teatrów niepublicznych (teatry <em>non-profit</em>, zarejestrowane jako stowarzyszenia lub fundacje, nie nastawione na zysk i teatry komercyjne).</p><strong>Theater Policy in Poland after the Political-System Transformation</strong><p>SUMMARY</p><p>The article discusses the organization of theatrical life in Poland after 1989. During the political-system transformation there were changes in the operation of cultural institutions, including theaters The State policy is defined by the concepts of decentralization or devolution (departure from State monopoly, handing over of cultural institutions to gmina [commune] authorities or provincial self-governments) and deregulation (the process of departing from State control, ideological independence of cultural institutions ). Public theaters in Poland represent the model of repertory theater based on a permanent team of actors. However, the number of non-public theaters is growing (non-profit theaters registered as associations or foundations, and commercial theaters).</p>


Author(s):  
Adam Bodіuk

The subject of the study is the mechanism for determining the fiscal fee forthe main transportation of hydrocarbon goods as a resource concept. The purposeof this article is to justify the nature and prospects of using, instead of currentrent, hydrocarbon fiscal-main income as a fiscal payment, which is brought intothe state budget by operators of the main hydrocarbon-transport system as business entities for their transportation of hydrocarbons and products of their processing through main pipelines appropriate to the economic requirements. Theresearch methodology is determined by a combination of methods: a) cognition:legal analysis (study of the regulatory framework for the use of rent); b) justification: abstract logical analysis (definition of the concepts of hydrocarbon fiscalmain income); c) generalization (substantiation of conclusions and proposals).Results of work. In the process of analyzing the regulatory legal acts that regulate the use of current annuity as payment to the budget for the main transportation of hydrocarbons, it was established that it is not a tax in the interpretationof PKU, since the essence does not meet the official definition of tax, does notmeet the accepted definition of the concept of rent. The accepted nature andmechanism of paying rent for the transportation of hydrogen resources and associated revenues of the state and users of the main hydrogen transport systemand the unpromising nature of its use as a fiscal payment are analyzed. Conclusions.It is proposed that the state pay for the territorial pumping of hydrocarbon resources according to our triple principle as hydrocarbon fiscal-main income, whichcorresponds to its essence, and accordingly change the mechanism for calculatingand depositing funds to treasury accounts. Since the funds come to the revenueside of the state budget, that is, inherently belong to state revenue. The creationof such a mechanism needs certain studies, justifications and government decisions. The same applies to land use, since the quality indicators of soils, wherethe laid pipelines are territorially different. In addition, there is a process ofchanging land for its intended purpose, for the property. The fee for movinghydrocarbon resources should be calculated depending on the type of transport,including pipelines, for a set of indicators: quantity and quality of goods, time,main tariffs and distance of its movement. The amount may be adjusted usingfactors officially established by the CMU. Since the pipelines are located in territorial lands, part of this fee should be transferred to the territorial local budgets.Theoretically, the economic use of trunk pipelines should be considered as a typeof economic environmental management. Therefore, this type of government revenue should be determined by a set of indicators, as well as taking into account the economic interests of business entities authorized by the CMU. Thus, theimplementation of our proposed fiscal payment is relevant, has scientific noveltyand promising practical significance, therefore, for state recognition it is proposedto include it in the Tax Code of Ukraine.


2017 ◽  
Vol 11 (1) ◽  
pp. 35-63
Author(s):  
Ruth Roded

Beginning in the early 1970s, Jewish and Muslim feminists, tackled “oral law”—Mishna and Talmud, in Judaism, and the parallel Hadith and Fiqh in Islam, and several analogous methodologies were devised. A parallel case study of maintenance and rebellion of wives —mezonoteha, moredet al ba?ala; nafaqa al-mar?a and nush?z—in classical Jewish and Islamic oral law demonstrates similarities in content and discourse. Differences between the two, however, were found in the application of oral law to daily life, as reflected in “responsa”—piskei halacha and fatwas. In modern times, as the state became more involved in regulating maintenance and disobedience, and Jewish law was backed for the first time in history by a state, state policy and implementation were influenced by the political system and socioeconomic circumstances of the country. Despite their similar origin in oral law, maintenance and rebellion have divergent relevance to modern Jews and Muslims.


2018 ◽  
Vol 12 (2) ◽  
pp. 313-328
Author(s):  
Fathul Aminudin Aziz

Fines are sanctions or punishments that are applied in the form of the obligation to pay a sum of money imposed on the denial of a number of agreements previously agreed upon. There is debate over the status of fines in Islamic law. Some argue that fines may not be used, and some argue that they may be used. In the context of fines for delays in payment of taxes, in fiqh law it can be analogous to ta'zir bi al-tamlīk (punishment for ownership). This can be justified if the tax obligations have met the requirements. Whereas according to Islamic teachings, fines can be categorized as acts in order to obey government orders as taught in the hadith, and in order to contribute to the realization of mutual benefit in the life of the state. As for the amount of the fine, the government cannot arbitrarily determine fines that are too large to burden the people. Penalties are applied as a message of reprimand and as a means to cover the lack of the state budget.


e-Finanse ◽  
2019 ◽  
Vol 15 (3) ◽  
pp. 67-75
Author(s):  
Adam Mateusz Suchecki

AbstractFollowing the completion of the process of decentralisation of public administration in Poland in 2003, a number of tasks implemented previously by the state authorities were transferred to the local level. One of the most significant changes to the financing and management methods of the local authorities was the transfer of tasks related to culture and national heritage to the set of tasks implemented by local governments. As a result of the decentralisation process, the local government units in Poland were given significant autonomy in determining the purposes of their budgetary expenditures on culture. At the same time, they were obliged to cover these expenses from their own revenues.This paper focuses on the analysis of expenditures on culture covered by the voivodship budgets, taking into consideration the structure of cultural institutions by their types, between 2003-2015. The location quotient (LQ) was applied to two selected years (2006 and 2015) to illustrate the diversity of expenditures on culture in individual voivodships.


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