scholarly journals Discourses on Hamlet's Journey in Turkey

2020 ◽  
Vol 12 (1) ◽  
pp. 119-138
Author(s):  
Hilal ERKAZANCI DURMUŞ
Keyword(s):  
Cultural Identity ◽  
Key Words ◽  
Significant Part ◽  
The West ◽  
Image Construction ◽  
Self Image ◽  
Major Motive ◽  
Constructed Self ◽  
Modern Identity ◽  
Late Ottoman

This study seeks to scrutinize extratextual discourses which frame the Turkish translations and post-translation rewritings of Hamlet as an instrument of national self-imagining and projecting Turkey’s self-image in different socio-political and historical contexts. The study points out that various discourses see image construction as the major motive behind the different versions of Hamlet in Turkey. It also underlines that the extratextual material surrounding the retranslations and rewritings focus on various contextual dynamics that reveal how Turkey is torn between dualities that frame its image in line with the narratives of modernity and tradition, secularism and religion, easternness and westernness. In this context, the study emphasizes that theatre translation, and particularly the translations of Hamlet, formed significant part of the late Ottoman Empire’s and modern Turkey’s westernization efforts. Ultimately, the study concludes that discourses on the Hamlet renderings have foregrounded what is and what is not part of Turkey’s historically constructed self-image by bringing the West alongside the East, centering on how the retranslations and rewritings promote Turkey’s Western (secular and modern) identity against a largely negative representation of its eastern cultural identity.   Key words: Hamlet, Turkey, retranslation, post-translation rewriting, image

scholarly journals LITERATURE AND IDENTITY

2015 ◽  
Vol 5 (1) ◽  
pp. 35-38
Author(s):  
Dragana Litričin Dunić ◽  
Keyword(s):  
Comparative Literature ◽  
Cultural Identity ◽  
Cultural Context ◽  
Popular Literature ◽  
National Character ◽  
The Other ◽  
The West ◽  
The Balkans ◽  
Self Image ◽  
The One

Literature can represent, on the one hand, the establishment of cultural and national identity, and, on the other hand, a constant indicator of the differences. Self-image and the image of the Other in literature is very important not only for understanding national character and preservation of cultural identity, but also for the release from ideological reading and stereotyping. Analyzing the image of the Other, research into the representation of the Balkans symbolically represents in the popular literature of the West, study of the cultural context and the processes that formed the writer’s perceptions that determine the establishment of stereotypes about Homo Balcanicus and many others, are all important tasks of imagological research, as well as the key research tasks conducted nowadays. In this paper we shall discuss some of these issues in the field of comparative literature

СТАЛИНДИК БИЙЛИК Ч.АЙТМАТОВДУН КӨРКӨМ ОЙ ЖҮГҮРТҮҮСҮНДӨ

2020 ◽  
pp. 85-87
Author(s):  
Б. Ниясалиева ◽  
Н. Алтыкеева
Keyword(s):  
Key Words ◽  
The Novel ◽  
Good Luck ◽  
The West ◽  
Innocent People ◽  
The Government

Аннотация. Ч.Айтматов “Кылым карытар бир күн” романында ачыктап бере албаган бийлик маселеси кийинки демократиянын учурунда романдын уландысы катары берилген “Чынгызхандын ак булуту “ аттуу чыгармасында таама көрсөтүлдү. Аталган чыгарма сталиндик бийликти сынга алуу менен бийликтин курмандыктары болгон күнөөсүз адамдардын оор тагдырын чагылдырат. Сталиндин образын ачуу максатында элдик легендага кайрылып, Чынгызхандын образы аркылуу Сталиндин образын чагылдырган. Чыгармадагы Тансыкбаевдин образы мансапка манчыркап, адам тагдыры менен ойногон наадан адамдардын образын ачууда колдонулган. Абуталип, Эрдене, Догуланг – булар бийликтин курмандыктары. Алар алдыда өлүм күтүп турса да, өз көз караштарынан тайышпады, өлүмгө тике кароо менен жеңиш дайыма алар тарапта экендигин аныктай алышты. Ырас, Тансыкбаев да өз максатына жете алган жок, Чынгызхан болсо батышты багынтам деген тилегине жетпеди, ал эбегейсиз күчүн жоготту, мындан ары анын жолу болбоду. Түйүндүү сөздөр: образ, демократия, каарман, легенда, идея, көркөм ой жүгүртүү. Аннотация. Проблема правительства, которую Ч.Айтматов не смог раскрыть в романе “И дольше века длится день, ярко показаны в произведении “Белое облако Чингизхана” созданное во время демократии как продолжение названного произведения. В данном произведений критикуется и отражается тяжелая судьба безвинного народа, которые стали жертвами сталинского режима. Писатель обратился к народной легенде для раскрытия образа Сталина, через образ Чингизхана. В произведений образ Тансыкбаева применятся для раскрытия образов людей, которые ради собственного нажива использовали судьбы народа. Абуталип, Эрдене, Догуланг – они жертвы правительства. Несмотря ни на что, они не отреклись от своих убеждений, стояли на смерть ради справедливости. В статье говорится о не достижении своей цели Тансыкбаева, о не покорении Чингизханом Запада, о том, что Чингизхан потерял всю свою силу и удача его покидает. Ключевые слова: власть, образ, демократия, герой, легенда, идея, художественное размышление.. Annotation. The problem of the government, which Ch. Aitmatov could not reveal in the novel “And the day lasts more than a century”is clearly shown in the works “White cloud of Genghis Khan” created during the democracy as a continuation of the title work. In this work criticized and reflected the heavy fate of innocent people who were the victims of the Stalinist regime. The writer appealed to the folk legend to reveal the image of Genghis Khan the writer conveys the image of Stalin. In the work (composition) the image of Tansykbaev will be used to reveal the images of people who used the people’s destinies for their own profit . Abutalip, Erdene, Doulan-they are the victims of government. No matter what, they didn’t renounce their beliefs, stood to death for justice . The article says about not achieving the goal of Tansykbaeva, about not conguering the West by Genghis Khan and that Genghis Khan lost all his strength and good luck leaves him. Key words: power, image, democracy, hero, legend, idea, artistic reflection.

AZƏRBAYCAN VƏ MULTİKULTURALİZM

2020 ◽  
Vol 53 (04) ◽  
pp. 171-173
Author(s):  
Samir Zülfiqar oğlu İsgəndərli ◽  
Keyword(s):  
Cultural Identity ◽  
International Relations ◽  
Key Words

Key words: International relations, Globalization, National-cultural identity

Language and Art in Senegal: The Crossbreeding of Identities in Music

2021 ◽  
Vol 8 (1) ◽  
pp. 61-69
Author(s):  
Ibrahima Sarr
Keyword(s):  
Cultural Identity ◽  
Arab World ◽  
The Other ◽  
Foreign Languages ◽  
The West ◽  
Melting Pot ◽  
Classical Form ◽  
Language And Culture ◽  
African Languages ◽  
Contact Situation

Senegal is a melting pot of several civilizations mainly originated from the West (Europe) and the East (the Arab world). Assuming that language and culture are intrinsically related, the settlement of those people and their status as dominant minority sparked and strengthened the use of their languages in formal domains. In the long ran, as they became domesticated, thus now considered African languages because they have contributed to mold the cultural identity of younger generation, they involve in all linguistic interaction. Arab, in its classical form, remains a symbol of Islam which earns it a certain degree of sacredness. Nevertheless the contact situation with the other languages forced it to crossbreed in special ways like borrowings and interferences. As for the other foreign languages, namely French, English, Spanish, and German at a least extent, they are made to carry the weight of local cultures.

scholarly journals Past as the Other – The Other as Past

2010 ◽  
Vol 5 (2) ◽  
pp. 259-268
Author(s):  
Staša Babić
Keyword(s):  
The Other ◽  
European Countries ◽  
Academic Disciplines ◽  
The West ◽  
The Past ◽  
Colonial Expansion ◽  
The Times ◽  
Modern Identity ◽  
Material Evidence ◽  
Written Sources

Modern academic disciplines of anthropology, history and archaeology are founded in the cultural, social, political context of the 18th and 19th centuries, at the times of the colonial expansion of the West European countries. Although demarcated by the objects of their study ("primitive societies", the past according to written sources, or material evidence), all these disciplines are grounded in the need to distinguish and strengthen the modern identity of the Europeans as opposed to the Others in space and time.

scholarly journals Not Enough Sami? The Affects of Postcolonial Identity

2020 ◽  
Vol 20 (29) 2020 ◽  
pp. 61-79
Author(s):  
Ugnė Barbora Starkutė
Keyword(s):  
Key Words ◽  
Postcolonial Identity ◽  
Indigenous Group ◽  
Modern Identity

The article explores how people identify with their ‘Saminess’. To understand this better, discourses of affects and emotions around the topic are analysed, particularly shame and inadequacy. They show how people ‘measure’ Saminess in relation to ‘proper’ Sami. I investigate here if this is a fault of a discursive dichotomy between modernity and tradition – the depiction of a traditional indigenous group forming in opposition to a coloniser’s modern identity. Key words: Sami, indigeneity, modernity, tradition, identity.

scholarly journals CRIMINOLOGY: WHERE ARE WE LOOKING FOR REASONS OF SOCIAL BEHAVIOR?

2020 ◽  
pp. 5-16
Author(s):  
Розовський Б. Г. ◽  
Тагієв С. Р.
Keyword(s):  
Social Behavior ◽  
Key Words ◽  
Criminal Procedure ◽  
Significant Part ◽  
Information Space ◽  
Human Actions ◽  
Causes Of Crime

There is an obvious lack of pragmatic proposals to eliminate or minimize the causes of crime. Researchers do not pay attention to the main problem of law in general: the hypertrophy of the restriction of rights and freedoms. It is argued that criminology will become a full-fledged science, if the basis of its method of research, will use physics and other technical branches of knowledge. They are necessary for understanding the surrounding of unknown information space and that is concentrated on information about a significant part of human actions committed through his consciousness, including crimes. Key words: rights, law, criminal procedure, criminology, crime, social danger, punishment, clairvoyance.

scholarly journals The Black Culture Movement and the Black Community

1976 ◽  
Vol 10 (2) ◽  
pp. 185-214
Author(s):  
John Runcie
Keyword(s):  
Cultural Identity ◽  
Black Americans ◽  
James Baldwin ◽  
Black Child ◽  
Black Culture ◽  
Dominant Culture ◽  
Skin Bleaching ◽  
African Heritage ◽  
Self Image ◽  
The Media

The problem of defining a coherent cultural identity is one that has confronted generations of Afro-Americans. As part of the justification and defence of slavery and the slave trade many whites rationalized their actions by arguing that all Africans were cultureless savages. The same combination of guilt and arrogance induced them to attempt to suppress and denigrate surviving elements of a culture whose very existence they had already denied. Most black Americans responded to these pressures by rejecting Africa and their African heritage as a source of shame and by trying to deny and to erase their blackness. Malcom X clearly understood this when he proclaimed in 1965: ‘ We have been a people who hated our African characteristics. We hated our black heads, we hated the shape of our noses …, we hated the color of our skin.’ Identification with the dominant white culture took many forms. For some Blacks it involved the use of hair straightening and skin bleaching; for others it meant the elimination of any ethnic quality in their speech, dress, cuisine and religion; for many more it meant a life of morality and hard work lived according to the dictates of the Puritan ethic. The loss of any distinctive cultural identity involved in this process was made worse by the unwillingness of white society to recognize and accept the Afro-American as part of the dominant culture. In these circumstances many blacks found themselves in a cultural limbo without an adequate self-image. White domination of the media meant that they sometimes felt literally invisible. James Baldwin drew attention to this dilemma in a speech delivered in June 1963, when he noted that:A black child born in this country … discovers two terrifying things. First of all he discovers that he does not exits in it, no matter where he looks – by which I mean books, magazines, movies – there is no reflection of himself anywhere … [if] he finds anything which looks like him, he is authoritatively assured that this is a savage, or a comedian who has never contributed anything to civilization.

New Radiocarbon Dates from the Sanders Site (41LR2), Lamar County, Texas

2017 ◽  
Vol 2017 (1) ◽  
Author(s):  
Timothy Perttula
Keyword(s):  
Radiocarbon Dating ◽  
Significant Part ◽  
Red River ◽  
East Texas ◽  
The West ◽  
Radiocarbon Dates ◽  
Animal Bone ◽  
Animal Bones ◽  
Two Samples

Recent archaeological investigations at the West Mound at the Sanders site (41LR2), on the Red River in Lamar County, Texas, disclosed substantial archaeological deposits associated with a burned clay floor to an ancestral Caddo structure in the mound. A significant part of the archaeological deposit were unburned animal bones of turtle, deer, and bison, along with Middle Caddo period, Sanders phase, fine and utility ware ceramic sherds; Sanders is one of 26 known Caddo sites in East Texas with bison bones and/or tools. In this article, I discuss the results of the radiocarbon dating of two samples of animal bone—deer and bison—from the West Mound at the Sanders site.

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