The Influence of Deportation on the Identity of Germans of Russia and Kazakhstan

The deportation of the Soviet Germans in 1941 was a turning point in their ethnic history. The deportation had a big influence on the ethnic identity of the Germans and transformed it. The aim of the research is to determine the influence of the deportation of 1941 on the modern identity of the Germans in Russia and Kazakhstan. The article contains facts about the deportation, analyzes its consequences, first of all the radical change in the territorial distribution of the Germans. The central part of the article is devoted to the influence of traumatic events on the identity of the people. The empirical base of the research consists of memories collected in expeditions and archives, as well as the results of an ethnosociological survey of Germans conducted in 2020 with the support of the International Union of German Culture. The final part is dedicated to the historical memory and presentation of the deportation events in the museums of Russia and Kazakhstan. The conclusions of the research are that the events of the deportation continue influencing the ethnic identity of the Germans of Russia and Kazakhstan greatly. The cause of it is incompleteness of rehabilitation, activities of public organizations, historical memory in which deportation occupies a central place. The authors show the need to form a positive identity that generates interest in the history and culture of their own people, a sense of pride and integrity of ethnic identity.

Bog Bodies: Archaeological Narratives and Modern Identity.

<p>Lindow Man, the British Bog Body discovered in 1984, and the Danish examples Tollund and Grauballe Men, discovered in 1950 and 1952, represent quite literally the violent face of a confrontational past. But what exactly do the archaeological narratives say? When presented with the forensic evidence can we explicitly conclude they were murdered as human sacrifices to appease the Germanic and Celtic gods and goddesses during times of affliction? Or are they simply an example of our own imposition of modern assumptions onto the past in a flare of sensationalism and mystical dramatization of the tumultuous affairs of noble savages? How have these narratives played out in the public sphere, particularly museum and heritage, and in modern culture such as the Irish poet Seamus Heaney’s bog poems. Do they reinforce harmful myths of an excessively violent past dominated by innately uncivilized natives? Who does the past really belong to and who has the authority to voice it? Many facets of bog body scholarship remain hotly contested including the human sacrifice interpretation, the usage of Tacitus as the only remaining historical source and Heaney’s use of the bog victims as a metaphorical analogy for the Northern Ireland sectarian violence. My contribution is precisely to present these interpretational narratives from a critical perspective and question scholarly assumptions of ritualism. Further, I will explore how archaeological narratives are presented to the public through the unique heritage that bog bodies embody. Lastly, I will investigate the conceptualization of the “other” through Tacitus’ Germania and Heaney’s bog poems.</p>

Bog Bodies: Archaeological Narratives and Modern Identity.

<p>Lindow Man, the British Bog Body discovered in 1984, and the Danish examples Tollund and Grauballe Men, discovered in 1950 and 1952, represent quite literally the violent face of a confrontational past. But what exactly do the archaeological narratives say? When presented with the forensic evidence can we explicitly conclude they were murdered as human sacrifices to appease the Germanic and Celtic gods and goddesses during times of affliction? Or are they simply an example of our own imposition of modern assumptions onto the past in a flare of sensationalism and mystical dramatization of the tumultuous affairs of noble savages? How have these narratives played out in the public sphere, particularly museum and heritage, and in modern culture such as the Irish poet Seamus Heaney’s bog poems. Do they reinforce harmful myths of an excessively violent past dominated by innately uncivilized natives? Who does the past really belong to and who has the authority to voice it? Many facets of bog body scholarship remain hotly contested including the human sacrifice interpretation, the usage of Tacitus as the only remaining historical source and Heaney’s use of the bog victims as a metaphorical analogy for the Northern Ireland sectarian violence. My contribution is precisely to present these interpretational narratives from a critical perspective and question scholarly assumptions of ritualism. Further, I will explore how archaeological narratives are presented to the public through the unique heritage that bog bodies embody. Lastly, I will investigate the conceptualization of the “other” through Tacitus’ Germania and Heaney’s bog poems.</p>

Don Juan in Search of Identity in the Play "La Nuit de Valognes" by Éric-Emanuel Schmitt

The first play by the contemporary French writer Éric-Emanuel Schmitt, The Night in Valognes (La Nuit de Valognes, 1989), represents a completely new interpretation of the myth originating from the 17th century, and celebrated in the writings of many subsequent authors, from Tirso de Molina, over Molière and Mozart, to Ballester and Handke. The play is situated in a castle in northern France, taking place some thirty years after the well-known adventures of Don Juan, and represents a trial organized by five women, his former lovers. However, the penalty – to marry his last victim, is not executed. The aim of the paper is to argue that in this humorous philosophical play, written by the end of the 20th century, Schmitt is not interested in the problem of seduction, represented in the classical myth, but in the quest of the main character for his identity. His hero does not give the answer to the key question: “Who am I?”, but instead poses the question if our sexual identities are solid and unchangeable. The hero’s search for identity is presented as the quality of contemporary man, re-examining his sexuality through search for love, as well as homosexuality, hinted at in the play as one possible modern identity of Don Juan.

Ethnic Identity in Abkhazia and the Paradigms of Its Institutionalization: From the Soviet Past to the Present [Etnicheskaia identichnost’ v Abkhazii i paradigmy ee institutsionalizatsii: ot sovetskogo proshlogo k nastoiashchemu]

The article focuses on the aspects of nation-building and the main paradigms of the institutionalization of ethnicity in Abkhazia during the Soviet era and assesses the impact of Soviet practices of ordering ethnic categories on the modern ethnocultural and ethnopolitical landscape of the country. I examine the history of formation of the ethnic mosaic of Abkhazia, analyze the particular Abkhazian ways of solving general issues of the early Soviet nation-building, and discuss the influence of Soviet nation-building on the modern identity of various groups of Abkhazia’s population. The article further assesses the impact of ethnic mixing on the shaping of identity of Abkhazia’s population and explores the questions of civil nation-building and multilevel identity.

Filming the Singaporean killer: Trauma, murder and modernity in Medium Rare (1991) and God or Dog (1997)

This article considers how two Singapore horror films, Medium Rare (1991) and God or Dog (1997), attempted to make sense of the real-life Adrian Lim ritual murders through two divergent approaches to the co-constitutive relationship between modernity and violence. First, by formulating an image of Singapore as a rational global cosmopolis, Medium Rare positions Lim and his superstitious violence as malignant anomalies that must be expelled to protect Singapore’s modern identity. Conversely, God or Dog portrays Lim’s madness as an unfortunate consequence of the country’s rapid modernization. Put together, these films use Lim and his crimes as vehicles through which they explore Singapore’s troubled endeavours at self-definition within the early fringe of the 1990s Singapore new wave cinema.

From Novels to Video Games: Romantic Love and Narrative Form in Japanese Visual Novels and Romance Adventure Games

Video games are powerful narrative media that continue to evolve. Romance games in Japan, which began as text-based adventure games and are today known as bishōjo games and otome games, form a powerful textual corpus for literary and media studies. They adopt conventional literary narrative strategies and explore new narrative forms formulated by an interface with computer-generated texts and audiovisual fetishism, thereby challenging the assumptions about the modern textual values of storytelling. The article first examines differences between visual novels that feature female characters for a male audience and romance adventure games that feature male characters for a female audience. Through the comparison, the article investigates how notions of romantic love and relationship have transformed from the modern identity politics based on freedom and the autonomous self to the decentered model of mediation and interaction in the contemporary era.

Will Saudi's 2030 Vision Raise the Students’ Awareness to National Literature? Saudi Literature and Identity

Forming national identity is placed on top of the seven aspects of High-Impact Educational Practices (HIEPs) in Northern Border University. Similarly, the concept of academic awareness to national literature has been one of the main challenges to national literature in the Middle East. Just as the strong presence of national identity in Saudi’s 2030 vision has initiated re-evaluations of how national identity is shaped, Saudi novel has similar concerns that inform social constructs of national identity through overarching themes and comprehensive representations of cultural issues. This study investigates the ways in which two Saudi novelists interrogate the intertwined issues shared by 2030 vision and national novel which address the archetypal Saudi identity: first, that the construction of modern identity requires much cultural openness with the world; second, that construction of Saudi identity needs exclusion of otherness; and third, that national identity depends on the rich history of two historical regions – Najd and Hijaz - that binds identity to a unified territory. The study focuses on how these novels give visibility to issues that are at the core of 2030 vision’s social and cultural aspect such as life style, appearance behaviours, attitudes, accepting differences and willingness to work and volunteer. Drawing on this narrative analysis, the study advocates for the utility of introducing national novel for undergraduate students to help them perceive identity as a position and support their identity enactment.

Blumenberg’s Problematic Secularization Thesis: Augustine, Curiositas and the Emergence of Late Modernity

Christianity, a spirituality of dwelling critically in the world, is seen by some in late modernity to foster an otherworldly attitude, and thus to cultivate a spirituality at odds with modern identity. Especially in the wake of Nietzsche’s condemnation of Christianity on the grounds of its ascetic abandonment of the world, some have contended that Christianity may never have overcome its early conflict with Gnosticism. Hans Blumenberg’s Legitimacy of the Modern Age continues to be read widely. Critics of modernity often avoid confronting the book’s lengthy endorsement of modernity in light of his critique of Augustine’s critique of curiositas. A central aim of this essay is to complicate Blumenberg’s influential thesis about Augustine’s supposed repudiation of “theoretical curiosity” that funded early modern science and inaugurated the modern epoch of self-assertion.