Efficiency of Method of Phonosematic Analysis in Translation of Sound Descriptive Vocabulary into Russian (on Material of Japanese Poetic Texts Haiku)

2017 ◽  
pp. 55-67
Author(s):  
E. I. Krivosheyeva ◽  
Keyword(s):  
2019 ◽  
Vol 80 (1) ◽  
pp. 20-25
Author(s):  
Nina S. Bolotnova

This article is aimed at presenting a methodology for the conceptual analysis of poetic texts based on their lexical structure using the theory of communicative stylistics. The lexical structure of the literary text is considered to be a means of aсquainting the reader with the values manifested therein. The study of values intertwined within written works is particularly significant for the development of an axiological approach to teaching the Russian language. This article proposes a method for a sequential analysis of the lexical structure of a poetic text, which can be used at Russian language lessons.


Author(s):  
Tom Phillips

This volume addresses issues central to the study of ancient Greek performance culture: the role played by music in performed poetry; the ancients’ understanding of the relationship between music, poetry, and performance; and music’s relation to other areas of ancient intellectual life. This chapter comprises a brief discussion of the evidential difficulties involved in attempting to appreciate the effects created by ancient Greek music in conjunction with poetic texts. Some contemporary methodological approaches are canvassed as aids to this attempt, and an overview is provided of the chapters that make up the volume.


2020 ◽  
Vol 31 (1) ◽  
pp. 125-158
Author(s):  
NATHANIEL MILLER

AbstractThe term isrāʾ, based on the first verse of sūra 17, is typically rendered as ‘Night Journey’. There is little compelling evidence that this was the original meaning of the Qur'anic text, and medieval lexicographers and exegetes preserved a number of alternative meanings, such as that asrā was a denominal verb meaning ‘to travel through the uplands (al-sarāh)’. Another explanation is that asrā is a denominal verb of the noun sariyya (pl. sarāyā), a military expedition. By drawing on early historiographical descriptions of sarāyā and South Arabian inscriptions, which give evidence that the word sariyya is of Sabaic origin, the Qur'anic meaning of asrā was evidently something like ‘to send on a royal expedition’. Early Islamic Arabic poetic texts also offer extremely compelling evidence that the first Muslims were familiar with some of the key concepts of South Arabian royal authority as they appear in Sabaic inscriptions.


2020 ◽  
Author(s):  
Werner Hamacher

Following up on his magisterial Berlin master´s thesis on Hölderlin´s poetry of 1971, Werner Hamachers continuing attempts at close-reading Hölderlin represent perhaps the first deconstructions of important poetic texts in the German language. The essays presented here for the first time, in which the late literary theorist also deals with Heidegger's interpretation of Hölderlin, are proof of his extraordinary ability to stage the most rigorous philology in an elegant and witty manner. Anyone who immerses himself in them will always be amazed at how unique Hölderlin's poetry was and still is. At the same time, they bear witness to the exceptional subtlety, precision, and originality for which Werner Hamacher's own work is known.


2021 ◽  
Vol 8 (3) ◽  
pp. 387-409
Author(s):  
Sarkawt Omer Ibrahim ◽  
Zanear Zyad Ibrahem

     This research, which is entitled “The Dualism of Place in Lattif Halmat’s Poetic Texts”, is a critically analytical study on the dualism of place, the role and position of the element of place within the frame of poetic texts. In the poet’s poetic texts, the element of place created a kind of reversal in the readers’ horizon of expectations. The binary oppositions have become the structure of art and the aesthetic of poetic texts. And often, they have become (purple patches) in the texts in a way that all the surrounding words are ablaze with their power and their beauty.  This research is composed of two chapters: The first chapter is devoted to the concept and definition of dualism and the philosophical concept of dualism in a theoretical method. In terms of their presence in Lattif Halmat’s poetic texts, the second chapter deals with the dualism of place within the frame of poetic texts in a critically analytical way. And finally, the research ends with the conclusions and bibliography.


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