scholarly journals Reading Opportunities in a Provincial Russian City during the First World War (Materials from the Volga Region)

2021 ◽  
pp. 392-410
Author(s):  
E. Yu. Semenova

The article deals with the problem of resources for reading for the townspeople in the Volga city during the First World War. It is noted that the dealing with the problems, allows the researcher to identify the mechanisms that allowed society to adapt to the conditions of extreme reality. The provision of the Volga cities with libraries has been studied. The possibilities of reading in the provincial and district cities of the studied region are compared. The novelty of the research is seen in the fact that the development of a complex of public and private resources (libraries), available for leisure reading in the Volga city during the First World War, was revealed. The relevance of the study is due to the importance of analyzing the sociocultural practices of society as a compensatory mechanism, as well as a resource reflecting mass sentiment in extreme periods of state development. Comparison of provincial and county city libraries in terms of ownership, attendance, material security is carried out. The conclusion is made about the diversity of reading opportunities as a form of leisure for the Volga region residents during the First World War. The cities of the Volga region were identified, in which the resource of libraries was more diverse. It is shown that there were more libraries in the provincial towns than in the county ones; they had a different organizational basis and more complete funds.

2021 ◽  
Author(s):  
Emma Leverty

This thesis compared a group of personal photograph albums compiled by British soldiers during the First World War to a set of stereographs produced during the war and published after by the British company Realistic Travels, both from the collection of the Art Gallery of Ontario. The development of British censorship restrictions during the First World War had a profound effect on who, what, where and how individuals were able to photograph the conflict. This thesis examines how these restrictions affected stereograph photographers and soldiers as they documented the war in order to ascertain how these effects shaped the construction of each type of photographic object. By comparing and analyzing both bodies of work as they were produced in three theatres of war -- the Western Front, Gallipoli and within Britain -- we see that objects created for public and private audiences are more similar than they initially appear.


Author(s):  
Elena V. Nikolaeva

We address one of the episodes of the First World War revealing the problem of financial support of the residents of frontline territories who found themselves in the inner governorates of the Russian Empire due to their voluntary flight. The refugee wave was heterogeneous, it included different categories of migrants, which led to the fact that the government aid was often distributed in an uneven manner. It caused the desire on the part of some refugees to derive maxi-mum value from the grants provided under equal conditions established by law. Additional oppor-tunities for such actions were created by a large number of organizations that provided assistance to people who had left their homes and an overlap of their functions. It resulted in the emergence of numerous conflicts and the search for compromises in the context of uneven state support, which in its turn generated discontent and disbelief in the justice of the existing measures.


2021 ◽  
Author(s):  
Emma Leverty

This thesis compared a group of personal photograph albums compiled by British soldiers during the First World War to a set of stereographs produced during the war and published after by the British company Realistic Travels, both from the collection of the Art Gallery of Ontario. The development of British censorship restrictions during the First World War had a profound effect on who, what, where and how individuals were able to photograph the conflict. This thesis examines how these restrictions affected stereograph photographers and soldiers as they documented the war in order to ascertain how these effects shaped the construction of each type of photographic object. By comparing and analyzing both bodies of work as they were produced in three theatres of war -- the Western Front, Gallipoli and within Britain -- we see that objects created for public and private audiences are more similar than they initially appear.


2020 ◽  
pp. 516-528
Author(s):  
E. Yu. Semenova ◽  

The article analyzes the newspaper materials published in the Volga region during the First World War as a source for studying culture and leisure. Emphasis is placed on the use of publications that were not official. It is noted that newspapers were the main type of regional periodicals. With their diversity, it has been revealed that publications on the topic were in promotional content (announcements of the institutions activities, their programs); in special columns on the topic bearing characteristic titles (“Sport,” “Theater and music”); in op-ed and critical articles, which were placed in the local chronicle (reports or reviews of events with their description, including the authors’ personal views); as photo with caption (an announcement of the upcoming event). Depending on publication, the structure and arrangement of materials varied. It is noted that periodicals are available in several databases, including digital ones, and can be used by researchers as a source for comprehensive and systematic study of the topic. According to materials of regional periodicals, during the First World War there was a wide range of leisure and cultural programs in the towns of the Volga region. They were typical for uezd and gubernia centers, but the number of leisure facilities (theaters, cinemas, restaurants, park areas) was larger in the gubernia cities. It is revealed that leisure of citizens included active forms of participation (organization) and passive ones (visits). It is proved that materials of regional periodicals can be used in reconstructing and analyzing the cultural and recreational space of the towns. Reconstruction is possible on the basis of the enumeration of data on cultural institutions and places of leisure. The analysis is based on studying the content of programs, composition of visitors, organizers, prices.


2019 ◽  
Vol 63 (4(250)) ◽  
pp. 44-55
Author(s):  
Katarzyna Dormus

During the late 19th century and early 20th century, co-education on a secondary school level was still a source of controversy, resulting in a public discussion. The first co-educational secondary schools in the Polish territories were established over the course of the First World War. During that time, in light of a realistic chance for Poland to regain independence, the teaching community undertook discussions regarding the shape of education in independent Poland. Still, many people still viewed co-education with a degree of doubt. In the interwar period, however, the number of public and private co-educational secondary schools increased. They were located primarily in smaller cities. Additionally, men usually represented the majority of students. This dynamic was a result of allowing women to attend institutions that had originally functioned as all-male schools, thus creating a coeducational schooling system. The level of education in these institutions was generally low.


2019 ◽  
Vol 2 (2) ◽  
pp. 85-119
Author(s):  
Ivan Balta ◽  

The beginning of the 19th and the 20th century marked the period of nations’ constitution in southeastern Europe and greater care for nations’ oases living out of their parent nations. Sometimes that care turned into intended or unintended hegemony over other nations. This phenomenon is actual even today in various nations, especially in the Balkans, so it is interesting how "the care of the people out of their home country" (nowadays people would say "diaspora"), implemented various "actions" that were sometimes politically conducted from the Austro-Hungarian centres of power to the territory of Bosnia and Herzegovina, Croatia and Slavonia, especially in the case of the Hungarian government's pro-government project "Julian Action".So-called Julian Action was not unique at that time, neither it was the only, nor the first or special, but it can be somewhat comparable to the same work methodology in the same regions, for example, with the similar German project Schulvereine, the Italian action by Dante Alighieri, and even to not so significant Slavic action of the Cyril and Methodius societies, as well as to some other less-known "actions" that operated abroad, i.e. mainly outside the home countries, on the territory of Austria-Hungary. The opposite views were mostly manifested in the interpretation of justification, e. g. of Julian Action (which got the prosaic name). For instance, the Hungarian side (similar to German, Italian ... through their associations), justified the action of the association "Julian" by the care of its own people outside the borders of the home state (in order to preserve identity, culture and language). On the contrary, the Croatian (and also Bosnian-Herzegovinian,…) side in the activity of the "Julian" organization recognized a sort of political alienation and Hungarization (or Germanization, Italianization, ...) of the majority of domicile population. The Hungarian Julian campaign was conducted on the basis of: A) Statute of the Julian Society, (voted in 1903), and B) Hungarian, Bosnian-Herzegovinian and Croatian-Slavonic-Dalmatian laws. For example, the Hungarian Julian Schools in Bosnia and Herzegovina, Croatia and Slavonia could be founded, organized and act not only on the basis of the applicable Hungarian laws, but also on the basis of the school laws of Bosnia and Herzegovina, Croatia, Slavonia and Dalmatia, which allowed and even encouraged the organization of public and private schools, rural and wilderness schools (e. g. through Hungarian Julian schools), factory schools (e. g. Hungarian state railway schools), confessional schools (e. g. Hungarian reformatory schools), which opened a wide area of the Hungarian Julian Action operation from 1904 in Croatia and Slavonia, and from the 1908 occupation in Bosnia and Herzegovina. A vast majority of pupils were of non-German nationality, and they were enrolled there because of better conditions, employment opportunities in enterprises, state and public services, as well as because of future education. Hungarian schools and Hungarian railways, as well as Hungarian churches and societies in Croatia and Slavonia, existed in the second half of the 19th century. They had the purpose of implementing the so-called Hungarian State Thought (Magyar Állami eszme), which had been politically instrumentalized. Since 1904 until the end of the First World War they put the so-called Julian action into their systems and programmes. Almost identical relationship had existed in Bosnia and Herzegovina since 1908. There were constant conflicts between the state of Hungary and Julian campaign with the majority of Slavic population outside of Hungary, for example, in Bosnia and Herzegovina. When the Julian campaign was politically instrumentalized because of “taking care of its people in diaspora", and in some parts crossed the boundaries of "preserving" them, it began with "unintentional" assimilation through schools, railways and cultural societies. So it necessarily had to come into conflict with other nations. From the Hungarian point of view, the so-called "Bosnian Action" and "Slavonic Action" of the Hungarian Government were directed towards the care of Hungarians in the so-called "affiliated" and annexed province, as well as to strengthening and expansion of Hungarian influence in the countries where the majority of population were Muslims-Bosnians, Serbs and Croats. The same action ranged from the accusation of "Hungarianization” to the theory of the Hungarians threatened by assimilation; however, the action did not achieve a long-term goal and did not prove permanent because, after the end of the First World War, a small group of Hungarians in the newly established countries did not have any legal guarantees, and new authorities did not ensure its survival.


2019 ◽  
Vol 8 (4) ◽  
pp. 194-199
Author(s):  
Ekaterina Yurievna Semenova

The paper explores possibilities of satirical materials as a mechanism for adapting the rear population to everyday living conditions. The themes of household satire, which were developed in printed products produced during the First World War in the cities of the Volga region, are revealed. They are presented in individual satirical publications, as well as in the unofficial periodical press, in the publications of political parties and official authorities. The author analyzed the materials, including domestic satire, in the following areas: providing the population of the rear cities, combating drunkenness, using war for profit, social conflicts, stability of the internal political course, leisure opportunities. It is revealed that in the periodicals that appeared on the territory of the cities of the Volga region, satirical materials were presented by a number of genres: ditty, feuilleton, proverb, parody, cited literary form of prose and verse. The author came to the conclusion about the importance of satirical materials to reflect the everyday problems faced by the urban man in the street. Emphasizing that the source base is indirect, it was suggested taking into account the possibility of the influence of satire on the habituation of citizens reading periodicals to everyday problems associated with the War.


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