scholarly journals Béb község kétnyelvű ragadványnévrendszere

2020 ◽  
Vol 42 ◽  
pp. 165-177
Author(s):  
Kitti Hauber

The paper deals with the questions regarding the nature and functions of nicknames in language use and presents the former and current nickname stock of Béb, a small village in the Transdanubian area of Hungary as indicators of the strong correlation between names, a community and its history. For two centuries the rich, heritable German nicknames represented the family relations and the cultural and dialectical features of the ethnically and linguistically homogeneous population of Béb. However, the direct consequences of World War II launched the unstoppable process of ethnic mixing and language change, which had an impact on the nickname stock as well: the former nickname stock began to fade with the oldest generations and was replaced with a new, bilingual nickname stock. The structural, semantic and lingual aspects of the nicknames used by a mostly monolingual younger generation can provide information about the cognitive processes which played a significant role in their creation.

Author(s):  
Alistair Fox

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.


2019 ◽  
pp. 67-72
Author(s):  
Anna Kimerling

The article is devoted to the features of the wartime culture. The source was a unique collection of letters from the fronts of World War II, written by political instructor Arkady Georgievich Endaltsev. The war led to the breakdown of familiar cultural models. It is important to understand how, adaptation to new standards occurred on an individual level. For A. Endaltsev, family care practices were a way to bridge cultural gaps. They are reflected in the letters. There, framed by ideologically verified stamps, one can find financial assistance to the family, control over the education of the daughter, the need for a continuous flow of information about the life of the wife and children.


Phytotaxa ◽  
2017 ◽  
Vol 326 (1) ◽  
pp. 88
Author(s):  
TAPAS CHAKRABARTY ◽  
VENKATACHALAM SAMPATH KUMAR

While preparing a revised treatment of the family Combretaceae for “Flora of India Project,” our attention was drawn on Terminalia paniculata Roth (1821: 383) which was described on the basis of a specimen collected by Benjamin Heyne from peninsular India. The species is well documented in Indian Floras (e.g. Wight & Arnott 1834, Beddome 1869, Brandis 1874, Clarke 1878, Cooke 1903, Talbot 1911, Gamble 1919 and Chandrabose 1983). Gangopadhyay & Chakrabarty (1997) in their revision of the family Combretaceae of Indian subcontinent mentioned that the type of this species is not extant. The type material of T. paniculata housed in the Berlin herbarium (B; herbaria acronyms follow Thiers 2017) was presumably destroyed during the World War II. In the Kew herbarium (K), there is a collection by Benjamin Heyne (K000786096: image!) identified and listed in Wallich’s Numerical List as T. triopteris B.Heyne ex Wallich (1831: no. 3980B). This material contains two twigs, one flowering and the other fruiting and this appears to be a specimen not seen by Roth (1821) since he clearly mentioned in the protologue: “Fructum non vidi.” Thus, as per the provisions of the Code (Mc Neill et al., 2012), as there is no other extant original material (Article 9.7) traceable, a neotype (Articles 9.11 and 9.13) is designated here for T. paniculata from Peninsular India, where Benjamin Heyne made botanical explorations (Burkill, 1965). The neotype specimen is housed in the Central National Herbarium, Botanical Survey of India, Howrah, India (CAL) and its duplicate in the Madras Herbarium, Botanical Survey of India, Southern Regional Centre, Coimbatore, India (MH).


2008 ◽  
Vol 37 (S1) ◽  
pp. 65-72
Author(s):  
Noah Riseman

Abstract Did you know that a Bathurst Islander captured the first Japanese prisoner of war on Australian soil? Or that a crucifix saved the life of a crashed American pilot in the Gulf of Carpentaria? These are excerpts from the rich array of oral histories of Aboriginal participation in World War II. This paper presents “highlights” from Yolngu oral histories of World War II in Arnhem Land, Northern Territory. Using these stories, the paper begins to explore some of the following questions: Why did Yolngu participate in the war effort? How did Yolngu see their role in relation to white Australia? In what ways did Yolngu contribute to the security of Australia? How integral was Yolngu assistance to defence of Australia? Although the answers to these questions are not finite, this paper aims to survey some of the Yolngu history of World War II.


Author(s):  
Robert L. McLaughlin ◽  
Sally E. Parry

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.


2001 ◽  
Vol 47 ◽  
pp. 125-140 ◽  
Author(s):  
Gerald Pattenden

Leslie Crombie was born in York on 10 June 1923, the second eldest, and only boy, of Walter Crombie and Gladys (née Clarkson). On his father's side his great-grandfather had kept a tobacconist shop in York and his grandfather, George, had founded a prosperous legal practice in the City of York. On his mother's side, Leslie's great–grandfather originated from London and settled in York after helping to build the York Railway Station. Leslie's father qualified as a solicitor and practised law in his grandfather George's office. However, he disliked the profession and, after his marriage and the death of his father, Walter passed over the practice to his brother Norman and took the lease of a hotel in the Isle of Wight. Unfortunately, the hotel did not prosper and was given up after a few years, and the family, which included Leslie's three sisters, Ivy, June and Molly, moved to Portsmouth. Although Leslie's father had a small allowance from his brother Norman and the legal practice in York, and he had various small intermittent incomes from teaching, the family was desperately poor during the 1930s. Leslie received little encouragement from his parents, but he passed the 11+ examination and entered Portsmouth Northern Grammar School in 1934, where he was awarded a very respectable School Certificate when he was 16 years old. However, it was now 1939 and World War II was about to start, and his school was evacuated to Winchester. With poor living conditions and little facilities for study, the young Leslie was determined to take a job and study part-time. He was appointed in 1940 as an assistant in the analytical laboratory of Timothy Whites and Taylor at their head office in Portsmouth under the supervision of Ron Gillham, who greatly influenced his further career; he was paid 13 shillings and 6 pence (in decimal terms, 67½pence) per week. In the evenings, Leslie studied at Portsmouth Municipal College for a London University Intermediate BSc. Alas, after a heavy bombing raid in January 1941, Timothy Whites and Taylor's laboratories were removed from the map, along with a great deal of the centre of Portsmouth—but fortunately not the MunicipalCollege.


Author(s):  
Margaret L. King

Scholars largely neglected the history of the family until after World War II, when they began to employ theoretical perspectives imported from the social sciences. In the 1960s, two principal figures triggered its study: Philippe Ariès, associated with the French Annales school, and Peter Laslett, cofounder at Cambridge University, England, of the Cambridge Group for the History of Population and Social Structure. Since that period, studies have proliferated on the history of family and household in Europe and its subregions and on the related topics of childhood and youth.


Slavic Review ◽  
2000 ◽  
Vol 59 (4) ◽  
pp. 825-847 ◽  
Author(s):  
Lisa A. Kirschenbaum

During World War II, images of mothers constituted one of the most striking—and lasting—additions to Soviet propaganda. The appearance of “Mother Russia” has been understood as a manifestation of the Soviet state's wartime renunciation of appeals to Marxism-Leninism and its embrace of nationalism. Yet “Mother Russia” (rodina-mat', more literally, the “motherland mother“) was an ambiguous national figure. The word rodina, from the verb rodit', to give birth, can mean birthplace both in the narrow sense of hometown and in the broad sense of “motherland,” and it suggests the centrality of the private and the local in wartime conceptions of public duty. Mothers functioned in Soviet propaganda both as national symbols and as the constantly reworked and reimagined nexus between home and nation, between love for the family and devotion to the state. From this point of view, the new prominence of mothers in wartime propaganda can be understood as part of what Jeffrey Brooks has identified as the “counter-narrative” of individual initiative and private motives, as opposed to party discipline, that dominated the centrally controlled press's coverage of the first years of the war.


2005 ◽  
Vol 1 (1) ◽  
pp. 43-64
Author(s):  
Michael Szonyi

AbstractThe predominance of men, including married men, among Overseas Chinese emigrants gave rise to a distinctive family structure, in which the male emigrant lived apart from his wife and other family members who remained back home in China. This article considers two very different bodies of evidence, archives concerning Overseas Chinese efforts to recover property lost during World War II and magazines and newspapers published for Overseas Chinese in North America and Southeast Asia, in order to discuss tensions within the Overseas Chinese divided family in the early twentieth century. Family members who remained in China came to play important roles in the management of the family estate, including remittance-funded investments. Heightened anxiety about female sexuality and the trustworthiness of family members in general reflected the concern of absent Overseas Chinese men that their family members back home might make decisions about family management that were different than those desired by the migrants themselves.


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