scholarly journals PROSES PENCIPTAAN KOMPOSISI MUSIK KYAI BADRANAYA DALAM KARYA MUSIK KIDUNG SEMAR

2018 ◽  
Vol 4 (2) ◽  
pp. 103
Author(s):  
Aris Setyoko ◽  
Rahayu Supanggah
Keyword(s):  
General Public ◽  
Music Composition ◽  
New Music ◽  
Musical Composition ◽  
Scientific Thinking ◽  
Human Beings ◽  
Musical Performances ◽  
Alignment Process ◽  
Puppet Show ◽  
The Creation

Kyai Badranaya is another name for figures in the purwa puppet show which is a symbolic figure for Javanese people. The special symbolic means to have variations, concepts of life, and beliefs in Javanese society. In the Javanese purwa puppet show, Semar figures are representations of good and wise qualities in human beings. Real Semar figures are also gods who transformed into commoners and became servants, protectors, and also knights of Pandawa namely Yudhistira, Bima, Arjuna, Nakula, and Sadewa in the Javanese version of the Mahabharata epics. The musical composition of Kyai Badranaya is part of the four musical compositions of Kidung Semar by the author, who presents musical performances with ideas from the values and semar phenomenon of Semar figures in the purwa puppet show in Java. The method is carried out through stages, namely the alignment process, and sound training. With this method, the music composition of Kyai Badranaya is compiled and presented in the form of a musical repertoire, which proposes reflection and thoughts about how one becomes a leader who applies the life concept of Semar, namely tepa selira, lembah manah, and andhap asor. The purpose of various organizations is the application used as a learning medium for the general public in the form of new music works. The result of the creation of this musical composition work is to contribute scientific thinking on how to create new music works by utilizing work from traditional sources of Javanese musical music in particular, as well as archipelago music.

scholarly journals Suita Zodiak: Komposisi Musik untuk String Kuartet dan Trio Woodwind

2016 ◽  
Vol 3 (1) ◽  
pp. 10-18
Author(s):  
Ovan Bagus Jatmika
Keyword(s):  
Music Composition ◽  
Musical Composition ◽  
The Creation

Zodiak adalah rasi bintang di sepanjang garis ekliptika yang terdiri atas 12 bagian, yaitu Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagitarius, Capricorn, Aquarius, dan Pisces. Ke-12 zodiak tersebut memiliki karakter yang berbeda karena dibedakan oleh modus (cardinal, fixed, mutable) dan elemen (api, tanah, udara, air) yang menyusunnya. Fenomena ini, dalam konteks komposisi musik, merupakan hal-hal ekstra musikal. Hal-hal ekstra musikal inilah yang akan diangkat ke dalam komposisi musik programa dengan judul “Suita Zodiak”. Komposisi ini disusun dalam 12 gerakan dan disusun dalam 12 tonalitas yang berbeda. Masing-masing gerakan menggambarkan karakter 12 zodiak dari Aries hingga Pisces. Karakter dari ketiga modus yang menyusun zodiak ditransformasi ke musik melalui pembedaan tekstur, sedangkan karakter dari keempat elemen yang menyusun zodiak ditransformasi ke musik melalui pembedaan karakter melodi, suasana musikal, dan pembedaan tempo. Pemaknaan tentang karakter 12 zodiak kemudian dijadikan batasan dalam penciptaan “Suita Zodiak” bersifat arbitrer. Hal ini mengacu pada beberapa karya yang pernah diciptakan sebelumnya, yang sebagian besar menghubungkan karya musik dengan unsur ekstra musikalnya secara arbitrer. Karya ini digarap dalam format string kuartet dan trio woodwind dengan mengembangkan beberapa konsep melodi yang diambil dari thesaurus of scales and melodic pattern. Zodiac Suite: Music Composition for String Quaertet and Trio Woodwind. Zodiac is the constellations along the ecliptic line consisting of 12 parts, namely Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagitarius, Capricorn, Aquarius, and Pisces. The 12 zodiacs have different characters because they are distinguished by the mode (cardinal, fixed, mutable) and elements (fire, earth, air, water) that are arranged them. This phenomenon, in the context of musical composition, is extra-musical things. These extra-musical things will be lifted into musical composition program entitled “Suita Zodiak”. This music composition has been worked out in 12 movements and arranged in 12 different tones. Each movement describes the character of the 12 zodiacs from Aries to Pisces. The characters of the three modes setting up the zodiac will be transformed into music through texture distinction; meanwhile the characters of four elements that are creating the zodiac have been transformed into music through the distinction of the melodic character, musical atmosphere, as well as difference in tempo. The meaning of 12 zodiac characters are then used as constraints in the creation of the arbitrary Zodiac Suite. This refers to several masterpieces that had been previously created, most of which relate to musical masterpiece with arbitrary extra-musical element. This artistry has been created in the quartet string and trio woodwind format by developing several melody concepts that are taken from thesaurus of scales and melodic pattern.

scholarly journals Pencug

SELONDING ◽  
2019 ◽  
Vol 13 (13) ◽  
Author(s):  
Adimas Muhammad Fajariansyah
Keyword(s):  
Music Composition ◽  
Art Music ◽  
Musical Composition ◽  
Musical Form ◽  
Work Of Art ◽  
Art Object ◽  
Musical Works ◽  
The Creation

The time until now the existence of tepak pencug has not found a place in the hearts of the composers or other creators to make it as the source of creation in realizing a work of art (music). Though tepak pencug often used as a creativity event of a rider in accompanying dance jaipong for improvisation rythm. That way, it is clear that many patterns or motifs of Sundanese drums are born by improvisations. That is the good idea for creation to be developed into a work of music. Based on the symptoms of that’s the meaning, the idea that becomes an offer in the work of pencug music is to cultivate or explore the motives that exist in kendang sunda (especially tepak pencug) into a work of art object (music).The purpose of the creation of the compositions of musical works is to develop patterns, rhythms and motifs in the form of music composition. While the benefit is to contribute thoughts about the process of creation through the development of patterns, rhythms and motifs in the drum kendang Sunda to other creators. The realization of the work of this musical composition can’t be separated from various sources that provide inspiration and guidance or reference. This work uses two types of sources as a reference, namely the source of art work and some sources of books (literature of review). The work of the composition of pencug music refers to the concept of working on Suwanda as the owner and creator of tepak kendang jaipongan. These methods include; Salambar directly saayana tinu heubeul (what it is from the first), janten ku nyira (so by itself or improvisation) and ngarobah nu aya (change existing). The form of musical composition of pencug composition refers to the concept of musical form of vocal-instrumental mix (sekar gending). The structure of the composition of the music composition consists of three parts, among which part bubuka, stuffing and ending. Keywords: Tepak Pencug, Development, Sekar Gending.

scholarly journals CENGKOK GENDERAN DUALOLO SEBAGAI SUMBER IDE PENCIPTAAN KOMPOSISI MUSIK “FANTASIA FROM DUALOLO” KARYA : PURWA ASKANTA

2021 ◽  
Vol 21 (1) ◽  
pp. 111-131
Author(s):  
Purwa Askanta ◽  
Danis Sugiyanto
Keyword(s):  
Music Composition ◽  
Descriptive Analysis ◽  
Music Analysis ◽  
Musical Composition ◽  
Analysis Approach ◽  
Musical Work ◽  
Simple Idea ◽  
Musical Tradition ◽  
Musical Works ◽  
The Creation

This journal is entitled "Cengkok Genderan Dualolo as a Source of Ideas for the Creation of Fantasia From Dualolo Music Composition" by Purwa Askanta. The focus of the problems studied in this paper includes the analysis of musical composition works that use the source of artistic ideas from a dualolo genderan twist in Javanese Karawitan. How the idea is used as a theme and developed to form a sound building in the form of Fantasia in three parts. In this composition, there are several creation systems that need to be expressed in order to understand the reader in order to understand the concept of creating this musical work. The method used in this journal is descriptive analysis with a form of music analysis approach. The findings of this research will show creativity in composing a new musical composition by Purwa Askanta. Meanwhile, the purpose of this research is to contribute in the form of techniques and methods of creating musical works that raise a simple idea from elements of the Javanese musical tradition in the form of the dualolo gendered twisted. It is hoped that the writings in this journal can broaden the readers' insight and become a reference for those who explore the creation of musical works.

scholarly journals “Kalatidha” : Sebuah Komposisi Musik Program

2019 ◽  
Vol 17 (1) ◽  
pp. 64-86
Author(s):  
Wahyu Thoyyib Pambayun
Keyword(s):  
Music Composition ◽  
Literary Work ◽  
Musical Composition ◽  
The Core ◽  
Starting Point ◽  
Musical Works ◽  
Three Stages ◽  
The Creation ◽  
The One

ABSTRAK Karya “Kalatidha” adalah pertunjukan komposisi musik yang mengangkat isi Serat Kalatidha sebagai ide gagasannya. Terciptanya karya “Kalatidha” dilatarbelakangi oleh kegundahan hati melihat keadaan sekitar yang mengalami kemerosotan di berbagai bidang. Karya sastra Serat Kalatidha dianggap mampu untuk mewadahi kegundahan hati karena substansinya masih aktual dan  apresiatif hingga sekarang. Tujuan penyusunan karya “Kalatidha” adalah dapat menyampaikan dan menggambarkan secara musikal isi substansi Serat Kalatidha. Hasil dari pengamatan mendalam terhadap Serat Kalatidha, dapat ditangkap bahwa inti dari isi Serat Kalatidha ada lima butir. Adapun kelima butir tersebut sebagai berikut: (1) Keadaan negara yang penuh keraguan karena tidak adanya tauladan dari pemimpin. (2) Boleh merasa sedih ketika mendapatkan cobaan, namun harus segera bangkit dan menyadari bahwa semua cobaan yang dialami sudah ditakdirkan. (3) Kepandaian dan kedudukan yang didapatkan akan mengakibatkan datangnya petaka jika seseorang tidak mempunyai moral yang baik. (4) Mawas diri, berserah dan berdoa kepada Sang Pencipta, karena Dialah yang menentukan segalanya. (5) Harus tetap semangat untuk berpegang teguh pada kebenaran walaupun dikelilingi perbuatan yang angkara dengan tetap menganggap bahwa seuntung-untungnya orang yang lalai, masih beruntung yang selalu ingat dan waspada. Butir-butir tersebut digunakan sebagai titik pijak tema cerita atau penggambaran situasional untuk menyusun materi musikal dan garap masing-masing komposisi musik dalam karya “Kalatidha”. Adapun komposisi musik tersebut sebagai berikut: Aruhara”, “Kantaka”, “Awignya Angkara”, “Pamuja Pujastawa” dan “Pramana Prayitna”. Penyusunan karya “Kalatidha” menggunakan tiga tahapan, yaitu: penyusunan gagasan isi, penyusunan ide garapan dan penuangan ide garapan. Tahapan dalam penuangan ide meliputi eksplorasi teknik, eksplorasi pola permainan instrumen, pencarian melodi melalui eksplorasi, penyusunan bagian komposisi, penyambungan antara bagian komposisi, pengolahan volume, tempo sajian dan  evaluasi. Hasil dari penyusunan karya dan tesis karya seni “Kalatidha” diharapkan dapat menjadi salah satu alternatif rujukan untuk menyusun karya musik baru bagi mahasiswa penciptaan musik, khususnya mahasiswa karawitan. Kata Kunci: “Kalatidha”, Serat Kalatidha, Komposisi Musik, Penciptaan Musik, Eksplorasi.  ABSTRACT The work “Kalatidha” is a musical composition performance that elevates the contents of Serat Kalatidha as an idea. The creation of the work “Kalatidha” was motivated by the anxiety of seeing a deteriorating situation in various fields. The literary work of Serat Kalatidha is considered capable to accommodate the anxiety for the substance is still actual and appreciative until now. The purpose of the work “Kalatidha” is to convey and to describe musically the substance of Serat Kalatidha. The in-depth observations of Serat Kalatidha shows that Serat Kalatida contains five points as follows: it can be captured that the core of the Kalatidha Fiber contents is five points. The five points are as follows: (1) A state is full of doubts because there is no guidance from the leader. (2) One may feel sad when getting a trial but he must immediately get up and realize that all that happened are destined. (3) Intelligence and position obtained will result in disaster if someone does not have good morals. (4) To be introspective, surrender and pray to the God because He is the one who determines everything. (5) Keeping the spirit to hold the truth even surrounded by insolent actions and keeping assuming that someone must always remember and alert in order to get safe in his life. These items are used to be a starting point for the themes or situational portrayals to arrange the musical material and the works on each musical composition in “Kalatidha”. The composition of the music is as follows: Aruhara “,” Kantaka “,” Awignya Angkara “,” Pamuja Pujastawa “and” Pramana Prayitna “. The preparation of the work “Kalatidha” uses three stages, namely: the preparation of content ideas, compilation of ideas and conveying the ideas. The stages in conveying ideas include technical exploration, exploration of instrument playing patterns, searching the melodies through exploration, compilation of composition parts, splicing the parts of composition, processing volume, tempo of presentation and evaluation. The results of the works and the thesis of “Kalatidha” are expected to be one of the alternative references for composing new musical works for students of music creation, especially musical students. Keywords: “Kalatidha”, Serat Kalatidha, Music Composition, Music Creation, Exploration.

Imagery and Metaphorical Space of the Term in the Language of Scientific Texts by V. Vinogradov

2018 ◽  
Vol 79 (9) ◽  
pp. 61-66
Author(s):  
N. V. Khalikovа
Keyword(s):  
Historical Context ◽  
Semantic Structure ◽  
Scientific Thinking ◽  
Scientific Texts ◽  
Basic Term ◽  
Pragmatic Information ◽  
The Creation ◽  
The Relationship

The article considers the functions of the system of verbal imagery’s in the creation of the scientific style of V.V. Vinogradov. The figurativeness of basic, background and metaphorical terms is described. The semantic structure of the image of the basic term «style» is analyzed, figurative paradigms of the concepts Language, Speech and Style are revealed. The article shows the relationship between scientific thinking and metaphorical style, the role of sustainable cognitive metaphors in the creation, storage and transfer of pragmatic information and the creation of a cultural and historical context.

A Rapture of the Nerds? A Comparison between Transhumanist Eschatology and Christian Parousia

2019 ◽  
Vol 24 (2) ◽  
pp. 343-367
Author(s):  
Roberto Paura
Keyword(s):  
Human Brain ◽  
Point Theory ◽  
The Body ◽  
Christian Theology ◽  
Human Beings ◽  
Human Species ◽  
The Future ◽  
The Creation ◽  
The Universe

Transhumanism is one of the main “ideologies of the future” that has emerged in recent decades. Its program for the enhancement of the human species during this century pursues the ultimate goal of immortality, through the creation of human brain emulations. Therefore, transhumanism offers its fol- lowers an explicit eschatology, a vision of the ultimate future of our civilization that in some cases coincides with the ultimate future of the universe, as in Frank Tipler’s Omega Point theory. The essay aims to analyze the points of comparison and opposition between transhumanist and Christian eschatologies, in particular considering the “incarnationist” view of Parousia. After an introduction concern- ing the problems posed by new scientific and cosmological theories to traditional Christian eschatology, causing the debate between “incarnationists” and “escha- tologists,” the article analyzes the transhumanist idea of mind-uploading through the possibility of making emulations of the human brain and perfect simulations of the reality we live in. In the last section the problems raised by these theories are analyzed from the point of Christian theology, in particular the proposal of a transhuman species through the emulation of the body and mind of human beings. The possibility of a transhumanist eschatology in line with the incarnationist view of Parousia is refused.

Love Divine

2020 ◽  
Author(s):  
Jordan Wessling
Keyword(s):  
Human Beings ◽  
Divine Love ◽  
Emotional Life ◽  
Systematic Account ◽  
God's Love ◽  
The Creation ◽  
To Receive ◽  
Wrath Of God

This book provides a systematic account of the deep and rich love that God has for humans. Within this vast theological territory, the objective is to contend for a unified paradigm regarding fundamental issues pertaining to the God of love who deigns to share His life of love with any human willing to receive it. Realizing this objective includes clarifying and defending theological accounts of the following: • how the doctrine of divine love should be constructed; • what God’s love is; • what role love plays in motivating God’s creation and subsequent governance of humans; • how God’s love for humans factors into His emotional life; • which humans it is that God loves in a saving manner; • what the punitive wrath of God is and how it relates to God’s redemptive love for humans; • and how God might share His intra-trinitarian love with human beings. As the book unfolds, a network of nodal issues are examined related to God’s love as it begins in Him and then overflows into the creation, redemption, and glorification of humanity. The result is an exitus-reditus structure driven by God’s unyielding love.

Design and Application about System of Plant Science Popularization Based on the QR Code

2015 ◽  
Vol 738-739 ◽  
pp. 1303-1308
Author(s):  
Jing Hua Han ◽  
Ming Jia Li
Keyword(s):  
New Media ◽  
Plant Species ◽  
General Public ◽  
Raw Materials ◽  
Plant Science ◽  
Qr Code ◽  
Human Beings ◽  
Plant Resources ◽  
Science Popularization ◽  
The World

Plant is not only closely related to human beings’ life, but also an integral part of raw materials in production. Protection of nature and plant resources is an increasingly urgent needs around the world. Cognition is a prerequisite for the protection of plant. But the way of plant science popularization is old, the knowledge of plant is too obscure to the general public. The system of plant science popularization based on the QR code spreads the knowledge of plant with illustrations interactively, to facilitate ordinary users to learn, understand and identify plant species. The article will detail all aspects of development of the system, allowing more scholars to understand the digitized plant science popularization under the new media.

Cognition and knowledge sharing in post-acquisition integration: insights from Indian IT acquiring firms

2014 ◽  
Vol 8 (2) ◽  
pp. 146-167 ◽  
Author(s):  
Manya Jaura ◽  
Snejina Michailova
Keyword(s):  
Knowledge Sharing ◽  
Developing Economies ◽  
Human Beings ◽  
It Industry ◽  
Content Type ◽  
Organisational Identity ◽  
Or Groups ◽  
Acquisition Integration ◽  
The Creation ◽  
Cognition And Knowledge

Purpose – The purpose of this paper is to examine the influence of cognition on knowledge sharing between members of the acquiring and acquired organisations in the post-acquisition integration process. It specifically analyses differentiation between in-groups and out-groups, the perception of organisational identity and interaction among members of the acquired and acquiring organisations and how these three factors affect knowledge sharing. Design/methodology/approach – The authors develop theoretical propositions and conduct an explorative pilot study on the basis of original interview data conducted with ten respondents in four Indian IT companies that have acquired firms abroad. Findings – The authors find evidence for supporting the negative effect of in- and out-groups differentiation and the positive effect of interpersonal interaction on knowledge sharing among employees of the acquired and acquiring organisations. There was indicative, but less compelling, evidence for the negative influence of inter-group competition and the positive influence of perceived shared organisational identity on knowledge sharing. Different from the established view, the authors find that when Indian firms acquire firms abroad, they immediately initiate knowledge flows from the targets rather than going through a long period of integration prior to acquiring knowledge from the targets. Research limitations/implications – The paper contributes to the scholarly conversation on cognition and knowledge sharing and argues that firms that are located in developing economies and that acquire firms abroad behave in a way somewhat different from what Western literature postulates. This invites for further studies, both theoretical and empirical, to shed light on this phenomenon. The present paper is focused only on one country, India, and on a single industry, the IT industry. It is limited in its empirical part, mainly due to enormous difficulties in getting access to the field. Practical implications – The study demonstrates how central individuals are to the process of knowledge sharing and the accomplishment of organisational objectives in a post-acquisition context. Managers should understand that the knowledge their employees possess is a strategic asset, and therefore how they use it is influential in attaining organisational goals in general, and acquisition integration objectives in particular. The creation of task- and project-related communities or groups can help in establishing a shared organisational identity, especially after the turbulent event of one company acquiring another one. The creation of communities or groups where socialisation is encouraged can lead to employees interacting with one another and developing a sense of belongingness with the community or group. Over time, this belongingness can translate into a shared organisational identity, which is beneficial for the organisation. The findings suggest that the creation of task- or project-oriented communities and groups is a powerful way to achieve that. Originality/value – The contribution of the paper is fourfold. First, while macro orientation dominates literature on the growth of the Indian IT industry, this study is conducted at the individual level of analysis, by focusing on managers in acquiring Indian IT firms. Second, whereas studies that have examined cognition and knowledge sharing have done so mainly through social capital lenses, this paper focuses on factors that are based on the inherent tendency of human beings to categorise themselves and other individuals. Third, the paper examines the links between cognition and knowledge sharing in an exciting context, namely, post-acquisition integration. Finally, while research on both post-acquisition integration and knowledge sharing is biased towards a Western context, this study investigates knowledge sharing and post-acquisition integration in the context of a major non-Western emerging economy.

Miraculous Agitations: On the Uses of Chaotic, Non-Linear and Emergent Behavior in Acoustic Vibrating Physical Systems

2012 ◽  
Vol 22 ◽  
pp. 35-40 ◽  
Author(s):  
Daniel Wilson
Keyword(s):  
Music Composition ◽  
Nonlinear Behavior ◽  
Qualitative Approach ◽  
Emergent Behavior ◽  
New Music ◽  
Physical Systems ◽  
Non Linear ◽  
Subjective Phenomenon

“Miraculous agitation” denotes an acoustic marvel: a striking sound emerging from vibrating physical systems. A somewhat subjective phenomenon, acoustic marvels are typified by expressive or harmonic richness, and their production is reliant on delicate interrelationships between objects under vibration, often involving chaotic or nonlinear behavior. In some cases it is even possible to observe emergent behavior. Significantly, acoustic marvels may commonly strike the auditor as seeming to be “of electronic origin,” thus pointing toward postelectronic electroacoustic techniques. This paper takes a qualitative approach to the examination of such acoustic marvels and their possible applications in new music composition.

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