Mala Renganathan and Arnab Bhattacharya, eds. Rabindranath Tagore’s Drama in the Perspective of Indian Theatre
Rabindranath Tagore’s Drama in the Perspective of Indian Theatre successfully draws on Bangla and English sources to bring critical attention to focus on Tagore’s theatrical legacy. While it suffers from a reductive view of India and a single-minded focus on canonicity, it explores novel theoretical approaches to the performance politics of Tagore’s drama.