scholarly journals Animals for Tools: The Origin and Development of Bone Technologies in China

2021 ◽  
Vol 9 ◽  
Author(s):  
Shuwen Ma ◽  
Luc Doyon
Keyword(s):  
Material Culture ◽  
Archaeological Record ◽  
Technological Systems ◽  
Bone Tools ◽  
Early Evidence ◽  
The World ◽  
Variable Extent ◽  
Bone Fragments ◽  
Manufacturing Techniques ◽  
Late Palaeolithic

The origin and development of bone technologies in China are reviewed in the light of recent discoveries and compared to trends emerging from the European and African archaeological records. Three categories of osseous tools are targeted: 1) unmodified bone fragments bearing traces of use in technological activities; 2) bone fragments modified to a variable extent with techniques generally used in stone technologies; 3) osseous fragments entirely shaped with techniques fit for the manufacture of formal bone tools. Early evidence of bone technologies in China are sporadically found in contexts dated between 1.8 and 1.0 Ma. By the late MIS6–early MIS5, bone tools are well-integrated in the technological systems of Pleistocene populations and the rules guiding their use appear increasingly standardized. In addition, the first evidence for the use of osseous material in symbolic activities emerges in the archaeological record during this period. Finally, between 40 and 35 ka, new manufacturing techniques and products are introduced in Late Palaeolithic technological systems. It is first apparent in the manufacture of personal ornaments, and followed by the production and diversification of formal bone tools. By that time, population dynamics seem to become materialized in these items of material culture. Despite regional specificities, the cultural trajectories identified for the evolution of bone technologies in China seem entirely comparable to those observed in other regions of the world.

scholarly journals The Oxford Handbook of the Archaeology of Childhood

2018 ◽  
Keyword(s):  
Material Culture ◽  
Age And Growth ◽  
Human Society ◽  
Archaeological Record ◽  
Childhood Experiences ◽  
The Past ◽  
The Social ◽  
The World ◽  
Children And Childhood ◽  
Cultural Construct

Real understanding of past societies is not possible without including children, and yet they have been strangely invisible in the archaeological record. In this volume, experts from around the world investigate childhood in the past, showing why it is important to understand childhood, why different cultures construct different ideas of how to rear children, what part children play in the community, and when and why childhood ends. The contributors also question why childhood has so often been missing from archaeological interpretation. Their answers are astonishing and thought provoking, challenging archaeologists to reconsider common assumptions about ways of looking at material culture in the past, and to reconsider the place of children in creating the archaeological record itself. However marginal the traces of children’s bodies and bricolage may seem compared to those of adults, archaeological evidence of children and childhood can be found in the most astonishing places and spaces, as well as in the most mundane. The archaeology of childhood is one of the most exciting and challenging areas for new discovery about past societies. Children are part of every human society, but childhood is a cultural construct. Each society develops its own idea about what a childhood should be, what children can or should do, and how they should be trained to take their place in the world. The archaeological record for children and childhood is regionally and chronologically diverse. Children are also increasingly being recognised as having played a part in creating the archaeological record itself. In this volume, the contributors ask questions about childhood—thresholds of age and growth, childhood in the material culture, the death of children, and the intersection of the childhood and the social, economic, religious, and political worlds of societies in the past. The volume spans the periods from earliest prehistory to the present day to provide a rich and nuanced perspective on childhood, revealing the commonalities and the very great differences in childhood experiences the world over.

scholarly journals Homer's Entangled Objects: Narrative, Agency and Personhood In and Out of Iron Age Texts

2013 ◽  
Vol 23 (3) ◽  
pp. 395-416 ◽  
Author(s):  
James Whitley
Keyword(s):  
Material Culture ◽  
Iron Age ◽  
Early Iron Age ◽  
Archaeological Record ◽  
Culture Studies ◽  
Classical Archaeology ◽  
Narrative Agency ◽  
The World ◽  
Historical Periods ◽  
Of Greece

In recent years, material culture studies have come to embrace contemporary Melanesia and European prehistory, but not classical archaeology and art. Prehistory is still thought, in many quarters, to be intrinsically more ‘ethnographic’ than historical periods; in this discourse, the Greeks (by default) become proto-modern individuals, necessarily opposed to Melanesian ‘dividuals’. Developments in the study of the Iron Age Mediterranean and the world of Homer should undermine such stark polarities. Historic and proto-historic archaeologies have rich potential for refining our notions both of agency and of personhood. This article argues that the forms of material entanglements we find in the Homeric poems, and the forms of agency (sensu Gell 1998) that we can observe in the archaeological record for the Early Iron Age of Greece (broadly 1000–500 bc) are of the same kind. The agency of objects structures Homeric narrative, and Homeric descriptions allow us precisely to define Homeric ‘human–thing entanglement’. This form of ‘material entanglement’ does not appear in the Aegean world before 1100 BC.

scholarly journals The Elephant in the Handaxe: Lower Palaeolithic Ontologies and Representations

2021 ◽  
pp. 1-13
Author(s):  
Ran Barkai
Keyword(s):  
Material Culture ◽  
Intimate Relationships ◽  
World Order ◽  
Well Being ◽  
Archaeological Record ◽  
Hunter Gatherers ◽  
Lower Paleolithic ◽  
The World ◽  
Early Humans ◽  
Lower Palaeolithic

Indigenous hunter-gatherers view the world differently than do WEIRD (Western, Educated, Industrialized, Rich and Democratic) societies. They depend—as in prehistoric times—on intimate relationships with elements such as animals, plants and stones for their successful adaptation and prosperity. The desire to maintain the perceived world-order and ensure the continued availability of whatever is necessary for human existence and well-being thus compelled equal efforts to please these other-than-human counterparts. Relationships of consumption and appreciation characterized human nature as early as the Lower Palaeolithic; the archaeological record reflects such ontological and cosmological conceptions to some extent. Central to my argument are elephants and handaxes, the two pre-eminent Lower Palaeolithic hallmarks of the Old World. I argue that proboscideans had a dual dietary and cosmological significance for early humans during Lower Paleolithic times. The persistent production and use of the ultimate megaherbivore processing tool, the handaxe, coupled with the conspicuous presence of handaxes made of elephant bones, serve as silent testimony for the elephant–handaxe ontological nexus. I will suggest that material culture is a product of people's relationships with the world. Early humans thus tailored their tool kits to the consumption and appreciation of specific animal taxa: in our case, the elephant in the handaxe.

“These Shall Come from Far”

2017 ◽  
Author(s):  
Kristina Bross
Keyword(s):  
Material Culture ◽  
New England ◽  
Colonial Period ◽  
Global Network ◽  
The World ◽  
Basket Maker

Chapter 3 analyzes English claims to a central role in a global network of indigenous and English people connected by faith around the world, claims made manifest in Of the Conversion of Five Thousand Nine Hundred Indians on the Island of Formosa, a 1650 publication by Baptist minister Henry Jessey, printed by radical bookseller Hannah Allen. It reports on Dutch missions in Taiwan, comparing them with evangelism efforts in New England. The coda considers the experiences of an Algonquian woman who is unnamed in Jessey’s tract but is identified as a basket maker, speculating on the meaning she may have encoded in her basket designs. Though we cannot “read” them directly, the fact that she made them, coupled with the provocative arguments offered by recent scholars about Native material culture in the colonial period, enables us to reconsider the print archive in which she appears.

Introduction

2017 ◽  
Author(s):  
David Fearn
Keyword(s):  
Comparative Literature ◽  
Critical Theory ◽  
Material Culture ◽  
Fifth Century ◽  
Valuable Resource ◽  
The World

The introduction sets the following discussions in their scholarly context, with particular attention to other contemporary approaches to lyric both within Classics and in comparative literature and critical theory, as well as to art-historical approaches. Literary approaches to lyric deixis are brought together with art-historical and other literary approaches to visuality, subjectivity, and ecphrasis. Pindar’s immersion in a world of material culture and attention to the world as perceived visually fosters a special poetic creativity. The upshot is a poetics of referentiality, according to which Pindar’s consumers are invited to consider the distance between their own situatedness and the worlds being creatively referred to, through the complex mediation of poetic voices. The sensibilities, attitudes, and experiences being constructed also contribute to a new understanding of the importance of lyric as a culturally valuable resource in fifth-century Greece.

The Opera and the Omnibus: Material Culture, Urbanism and Boieldieu's La dame blanche

2020 ◽  
Vol 32 (1) ◽  
pp. 90-114
Author(s):  
Nicole Vilkner
Keyword(s):  
Material Culture ◽  
Business Model ◽  
Public Transportation ◽  
Reception History ◽  
Transportation Systems ◽  
Mass Transportation ◽  
Musical Work ◽  
The World ◽  
History Of

AbstractIn the summer of 1828, the Entreprise générale des Dames Blanches launched a fleet of white omnibuses onto the streets of Paris. These public transportation vehicles were named and fashioned after Boieldieu's opéra comique La dame blanche (1825): their rear doors were decorated with scenes of Scotland, their flanks painted with gesturing opera characters, and their mechanical horns trumpeted fanfares through the streets. The omnibuses offered one of the first mass transportation systems in the world and were an innovation that transformed urban circulation. During their thirty years of circulation, the omnibuses also had a profound effect on the reception history of Boieldieu's opera. When the omnibuses improved the quality of working- and middle-class life, bourgeois Parisians applauded the vehicles’ egalitarian business model, and Boieldieu's opera became unexpectedly entwined in the populist rhetoric surrounding the omnibus. Viewing opera through the lens of the Dames Blanches, Parisians conflated the sounds of opera and street, as demonstrated by Charles Valentin Alkan's piano piece Les omnibus, Op. 2 (1829), which combines operatic idioms and horn calls. Through these examples and others, this study examines the complex ways that material culture affects the dissemination and reception of a musical work.

Рукопись Д. С. Бембеева-Сальмина «Ойратские триады»

2020 ◽  
Vol 15 (3) ◽  
pp. 107-121
Author(s):  
Larisa Badmaevna Mandzhikova ◽  
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Full Text ◽  
Scientific Center ◽  
Biographical Information ◽  
The World ◽  
Kinship Relations ◽  
Academy Of Sciences ◽  
First Time ◽  
Political Figure

Introduction.Dorje Soktunovich Bembeyev-Salmin is one of the famous representatives of the old Kalmyk intelligentsia, a linguist, orientalist, public and political figure. His scientific works and biographical information are preserved in the private archive of D. S. Bembeev-Salmin in the Scientific Archive of the Kalmyk Scientific Center of the Russian Academy of Sciences (F. 10). This archive contains 12 items of storage for 1959. Among them are translations of works by Russian writers to the Kalmyk language, manuscripts of the text «The Orthography of the Oirat-Mongolian writing», Kalmyk folk proverbs and sayings, triads, pentastichesrecorded by D. S. Bembeev-Salmin. Of particular interest are the triads ― «orchlngingurvnts»(‘that there are three in the world’), recorded by him in 1931, they are one of the varieties of Kalmyk riddles. The themes of the riddles of the triads are diverse: everyday life, house hold activities, material culture, nature, family and kinship relations, ethics. D. S. Bembeyev-Salmin translated some of the three verses himself. This determines the value of the materials collected by him and their introduction into scientific circulation. The full text of the manuscript materials is published for the first time in this article.

The Prehistory of Hawai‘i

2014 ◽  
Author(s):  
Patrick V. Kirch
Keyword(s):  
Material Culture ◽  
Environmental Gradients ◽  
Hawaiian Islands ◽  
Stone Tools ◽  
Cultural Variation ◽  
Sociopolitical Complexity ◽  
Monumental Architecture ◽  
Specialized Production ◽  
The World ◽  
Divine Kingship

The Hawaiian Islands are the most isolated inhabited archipelago in the world. Initially colonized around A.D. 1000, the environmental gradients of rainfall and island-age have influenced subsequent cultural variation and differentiation in the islands. Settlements are typically dispersed hamlets and integrated within agricultural facilities such as irrigated pondfields and dryland field systems. Populations were politically organized in idealized pie-shaped units or ahupua`a that typically encompass a cross-section of island resources. Material culture , including fishhooks, stone tools, and religious temples, is broadly similar within these units, but there is also much evidence for elite control of specialized production in some areas. The Hawaiian Islands are the archetypal chiefdom society, although based on changes in demography, monumental architecture (heiau) and royal centers, intensive agriculture, and divine kingship, the population had likely crossed the threshold of sociopolitical complexity to that of an archaic state prior to the arrival of Europeans in 1778.

scholarly journals A 115,000-year-old expedient bone technology at Lingjing, Henan, China

2020 ◽  
Author(s):  
Luc Doyon ◽  
Li Zhanyang ◽  
Wang Hua ◽  
Lila Geis ◽  
Francesco d'Errico
Keyword(s):  
Long Bone ◽  
Faunal Remains ◽  
Faunal Assemblage ◽  
Bone Tools ◽  
Qualitative And Quantitative ◽  
Lithic Assemblages ◽  
Technological Potential ◽  
Bone Fragments ◽  
Anthropogenic Processes ◽  
Stone Knapping

Activities attested since at least 2.6 Myr, such as stone knapping, marrow extraction, and woodworking may have allowed early hominins to recognize the technological potential of discarded skeletal remains and equipped them with a transferable skillset fit for the marginal modification and utilization of bone flakes. Identifying precisely when and where expedient bone tools were used in prehistory nonetheless remains a challenging task owing to the multiple natural and anthropogenic processes that can mimic deliberately knapped bones. Here, we compare a large sample of the faunal remains from Lingjing, a 115 ka-old site from China which has yielded important hominin remains and rich faunal and lithic assemblages, with bone fragments produced by experimentally fracturing Equus caballus long bones. Our results provide a set of qualitative and quantitative criteria that can help zooarchaeologists and bone technologists distinguish faunal remains with intentional flake removal scars from those resulting from carcass processing activities. Experimental data shows marrow extraction seldom generates diaphyseal fragments bearing more than six flake scars arranged contiguously or in interspersed series. Long bone fragments presenting such characteristics can, therefore, be interpreted as being purposefully knapped to be used as expediency tools. The identification, based on the above experimental criteria, of 56 bone tools in the Lingjing faunal assemblage is consistent with the smaller size of the lithics found in the same layer. The continuity gradient observed in the size of lithics and knapped bones suggest the latter were used for tasks in which the former were less or not effective.

scholarly journals Merging the Human and the Nonhuman: The Object Narrator in The Adventures of a Black Coat

2021 ◽  
Vol 7 (1) ◽  
pp. 148-159
Author(s):  
Ivana Dragoș ◽  
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
Social Relations ◽  
Karl Marx ◽  
Commodity Fetishism ◽  
The World ◽  
Pedagogical Function

Rooted in the tradition of eighteenth-century circulation novels recounted by an object narrator, The Adventures of a Black Coat (1760) epitomizes the features of this experimental novelistic subgenre by foregrounding a coat which, acting as a homodiegetic narrator, lambastes the world of commodities prompted by the rise of early capitalism. As an object endowed with moral conscience, the coat epistemologically proves to be a reliable narrator that is able to render authentic experience and feelings by getting empirically involved in the world it describes. Worn by a few owners, the coat becomes a sharp observer of society and, most importantly, it foreshadows what Karl Marx has termed “commodity fetishism.” According to Marx, commodities and humans become part of a process that is economically endorsed by exchange. Read in this light, I argue that the text reveals the Marxist process of reification whereby social relations between humans turn into social relations between things. Despite being an object narrator, the coat fulfils a typically eighteenth-century pedagogical function, in that it warns the reader against the degrading morals of a society addicted to material culture.

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