scholarly journals Ambient Media as a New Trend in Socio-Cultural Space of Russian City

2019 ◽  
pp. 355-363
Author(s):  
Ekaterina Golubkova ◽  
Elena Grunt
Keyword(s):  
Urban Space ◽  
Contemporary Society ◽  
Trauma Symptoms ◽  
Ambient Media ◽  
Cultural Changes ◽  
Cultural Space ◽  
Contemporary World ◽  
Communication Processes ◽  
The Usa ◽  
Advertising Communication

This paper explores the reasons for emergence and the features of ambient media in an urban socio-cultural space. Global socio-cultural changes in the contemporary world lead to informational oversaturation, trauma-generating factors and, as a consequence, search for new adaptive mechanisms for an individual to accept the social reality. Ambient media become an unobtrusive advertising communication built into the environment and people’s daily practices in the contemporary society. To analyze ambient media as a new form of communication, the authors applied the method of structural and functional analysis and a systemic approach. The paper argues that ambient media are a breakthrough, new and comparatively young advertising communication disproving traditional views of advertisement types, methods and forms. This is a communication offering innovative patterns of interaction with the consumer and the environment and changing individuals’ notions of a socio-cultural space where they exist. The authors identified the main features of ambient media, as well as the human trauma symptoms that can be caused by communication processes in the contemporary society: It is demonstrated that ambient media as a new type of communication are in all respects integrated into the urban space of European countries and the USA. For contemporary Russia, however, ambient media as a type of communication are a new trend in the socio-cultural space of Russian cities.

scholarly journals A city as an emotional space: theoretical-sociological analysis

2020 ◽  
Vol 23 (3) ◽  
pp. 82-89
Author(s):  
Nadiya Mikhno
Keyword(s):  
Urban Space ◽  
Social Life ◽  
Modern Society ◽  
Sociological Research ◽  
Special Importance ◽  
Experience Economy ◽  
Cultural Changes ◽  
Total Consumption ◽  
Modern City ◽  
The Individual

The focus of this article is focused on the study of peculiarities of the contemporary aestheticization of urban space as a product of emotional capitalism. Noted that the concepts "society experiences" and "experience economy" fixed vector of cultural changes of modern society, and suggest new theoretical trajectory of sociological research. Control for the "experience" in this case can be considered a new form of public influence in which not last role is played by the mass media, which is a kind of mediator for the active promotion of a variety of emotions, first and foremost sensual pleasure. Pointed out that the aestheticization of the contemporary urban space is connected with the logic of the functioning of emotional capitalism. The modern city is forced to form their own "alphabet of feelings", which prescribes rules for their feelings in different situations. Entertainment in the city acquires the features of a universal model, it is a particular code value in U. Eco, that is, a symbolic system that can reveal the contents of the message depending on the purpose and conditions of the functioning of the spectacle. Life in a modern city full of wealth of their own unrest, and the aestheticization of urban space is associated with replication "markets experiences" that focus on the commercialization of human feelings. The emotional richness of urban design has become a part of an overall program of total consumption. The theatricality, iconization and glamor can be considered as the main strategy "emotionalization" of urban space that aims at the reproduction of the effects of the "experience economy". Stressed that the idea glamorizes urban space can be traced in the concepts of the theoreticians of the "creative city", appealing to psychologically and design analysis of the urban environment, and the militarization of urban space through the creation of militaristic icons that form the therapeutically-emotional space. Respectively iconic images serve as points of reference, the individual ascribes to them a special importance as images that represent something significant for social life.

scholarly journals THE LEGAL REFLECTIONS ON ABORTION THROUGH THE PRISM OF THE CHILD’S RIGHT TO LIFE

InterConf ◽  
2021 ◽  
pp. 241-254
Author(s):  
Virginia Zaharia ◽  
Veronica Pozneacova
Keyword(s):  
Population Growth ◽  
The State ◽  
Free Access ◽  
Controversial Issues ◽  
Contemporary Society ◽  
Right To Life ◽  
On Demand ◽  
The Usa ◽  
Prompt Action ◽  
Restrictive Legislation

Abortions represent one of the most controversial issues in contemporary society. Some states have adopted restrictive legislation on interruption of pregnancy to diminish the number of abortions performed annually. Other states have adopted abortion-on-demand rules guaranteeing women free access to abortions. Based on the statistical dates, the problem of interruption of pregnancy remains a crucial one and requires prompt action undertaken by the state. This article is dedicated to the analysis of measures undertaken by the state to reduce the number of abortions and stimulate population growth. This study highlights the effectiveness of remedies taken by some states, e.g. the USA, and presents a multitude of measures that states regulated in national law.

scholarly journals CREATING SOCIOCULTURAL VALUES: THE PROBLEM OF LOCALIZATION IN THE URBAN SPACE

2020 ◽  
pp. 60-68
Author(s):  
Юрий Владимирович Преображенский
Keyword(s):  
Cultural Values ◽  
Urban Space ◽  
Spatial Interaction ◽  
Social Practices ◽  
Cultural Space ◽  
Economic Space ◽  
The Social ◽  
Effective Organization ◽  
The City ◽  
Positive Effect

Рассмотрен вопрос о сущности социокультурного пространства и его пересечении с экономическим пространством города. Показано, что наиболее эффективная организация пространственного взаимодействия данных пространств во многом является географической задачей. Предлагается метод изучения социальных практик населения для локализации точек и линий взаимодействия социокультурной и экономической сфер. Рассмотрены практики, в ходе которых создаются социокультурные ценности, положительно влияющие на экономическое пространство города. Обсуждается проблема влияния пешеходных пространств (наиболее насыщенных практиками) на формирование имиджа города. The question of the essence of the socio-cultural space and its intersection with the economic space of the city is considered. It is shown that the most effective organization of the spatial interaction of these spaces is in many ways a geographic task. A method is proposed for studying the social practices of the population to localize points and lines of interaction between the socio-cultural and economic spheres. The practice is considered in the course of which socio-cultural values are created that have a positive effect on the economic space of the city. The problem of the influence of pedestrian spaces (the most saturated with practices) on the formation of the city's image is discussed.

scholarly journals The City in the Age of Remix

Media-N ◽  
2021 ◽  
Vol 17 (1) ◽  
Author(s):  
Alina Nazmeeva
Keyword(s):  
Social Media ◽  
Urban Space ◽  
Cultural Production ◽  
Social Space ◽  
Architectural Practice ◽  
Contemporary World ◽  
Spatial Production ◽  
The Social ◽  
Space Dynamics ◽  
Web Social

As a method of cultural production and communication, remix has permeated the way the social space is perceived, conceived of and lived. Physical social space is captured, constructed and mediated with digital tools and by a multitude of users. The explosive use of cultural software and social media is actively shaping the experience of architectural and urban space. Smart city movement proponents advocate for a kind of participatory decision-making in cities that is akin to digital social space dynamics. Within the architectural practice, the space is first produced as a digital remix. The social space, both online or offline, physical or digital, crowdsourced or expert-designed, is socially produced as a collective assemblage of the fragments of digital images.  This essay aims to outline four trajectories by which physical (architectural and urban) social space is intertwined and remixed with digital (social media and the web) social space, and the broader implications of such cross-hatchings. Additionally, this paper aims to bring this term to architectural and urban discourse. Positing that remix has become the dominant model of spatial production in the contemporary world, what are the implications of it for the social space and for the public? 

scholarly journals Socio-Spatial Research on Logistics and Its Impact on Urban Environment: A Review

2021 ◽  
Vol 16 (1) ◽  
pp. 61-69
Author(s):  
José A. López-Sánchez ◽  
Beltrán Roca
Keyword(s):  
Spatial Analysis ◽  
Urban Environment ◽  
Urban Space ◽  
Economic Activity ◽  
Applied Research ◽  
Review Article ◽  
Transport Activity ◽  
Academic Literature ◽  
The Usa ◽  
Research Questions

This review article attempts to respond to the following research questions: how has evolved socio-spatial analysis on logistics, which are the most studied types of this economic activity, and the major impacts of logistics on urban space. This article draws on a systemized bibliometric analysis to identify the main tendencies in logistics' spatial study. It identifies four clusters of literature that put interest on different subtopics and approaches. The review reveals the current hegemony of applied research that focuses on sustainability, streamlining, and technology, mainly from the USA and China, despite research on globalization and industry. In fact, concerning the urban space, the most vivid academic discussion revolves around the location of warehousing and transport activity within cities. Finally, the article highlights the lack of critical perspectives on logistics and socio-spatial conflicts generated by logistics extension in mainstream academic literature. The analysis concludes that socio-spatial disputes related to logistics remain understudied and, consequently, further research should be conducted on this field.

Performing Brains on Screen

2022 ◽  
Author(s):  
Fernando Vidal
Keyword(s):  
Information Technology ◽  
Human Beings ◽  
Cultural Space ◽  
Contemporary World ◽  
The Brain

Performing Brains on Screen deals with film enactments and representations of the belief that human beings are essentially their brains, a belief that embodies one of the most influential modern ways of understanding the human. Films have performed brains in two chief ways: by turning physical brains into protagonists, as in the “brain movies” of the 1950, which show terrestrial or extra-terrestrial disembodied brains carrying out their evil intentions; or by giving brains that remain unseen inside someone’s head an explicitly major role, as in brain transplantation films or their successors since the 1980s, in which brain contents are transferred and manipulated by means of information technology. Through an analysis of filmic genres and particular movies, Performing Brains on Screen documents this neglected filmic universe, and demonstrates how the cinema has functioned as a cultural space where a core notion of the contemporary world has been rehearsed and problematized.

Cultural Diversity and Trust in IT Adoption

2008 ◽  
pp. 3048-3061
Author(s):  
David Gefen ◽  
Gregory M. Rose ◽  
Merrill Warkentin ◽  
Paul A. Pavlou
Keyword(s):  
Cultural Diversity ◽  
The United States ◽  
Perceived Usefulness ◽  
Electronic Voting ◽  
Future Research ◽  
It Adoption ◽  
Cultural Changes ◽  
The Usa ◽  
The Republic ◽  
The Individual

To trust means to have expectations about others’ (the trustees’) socially acceptable behavior. One of the central effects of this trust in the context of IT adoption is to increase the perceived usefulness (PU) of Information Technology (IT) associated with the trustee’s agency. One way of increasing this trust is through greater sociocultural similarity. Taking previous research into the realm of electronic voting, this paper posits that because trust is culture-dependent, it should decrease considerably as cultural diversity and differentiation increases. To investigate the role of trust in IT adoption in different cultures where dissimilar concepts of socially acceptable behavior exist, this study compares trust-related perceptions of an emerging IT (i.e., electronic voting) between the United States of America (USA) and the Republic of South Africa (RSA). More specifically, the question was addressed by comparing the unique circumstances of the cultural changes in the RSA with the more socially integrated mainstream USA culture. In both cultures, a perceived sociocultural similarity between the individual and the agency in charge of the electronic voting IT contributed to both the establishment of trust and to an increase in the perceived usefulness of the IT, supporting and extending the extrapolations of past propositions to this new realm. However, only in the USA did trust contribute to the PU of the IT. The results suggest that when cultural diversity is large, trust becomes of lesser importance, perhaps because it can no longer reduce social uncertainty. Implications for researchers and governmental voting agencies are discussed, and future research directions are proposed.

Reflections on Intersections of Mortuary Archaeology and Contemporary Society

2016 ◽  
Author(s):  
Lynne Goldstein
Keyword(s):  
Case Studies ◽  
News Media ◽  
Public Archaeology ◽  
Public Understanding ◽  
Growing Up ◽  
Contemporary Society ◽  
Mortuary Archaeology ◽  
Post Colonial ◽  
Wide Range ◽  
The Usa

Growing up in my family, we were taught that education was the solution (or one of the most important solutions) to many problems. So, it is not so surprising that I once believed something that many still believe—that education about archaeology will result in better public understanding of what we do, and some level of agreement vis-à-vis the value of archaeology. After experiencing that this long-held belief (or perhaps more accurately, hope) was not always true, I realized the obvious fact that someone can be educated on a topic and still disagree with you. Education does not guarantee agreement with the educator (see Goldstein and Kintigh 1990 for another discussion of this point regarding human remains and mortuary sites). In other words, there is not a single truth, especially on this topic. This is certainly not to argue against education, it is just a reminder about realities. For this volume, Giles and Williams invited eighteen papers from archaeologists who have struggled with a wide range of topics associated with the intersection of mortuary archaeology, public archaeology, and contemporary society. This intersection provides the space and the opportunity for examination of problems and issues that are often not raised in discussions of archaeology or public archaeology or contemporary society alone. The breadth, depth, and diversity of perspectives presented in this volume are both fascinating and enlightening. The chapters are often self-reflexive and attempt to be fair, looking at multiple sides of very complex issues. Museums, governments, news media, and other archaeologists would be wise to carefully read these papers. As an American archaeologist who conducts archaeology in the USA, I find the case studies especially important and relevant since most of the examples are not constrained by the kinds of post-colonial circumstances that exist in the USA and countries like Australia (this is not to say that there are not other constraints in the case studies). At a minimum, these papers represent a different set of perspectives on problems with which all archaeologists and museum professionals have struggled. The volume is unusual because the authors do not simply state their opinions and present certain facts; they use a variety of tools to try to determine what happened, how public opinion may be measured, and how decisions are made.

The Moving Eye

2019 ◽  
Keyword(s):  
New Media ◽  
Urban Space ◽  
Exhibition Design ◽  
Contemporary World ◽  
Mobility Studies ◽  
Key Points ◽  
The Subject ◽  
The Rich ◽  
Art And Architecture ◽  
Film And Video

Once the province of film and media scholars, today the moving image concerns historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations that no longer presuppose a fixed viewer, urban space becomes envisioned and planned through “fly-throughs,” and technologies such as GPS add data to the experience of travel, images in motion have captured the attention of geographers and scholars across the humanities and social sciences. Mobility studies is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952–2009) was among the first practitioners of visual studies to theorize the experience of mobile vision. Her books Window Shopping and The Virtual Window have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg’s work has never been the subject of an extended study. The Moving Eye gathers together essays by a renowned international group of thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. These nine essays advance the lines of inquiry begun by Friedberg.

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