Poverty tourism as advocacy: a case in Bangkok

Slum Tourism ◽  
2012 ◽  
pp. 225-232
Keyword(s):  
Poverty Tourism

scholarly journals Poverty tourism and the problem of consent

2011 ◽  
Vol 7 (3) ◽  
pp. 337-348 ◽  
Author(s):  
Kyle Powys Whyte ◽  
Evan Selinger ◽  
Kevin Outterson
Keyword(s):  
Poverty Tourism

Investigations Into Slum Tourism

2018 ◽  
Vol 2 (2) ◽  
pp. 17-36
Author(s):  
Donatella Privitera
Keyword(s):  
Deep Understanding ◽  
Qualitative Approach ◽  
Strategic Choices ◽  
Governmental Organizations ◽  
Non Governmental Organizations ◽  
Slum Tourism ◽  
The Web ◽  
Poverty Tourism

This article aims at providing a deep understanding of various aspects of inquiry related to slum tourism or poverty tourism. The visit of favela or slum into a destination is a complex and challenging practice. Touring the poor is increasingly and variously organized by tour operators, local slum communities, and non-governmental organizations. The slum has joined the real of attractions, a sight to see. The research uses a qualitative approach to explore slum tourism in general as well as case study. The Web's effect on tourism is obviously rather important. Moreover, taking “Reality Tours and Travel” - a operator slum websites - as a case, this study attempts to explore issues of the quality of strategic choices on the web. Whilst academic discussion on the theme is evolving rapidly, slum tourism on the web is still a relatively young area of research.

scholarly journals Controversial types of travel and the position of Polish tourism service providers: Experience tourism

Turyzm ◽  
2019 ◽  
Vol 29 (2) ◽  
pp. 23-29
Author(s):  
Grzegorz Godlewski
Keyword(s):  
Medical Tourism ◽  
Service Providers ◽  
Analytical Data ◽  
Market Segment ◽  
Sex Tourism ◽  
Travel Agents ◽  
Slum Tourism ◽  
Tourism Service ◽  
Desk Research ◽  
Poverty Tourism

The aim of this study is to investigate the potential of the Polish market for the development of the supply-side of controversial forms of tourism, based on the opinions and products offered by tour operators and retail travel agents. Analytical data were collected using desk research and CATI (N=107) methods. The most common controversial types of tourism include drug and sex tourism, followed by disaster tourism, medical tourism, slum tourism, fan tourism and poverty tourism. The expectations of customers regarding tourism offers usually focus on party tourism and extreme travel, and the providers highlight that this market segment will continue to develop.

scholarly journals Critical Analysis of Slum Tourism: A Retrospective on Bangalore

2016 ◽  
Vol 11 (2) ◽  
pp. 95-113
Author(s):  
Neha Itty Jose Paul
Keyword(s):  
Low Income ◽  
Quantitative Research ◽  
Positive Outcomes ◽  
Profit Margins ◽  
Travel Agents ◽  
Slum Dwellers ◽  
Slumdog Millionaire ◽  
Slum Tourism ◽  
Potential Customers ◽  
Poverty Tourism

Slum tourism is a relatively unknown and controversial niche tourism segment. This form of tourism is mainly found in small pockets around the so-called third world. Slum tourism is famous in the Kibera slum in Nairobi and the Rochina slum in Rio de Janeiro. The largest slum in Asia, the Dharavi slum, became popular notably through the release of the Oscar-winning movie “Slumdog Millionaire” which highlighted the slum in Mumbai and thus brought the much-needed limelight on slum tourism otherwise known as poverty tourism. Slum tourism is the act of visiting low-income settlements also known as Favelas or simply as slums. Slum tourism has received mixed reviews of both a positive and negative character. A negative approach due to the very reason of it being seen as a means of showcasing the poor for the benefit of inquisitive tourists and critics say this form of tourism is voyeuristic and leads to the ill-treatment of slum dwellers. However, slum tourism can also lead to positive outcomes if managed in a sustainable manner it can develop employment opportunities for the slum dwellers. This paper deals with whether or not slum tourism has the potential of being developed in Bangalore, to find out if the much hype about slum tourism in Mumbai has created any demand for this niche market in Bangalore. A quantitative research methodology is used to investigate the matter. A survey and correlation analysis were conducted to delve into slum tours perspective of customers and travel agents of Bangalore. Findings of the study reveal that the potential customers or tourists are keen on taking such tours where as travel agents do not conduct slum tours as the profit margins are low.

The Ethics of Poverty Tourism

2009 ◽  
Author(s):  
Kevin Outterson ◽  
Evan Selinger
Keyword(s):  
Poverty Tourism

Notes on How to Irritate a Group of Committed Artists: Politics of Emotions at the Ghetto Biennale in Port-au-Prince

2019 ◽  
Vol 23 (1) ◽  
pp. 61-76
Author(s):  
David Frohnapfel
Keyword(s):  
At Risk ◽  
Social Exclusion ◽  
Contemporary Art ◽  
Social Situation ◽  
Community Empowerment ◽  
Socioeconomic Strata ◽  
Short Time ◽  
Complicated Task ◽  
Socioeconomic Benefits ◽  
Poverty Tourism

The Ghetto Biennale was founded in 2009 by British photographer, filmmaker, and curator Leah Gordon in collaboration with members of the Haitian artist group Atis Rezistans. The biennale is rooted in considerations around contemporary art as a place of klas privilege and social exclusion. The organizers took on the complicated task of bringing together artists from different socioeconomic strata in a short-time residency project in an informal neighborhood. Many of the visiting artists produce art that can be described as a socially engaged artistic praxis. By analyzing the Ghetto Biennale as a curated social situation that produces artistic poverty tourism, I discuss the varied hierarchical inter- klas relationships between the participating visiting and local Haitian artists. These relationships are often informed, I argue, by the politics of pity and a competitive sentiment of touristic shame that produces in return critical suspicion and a spiral of moral accusation within the visiting artistic milieu: Who collaborates most sincerely and decently with inhabitants of a neighborhood living in abject poverty? The visiting artists try to escape this spiral by self-censoring all potential self-interests in their praxes through a renunciation of authority and authorship and by declaratively presenting their projects as altruistic spaces of community empowerment that give a voice to “subaltern” artists. The members of Atis Rezistans in this narrative are seen to be constantly at risk of further marginalization by powerful actors from higher socioeconomic strata. But they actively deploy their own agency by negotiating these politics of pity for their own socioeconomic benefits.

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