Terrorism from the Troubles to Good Friday: the IRA in Northern Ireland and the British Isles

2018 ◽  
pp. 12-36
Author(s):  
John Sutcliffe ◽  
Geoffrey Alchin
Author(s):  
Hiroko Mikami

During the three decades of the Troubles of Northern Ireland (1969-1998), a remarkable amount of plays about the Troubles was written and almost of them, it seems, had been ‘monopolised’ by (Northern) Irish playwrights. Recently, however, certain changes about this monopoly have been witnessed and those who do not claim themselves as Irish descendants have begun to choose the Northern Troubles as their themes. Also, there have been growing concerns about violence worldwide since 9.11. This article deals with two plays, Richard Bean’s The Big Fellah and Jez Butterworth’s The Ferryman, neither of which was written by an Irish playwright and examines whether and to what extent it is possible to say that they can transcend regional boundaries and become part of global memories in the context of the post-Good Friday Agreement and the post 9.11.


2000 ◽  
Vol 26 (1) ◽  
pp. 83-97 ◽  
Author(s):  
ELIZABETH MEEHAN

If students of world politics can be reasonably accused of ignoring the Troubles in Northern Ireland—in part because they seemed to have little to do with the larger East-West confrontation and partly because they were so obviously about something distinctly national in character—then by the same token specialists on Northern Ireland can justly be accused of a certain intellectual parochialism and of failing to situate the long war within a broader global perspective. The quite unexpected outbreak of peace however only emphasizes the need for a wider understanding of the rise and fall of the Northern Irish conflict. This article explores the relationship between the partial resolution of the Irish Question—as expressed in the Good Friday Agreement of 1998—and the changing character of the European landscape. Its central thesis is that while there were many reasons for the outbreak of peace in the 1990s, including war weariness, it is difficult to understand what happened without situating it in a larger European framework and the new definition of sovereignty to which the EU has given birth.


Author(s):  
David Bolton

This Chapter is the first of two that describe efforts to understand the mental health and related impacts of the conflict in Northern Ireland, often referred to as The Troubles. The Chapter covers the period from the outbreak of violence in the late 1960’s up until the period around the peace accord, the Belfast Agreement (or Good Friday Agreement) of April 1998. The early studies reveal little, if any, major effects on the wellbeing and mental health of the population, but as the years go by, evidence starts to build of the impact of the violence, particularly as the ceasefires of the early and mid 1990’s take hold. The developing understanding of the impact was due in part to the evolution of methods and approaches being used by researchers - which is discussed in more detail at the end of Chapter 5.


Author(s):  
Brendan O’Leary

This chapter provides a detailed account of the contents and significance of the Belfast or Good Friday Agreement of 1998, and of its consociational and non-consociational components. It conforms to all aspects of a consociational settlement—namely, parity, proportionality, autonomy, and veto rights among the partners—but it is not just a consociation. The agreement encompasses a peace agreement, a substantive program to complete the reform of Northern Ireland, cross-border cooperation across Ireland, and intergovernmental cooperation between Ireland, Northern Ireland, and all the British Isles. It can be seen as creating a “federacy” in Irish eyes; in unionist eyes every component of the agreement can be modified by normal UK legislation. An assessment of why the agreement was made is offered, as well as a preliminary evaluation of its early difficulties in implementation.


Author(s):  
Paula Romo-Mayor

Rachel Seiffert’s novel Afterwards (2007) explores the ethically challenging and often neglected fact of perpetrator trauma resulting from sustained structural violence. This controversial subject is conveyed through the stories of Joseph and David, two British ex-servicemen belonging to different generations, who attempt to overcome their war traumas years after their respective involvement in The Troubles in Northern Ireland (from the late 1960s to the Good Friday Agreement of 1998), and the Mau Mau Uprising (running from 1952 to 1960), that ended with Kenya’s independence. The novel fittingly organises the narrative around moments of acting-out, when the protagonists feel equally disconnected from self and world, yet deal with their traumatised condition in strikingly different ways. The paper proposes an analysis of Afterwards from the perspective of Trauma and Memory Studies, with a view to exploring how the “palimpsestuous” (Dillon 4) structure of the novel, along with the repetitive use of imagery evoking holes and emptiness (Bloom 210), allow Seiffert to “perform” (Ganteau and Onega 10) the workings of the disturbed psyches of Joseph and David, so that it builds the unrepresentability of trauma into the textual fabric of the novel.


Author(s):  
Mark Phelan

The signing of the Good Friday Agreement in 1998 was a watershed moment in Irish culture, as much as in the political sphere. Up until that moment, late twentieth-century Irish history had been dominated by the conflict that erupted in Northern Ireland in the late 1960s, and Northern Irish theatre was dominated by the ‘Troubles play’—initially in the 1960s in the work of Sam Thompson, and later in plays by writers such as John Boyd, Graham Reid, and, in more complex ways, behind the formally adventurous work of Stewart Parker and Anne Devlin. However, since 1998, writers such as Owen McCafferty have inaugurated the search for a theatrical form appropriate to a post-conflict culture in which scars and divisions still remained. This chapter covers the arc of development of Northern drama over the period, leading up to some of the innovative performances of companies such as Theatre of Witness.


Author(s):  
Veronica Membrive

2018 was the celebration year of the 20th anniversary of the Good Friday Agreement of 1998, bringing power-sharing and much peace to Northern Ireland. Twenty years seem a fair distance to address the issue from a comical viewpoint. Lisa McGee's television show Derry Girls (2018) released in Channel 4, and recently in Netflix, seems to convey a nostalgic and caustic outlook at the 1990s during the last years of The Troubles and focuses on the lives of a gang of four Irish teenagers growing up in the setting of Catholic Derry. This chapter will interrogate the banalization of evil conveyed by McGee by tackling the representation of evil and violence in Northern Ireland during The Troubles.


Author(s):  
Andrew Sanders

This book examines the role of the United States of America in the Northern Ireland conflict and peace process. It assesses Northern Ireland as both an international and a domestic issue in the United States during the years of conflict there. It looks at how US figures engaged with Northern Ireland, as well as the wider issue of Irish partition, in the years before the outbreak of what became known as the “troubles”. From there, it considers early interventions on the part of Congressional figures such as Senator Edward Kennedy and the Congressional hearings on Northern Ireland that took place in the aftermath of Bloody Sunday, 1972. It analyses the causes and consequences of the State Department decision to ban the sale of weapons to the Royal Ulster Constabulary, before considering the development of the US role in Northern Ireland through the Reagan administration and the onset of US financial support for conflict resolution in the form of the International Fund for Ireland. It then assesses the dynamics behind the role that President Clinton assumed following his election in 1992, before examining how Presidents Bush and Obama attempted to seize on the momentum of the 1998 Good Friday Agreement


Author(s):  
P. J. McLoughlin

This chapter examines the importance of ideas and agency in the Northern Ireland peace process by focusing on the former leader of the SDLP and joint Nobel Peace Prize Winner, John Hume. Hume was one of the most important and long-standing elites in Northern Ireland conflict. He emerged first as a civil rights leader at the outset of the Troubles, was a founding member of the SDLP, and was central to the negotiations that led to the Good Friday Agreement. Moreover, Hume played a unique dual role in his career. First, he was a political thinker, or perhaps more accurately an articulator, of a new approach to the Northern Ireland problem. Second, Hume was a key negotiator and political broker, most significantly helping to persuade militant republicans to adopt a peaceful political strategy, continually engaging with British and Irish political elites, and even guiding external actors like the US government and the EU in their respective inputs to the Northern Ireland peace process.


Author(s):  
John Hill

This chapter examines films and television dramas dealing with the impact of the Northern Ireland ‘Troubles’ in Britain and the controversies that they generated. It begins with a consideration of early TV dramas such as The Vanishing Army (1978) and Chance of a Lifetime (1980) dealing with the experiences of the returning British soldier. This is followed by an examination of the representation of the IRA’s activities on the British ‘mainland’ in productions such as The Patriot Game (1969), Hennessy (1975), Eighteen Months to Balcombe Street (1977) and The Long Good Friday (1979) as well as an analysis of how the miscarriages of justice that emerged in the wake of the IRA’s bombing campaigns were turned into (documentary)-dramas such as Who Bombed Birmingham? (1990) and In the Name of the Father(1993). The chapter then concludes with some consideration of the ‘peace process’ and the relative scarcity of dramas dealing with the divisions and tensions that were a feature of the earlier period.


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