scholarly journals The Boundaries of Funniness and the Dilution of Audience Identity in the Musical-Dramatic Art

2021 ◽  
Vol 3 (3) ◽  
pp. 61-82
Author(s):  
Viktor L. Levchenko ◽  
Nina I. Kovalova
Keyword(s):  
The Other ◽  
Musical Performance ◽  
Museum Exhibits ◽  
The Status ◽  
History Of ◽  
European Theatre ◽  
The Aesthetic ◽  
The One

This paper sets out to examine the transformation of comedy in the history of European theatre. Musical performance extends the semiotic space of the original genre into a field of fluid and open meanings and signs incorporating and suggesting many interpretations, some of which are ironic. It is argued in contemporary aesthetics that, on the one hand, art cannot exist without a discourse interpreting it, while on the other, there exists the demand to avoid interpretation, which at once legitimizes the aesthetic effect and castrates the object of art. Provocation is used as an instrument for solving the problems of observing the object of art in a new way and understanding modern reality, and provocation is not complete without irony and self-irony. Wit, irony, and comicality are transformed as fitting into the style of the absurd and deconstructing the border between the funny and the serious. The purpose of such provocations is to put the viewer into a position of uncertainty and aesthetic shock, and this stupor inexorably leads the beholder to encounter the object of art and nurtures a new understanding of their own self. This clash of the spectator’s viewpoint created by provocative shows dispossesses theatre productions of the status of “museum exhibits”. This paper will examine the organicness of elements of the laughter culture and comic devices for musical and dramatic theatre.

scholarly journals Donner à voir : explorer et exploiter les images en histoire de ľinterprétation

Translationes ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 92-107
Author(s):  
Alina Pelea
Keyword(s):  
New Technologies ◽  
Visual Representations ◽  
The Other ◽  
The Sublime ◽  
Other Hand ◽  
Works Of Art ◽  
The Status ◽  
History Of ◽  
History Of Translation ◽  
The One

Abstract It may be too much to say that a picture is worth a thousand words, but no one can deny the informative potential of visual representations. Considering that the history of translation would also benefit from their use, we propose an intervention that will try to look at these resources in order to shed additional light on the status of the interpreter and its evolution. We analyze visual resources dating back to the 17th and 18th centuries (works of art) and others from 2018 (potentially more objective) to see how they reflect, on the one hand, the status of the dragomans of the Sublime Porte and, on the other hand, that of today’s interpreters. In conducting this research, we also look at how new technologies can contribute to the study of different media.

scholarly journals Problems and progress in nature conservation in Rhodesia

Koedoe ◽  
1977 ◽  
Vol 20 (2) ◽  
Author(s):  
G.F.T. Child
Keyword(s):  
Nature Conservation ◽  
The Other ◽  
Stone Age ◽  
Human Race ◽  
History Of ◽  
The Subject ◽  
Technological Age ◽  
The Aesthetic ◽  
The One

The conflicting emotions generated around the aesthetic qualities of wildlife and its pragmatic use as a resource are a feature of human societies stretching into antiquity. On the one hand it has been, and remains, the subject of much folklore and art in societies extending from the Stone Age to the Technological Age. On the other, hunting for the necessities of life, and more recently for recreation, goes very deep into the history of the human race.

Le Paraclet dans la notice antimontaniste du PseudoHippolyte, Refutatio omnium haeresium VIII, 19 Les commentaires prophétiques de Priscilla et Maximilla

2008 ◽  
Vol 62 (3) ◽  
pp. 261-284
Author(s):  
David Pastorelli
Keyword(s):  
New Testament ◽  
The Other ◽  
Women's Ministry ◽  
Other Hand ◽  
Underlying Principle ◽  
The New Testament ◽  
The Status ◽  
History Of ◽  
The One ◽  
Prophetic Office

AbstractThe anti-Montanist notice of Pseudo-Hippolytus, Ref. VIII, 19 is often quoted in research in order to show that the Phrygian prophets wrote numerous books to complete the New Testament. It is, however, marked by an obvious editorial activity: the motive of countless books belongs to the author's heresiological arsenal and should not be counted as a testimony for the history of the New Testament canon. The author is more concerned about the issue of women's ministry : the conflict is on the one hand about the status of Priscilla and Maximilla as prophetic teachers, based on the prophetic office of the Paraclete, and on the other hand about their claims to write « prophetic » commentaries. The underlying principle is the Pauline prohibition that women teach, a fortiori that they write books.

Hanuš Jelínek’s Beginnings in Mercure de France

2016 ◽  
Vol 61 (1-2) ◽  
pp. 21-28
Author(s):  
Catherine Servant
Keyword(s):  
Publishing House ◽  
The Other ◽  
French Speaking ◽  
History Of ◽  
Early Origin ◽  
The Aesthetic ◽  
The One ◽  
French And Francophone

Abstract The aim of this article is to describe the beginnings of the cooperation between Hanuš Jelínek and the journal and publishing house Mercure de France. In March 1900, Jelínek published, under the pseudonym Jean Otokar, his first study ‘La Poésie moderne tchèque’ in the Parisian journal. For some time, the critic then wrote the column ‘Lettres tchèques’ (August 1900 – February 1903) in Mercure – after Alexandr Bačkovský (alias Jean Rowalski) and before William Ritter. The early origin of the ‘Lettres tchèques’ of Bačkovský and Jelínek as a result of the aesthetic affinity between literary and artistic modernism on the one hand and some French and Francophone circles of the time on the other has the merit of introducing the readers of an important French periodical to Czech production. These columns have their firm place in the history of Czech efforts to gain recognition in France and the French-speaking world.

scholarly journals Keeping it Intimate: A Meditation on the Power of Horror

2013 ◽  
Vol 21 (1) ◽  
pp. 127-131
Author(s):  
Sara Beardsworth
Keyword(s):  
Julia Kristeva ◽  
The Other ◽  
Other Hand ◽  
Artistic Representation ◽  
The Feminine ◽  
History Of ◽  
The Aesthetic ◽  
The One ◽  
Historical Element ◽  
Selection Of

The paper is a reading of Julia Kristeva, The Severed Head. It first interprets a dual historical element in Kristeva's text on "capital visions," her selection of exemplars of the artistic representation of severed heads. On the one hand, there are the aesthetic trajectories themselves, from skull art to artistic modernism. On the other hand, there is an implicit history of "horror" in psychoanalysis in this text, going from Freud through Lacan to Kristeva. The paper then indicates the tone of possibility and invitation that inhabits Kristeva’s treatment of horror in capital visions, which suggests that she does not divide aesthetics off from ethics. Finally, I underline the note of humor that enters into the psychoanalytic and aesthetic treatment of horror, once Kristeva has linked it to the feminine.

scholarly journals Concept as “Motive” of Theoretic Discourse

2019 ◽  
pp. 80-86
Author(s):  
I. V. Kuznetsov
Keyword(s):  
Old Testament ◽  
The Other ◽  
Silver Age ◽  
Boris Pasternak ◽  
Temporal Relationships ◽  
Thematic Units ◽  
The Status ◽  
Theoretical Reasoning ◽  
The Aesthetic ◽  
The One

The article considers the possibility to interpret motive and concept as two parallel ways of pre-predicative matter of internal speech incarnation. Lev Vygotsky’s doctrine about thought and word, which arose in the philosophical context of neo-Kantianism and dialectics peculiar to the beginning of the 20th century, creates the possibility of such interpretation. The primacy and substantiality of art’s content before its incarnation was recognized and declared by such thinkers and poets of The Silver Age as Andrey Bely and Boris Pasternak. The word “matter” itself was a working concept in the aesthetic reflections of Pasternak. In his own work, invariant themes were embodied in both narrative and lyrical modality, and in the form of reasoning. Generic boundaries, thus, shown their permeability and, therefore, a conventionality. On the other hand, the adjacent status of artistic and theoretical ways of speech was realized in the search of the formal school of poetics in 1920s. Boris Tomashevsky in his classical textbook of poetics interpreted the “theme” as an atom of “matter”. In the status of thematic units, that is, units of “matter” division, the scientist considered both the plot and the motive. With this, he stated the possibility of two paths to dispose thematic elements: fabulous story based on causal- temporal relationships, and without fable. On the second way, according to Tomashevsky, lyrical works emerge, and it also generates dialectics of theoretical reasoning. This allows to consider theoretical reasoning as a parallel method of organizing thematic material – “matter”. Concepts are joined in the propositions exactly the same as the motives are combined in the plots. Additional similarity of concepts and motives is created by the only systemic way of their existence, established by such researchers as, on the one hand, Lev Vygotsky, on the other, Vladimir Propp. So there is a prospect of parallel systematization of categories: motive, concept, plot, proposition, and others related to them. Reference to the experience of literature shows that the thematic elements of the matter can be embodied both as concepts and as motives even within one work. The example is the “Word of Law and Grace”, in which the themes of Law and Grace, first, are revealed in the conceptual comparison, and secondly, are embodied in the images of Hagar and Sarah from the Old Testament. So clearly appears concurrency of concepts and motives as ways of realization of thematic “matter”.

Theodor W. Adorno

2018 ◽  
Author(s):  
Colby Dickinson
Keyword(s):  
The Other ◽  
History Of Thought ◽  
History Of ◽  
The One

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).

Policy analysis and complexity – a non-equilibrium approach for integrated water management

1995 ◽  
Vol 31 (8) ◽  
pp. 301-309 ◽  
Author(s):  
Govert D. Geldof
Keyword(s):  
Water Management ◽  
Control System ◽  
Planning Process ◽  
The Other ◽  
Integrated Water Management ◽  
Equilibrium Approach ◽  
History Of ◽  
The One ◽  
Groundwater Policy ◽  
Non Equilibrium

In integrated water management, the issues are often complex by nature, they are capable of subjective interpretation, are difficult to express in standards and exhibit many uncertainties. For such issues, an equilibrium approach is not appropriate. A non-equilibrium approach has to be applied. This implies that the processes to which the integrated issue pertains, are regarded as “alive”’. Instead of applying a control system as the model for tackling the issue, a network is used as the model. In this network, several “agents”’ are involved in the modification, revision and rearrangement of structures. It is therefore an on-going renewal process (perpetual novelty). In the planning process for the development of a groundwater policy for the municipality of Amsterdam, a non-equilibrium approach was adopted. In order to do justice to the integrated character of groundwater management, an approach was taken, containing the following features: (1) working from global to detailed, (2) taking account of the history of the system, (3) giving attention to communication, (4) building flexibility into the establishing of standards, and (5) combining reason and emotions. A middle course was sought, between static, rigid but reliable on the one hand; dynamic, flexible but vague on the other hand.

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

Introduction

2017 ◽  
Author(s):  
Anh Q. Tran
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Pragmatic Approach ◽  
History Of ◽  
The One ◽  
Vietnamese Studies

The Introduction gives the background of the significance of translating and study of the text Errors of the Three Religions. The history of the development of Confucianism, Buddhism, and Daoism in Vietnam from their beginning until the eighteenth century is narrated. Particular attention is given to the different manners in which the Three Religions were taken up by nobles and literati, on the one hand, and commoners, on the other. The chapter also presents the pragmatic approach to religion taken by the Vietnamese, which was in part responsible for the receptivity of the Vietnamese to Christianity. The significance of the discovery of Errors and its impact on Vietnamese studies are also discussed.

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