Subject Ontology of the Common Digital Space of Scientific Knowledge as a source of Scientometric Research

2020 ◽  
pp. 47-49
Author(s):  
V.A. Tsvetkova ◽  
◽  
N.E. Kalenov ◽  
Yu.V. Mokhnaheva ◽  
I.A. Mitroshin ◽  
...  
Keyword(s):  
Comparative Analysis ◽  
Scientific Knowledge ◽  
Ontology Development ◽  
Frequency Of Occurrence ◽  
Digital Space ◽  
Intensity Of Development ◽  
The Subject ◽  
The Common ◽  
Citation Databases

The paper proposes a methodology for assessing the intensity of development of a particular topic related to a given scientific direction, based on the analysis of the dynamics of its subject ontology. It is proposed to evaluate the dynamics of the subject ontology development on the basis of a comparative analysis of the frequency of occurrence of ontology terms in the keywords lists of reflected in the citation databases. The proposed methodology is modeled on the example of the scientific direction "Microbiology".

scholarly journals Greek demons who murdered children

2021 ◽  
pp. 54-68 ◽  
Author(s):  
Vladislava Igorevna Makeeva
Keyword(s):  
Comparative Analysis ◽  
Sudden Infant ◽  
Ancient Greek ◽  
Greek Society ◽  
History Of ◽  
Ancient Times ◽  
The Subject ◽  
The Common ◽  
Murdered Children

This article describes the Ancient Greek mythological characters who were attributed with murdering children: Lamia (Λάμια), Mormo (μορμώ) and Gello (γελλώ).The ssuperstitions associated with these demons remain in Greece to this day, although their images have undergone certain transformation. The object of this research is the mythological representations of the Ancient Greeks, while the subject is demons who murdered children. The goal of this article is to determine the role of children's horror stories in life of the Ancient Greek society. The author reviews the facts testifying to the existence of characters as Lamia, Mormo, Gello and Empusa in the Greek and Roman texts, as well gives characteristics to their images based on the comparative analysis. The conducted analysis reveals the common traits of the demons who murdered children: frightening appearance, combination of human and animal traits, ability to transform, identification with Hecate, as well as the story of the failed motherhood underlying the history of emergence of the demon. The key functions of these mythological characters consisted in explanation of the sudden infant and maternal mortality typical to the ancient times, as well as teaching children and adults a lesson. The first could be frightened with such stories, and the latter had to learn from the tale that demonstrates the harm of reckless following the temptations or refusal of fulfilling the prescribed social roles, socially acceptable behavior.

scholarly journals The Architecture of the Common Digital Space of Scientific Knowledge

2021 ◽  
Author(s):  
N. E. Kalenov ◽  
G. I. Savin ◽  
A. N. Sotnikov
Keyword(s):  
Semantic Web ◽  
Scientific Knowledge ◽  
Digital Space ◽  
Preliminary Examination ◽  
Digital Objects ◽  
The Common ◽  
Scientific Results ◽  
Scientific Fields

The architecture of the Common Digital Space of Scientific Knowledge (CDSSK) is determined by its functions and objectives. CDSSK includes a set of subspaces related to various scientific fields. The unity of subspaces is provided by unified principles for constructing subspaces and ontological connections between their objects. Each subspace includes digital objects, metadata containing facts related to objects, and subject onotologies that provide advanced searches and navigation through space. All information is reflected in the CDSSK according to the rules of the «semantic WEB». The content of each subspace includes a core (time-tested reliable 8 scientific results) and a superstructure — new scientific results that have passed preliminary examination.

Space of Science Archives as a Component of the Common Digital Space of Scientific Knowledge

2021 ◽  
pp. 9-13
Author(s):  
Nikolay E. Kalenov ◽  
Konstantin P. Pogorelko ◽  
Alexander N. Sotnikov
Keyword(s):  
Scientific Knowledge ◽  
Digital Space ◽  
The Common

Poliheuristic Theory and Crisis Decision Making: A Comparative Analysis of Turkey with China

2011 ◽  
Vol 44 (1) ◽  
pp. 27-57 ◽  
Author(s):  
Nukhet A. Sandal ◽  
Enyu Zhang ◽  
Carolyn C. James ◽  
Patrick James
Keyword(s):  
Decision Making ◽  
Foreign Policy ◽  
Comparative Analysis ◽  
The Political ◽  
Common Pattern ◽  
Prise De Décision ◽  
The Subject ◽  
The Common ◽  
Cross National

Abstract.Poliheuristic theory (PH) is an innovative attempt to conceptualize decision making in a way that recognizes patterns deriving from both cognitive and rational schools of thought about how foreign policy is made. Crisis decision making, a setting in which the political aspects emphasized by PH can be expected to operate, is the subject of this article. The study focuses on Turkey and China, two important states that frequently are characterized as sui generis and possibly unsuited to comparative analysis in the context of any overarching theory. As will become apparent, PH is capable of explaining crisis decision making for China and Turkey and the common pattern we explore is perhaps only the tip of the iceberg when it comes to cross-national application of the theory within the crisis domain.Résumé.La théorie poliheuristique (PH) est une tentative novatrice de concevoir la prise de décision en reconnaissant l'apport des modes de comportement issus des écoles de pensée cognitive et rationnelle. Cet article porte sur la politique étrangère en temps de crise et offre un cadre politique au sein duquel les modes de comportement identifiés par la théorie poliheuristique devraient normalement opérer. Plus particulièrement, l'étude se concentre sur le cas de la Chine et de la Turquie, deux États souvent considérés comme singuliers et possiblement inadaptés à l'analyse théorique de la politique étrangère comparée. Toutefois, comme cet article le démontre, la PH est en mesure d'expliquer de manière comparée la prise de décision de la Chine et de la Turquie en temps de crise. Les conclusions de recherche laissent penser que cette étude pourrait bien être le prélude de nombreuses recherches employant la PH dans le domaine de la politique étrangère comparée en temps de crise.

scholarly journals Biographical and artistic in M. Y. Lermontov’s novel “Princess Ligovskaya” and the drama “Two Brothers”

Litera ◽  
2020 ◽  
pp. 27-35
Author(s):  
Ekaterina Andreevna Denisova
Keyword(s):  
Comparative Analysis ◽  
Crucial Role ◽  
Early Period ◽  
Literary Texts ◽  
The Novel ◽  
Artistic Interpretation ◽  
The Subject ◽  
The Common

This article is dedicated to a comparative analysis of two works by M. Y. Lermontov, which represent the interpretation of the common biographical context. The subject of this research is the specificity of transformation of the biographical fact into the artistic generalization in the works of M. Y. Lermontov. The object of this research is the drama "Two Brothers" and the novel Princess Ligovskaya” viewed within the paradigm of artistic comprehension of the scenario of unfaithfulness, or destruction of love as conceptually important in the conflict present in the works of M. Y. Lermontov. Such approach, based on interrelation between the creative and biographical, allows making important remarks on specificity of the phenomenon of autobiographism in the works of M. Y. Lermontov. The author analyzes the initial biographical situation (relationship between Lermontov and V. A. Lopukhina), and concludes that two literary texts – drama and novel – represent a distinct system of creative reflection of the biographical fact. It is established that in the process of creating the drama, and the novel later on, Lermontov ensues the need for artistic interpretation and resolution of the situation of unfaithfulness as an instance, and in a broader sense – as an ontological pattern; however, the conflict cannot be settled within the framework of this storyline. Since 1837, autobiographism in Lermontov's works ceases to play the crucial role; in other words, personal situation and its artistic interpretation no longer coincide, which renders impossible to continue the novel. Such circumstance allows realizing the reasons of incomplete works of Lermontov’s early period, which lie in inability to resolve love conflicts with a positive finale.

scholarly journals The problem of novelty in legal science: to the question on methodological aspects of studying legal doctrines

2020 ◽  
pp. 28-39
Author(s):  
Vladimir Sergeevich Gorban
Keyword(s):  
Comparative Analysis ◽  
Scientific Knowledge ◽  
The Past ◽  
Legal Science ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Methodological Approaches ◽  
Scientific Value ◽  
Methodological Aspects

The subject of this research is the problem of interpretation of continuity and novelty in carrying out historical-philosophical and problematic-theoretical reconstructions of legal doctrines of the past and modernity. The absence of due knowledge on the origin, history of acquisition and application of theoretical ideas of the past often leads to significant modifications, distortions and loss of historical linkage within the legal picture of the world. The repetition of legal ideas and theoretical constructs of the past is natural, but firstly it can and should be viewed as a methodological prerequisite for searching of approaches and means to substantiate the interests to certain aspects of law, and secondly, for ensuring scientific value of modern research, it must be clarified not by the conventionality of scientific knowledge, but based on the reconstruction of origin, application and valid meaning and designation of ideas. The methodology leans on the comparative analysis of legal ideas of the past and modernity in synchronic and diachronic angle. The novelty of the conducted research consists in interpretation of the problem of novelty in legal science based on the requirement for preservation of continuity in terms of their historical-philosophical and problematic-theoretical reconstruction. At the same time, such requirement reveals in a number of specific reconstructions and examples of utilization of methodological approaches for their conduct.

scholarly journals Technology for Filling Subject Ontologies of the Scientific Knowledge Space

2021 ◽  
Vol 24 (1) ◽  
pp. 101-115
Author(s):  
Николай Евгеньевич Каленов
Keyword(s):  
Scientific Knowledge ◽  
English Language ◽  
Scientific Field ◽  
Russian Language ◽  
Classification Systems ◽  
Automated System ◽  
Knowledge Space ◽  
The Subject ◽  
Key Terms ◽  
Citation Databases

Subject ontology in the context of this article is understood as a set of key concepts related to a certain field of science, with their semantic connections, supplemented by indexes of various classification systems describing this scientific field. Subject ontologies are a necessary component of each subspace that is part of the Unified digital space of scientific knowledge (DSSK). This article presents the results of research related to the construction of subject ontologies based on the created automated system for supporting terminological dictionaries and suggests a methodology for identifying new key terms in a particular field of science. The proposed methodology is based on the use of existing classification systems in conjunction with citation databases, such as Web of Science and Scopus for English–language publications and the Russian citation index for Russian-language publications. The methodology involves dividing the scientific field into a number of sections in accordance with the selected classification system, extracting from the CSB the core of articles related to each section, and from the articles - new author's keywords, which should constitute, in combination with the corresponding sections of classification systems, the basis of the subject ontologies of this scientific field.

scholarly journals Little-known forerunner of «Turandot» of Giacomo Puccini – «Turanda» of Antonio Bazzini

2019 ◽  
pp. 290-308
Author(s):  
Yu Wang
Keyword(s):  
Comparative Analysis ◽  
The Other ◽  
Commedia Dell'arte ◽  
Femme Fatale ◽  
Giacomo Puccini ◽  
Cultural Paradigm ◽  
The Subject ◽  
The Common

Тhe image of Turandot that has almost the greatest number of interpretations in a variety of genres, particularly, in opera, ushered in the masterpiece of G. Puccini. Still, rather little-known remain over ten of her opera forerunners among which a special place belongs to the opera of the king of verismo – the well-known violin virtuoso, composer, social-cultural figure, professor of Milano conservatoire Antonio Bazzini, in whose class G. Puccini was a student. His only opera ―Turanda‖ of 1867 became the subject of the study in this article whose objective is to outline the imagologeme of the cruel princess character in the interpretation of A. Bazzini. Using the imagologic methodologies oriented toward all-round outlining of the Other – particularly in the context of the oriental themes, the author proceeds from the comparative analysis that gives ground for determination of the common and distinctive traits in the interpretation of the heroine character in the context of the Italian and general European cultural paradigm. Created almost 100 years after Carlo Gozzi’s fiaba and 50 years before G. Puccini’s ―Turandot‖ A. Bazzini finds new unexpected dimensions of the work on such theme in the opera genre. Departing from the elements of commedia dell’arte that are the cornerstones in Gozzi’s favola, Bazzini, though staying in the sphere of the fairytale plot defines the genre of his opera as the ―Asian fantasy‖, gravitating despite the decorative-harem and state-imperial image of the Orient to the principles of the lyrical opera French models and looking at the lyrical drama of V. Bellini. The main lady character is the type of the femme fatale, who in the course of unwinding of the dramatic action acquires some sentimental traits, reinvents herself from the princess-killer to the loving lady. Bazzini’s eclecticism was manifested in the departure from the Chinese content and extension of the geocultural boundaries: the action takes place in Persia (Turandot’s ancestral homeland, whose combined prototype image is described in the poem of Nizami ―Seven Beauties‖), Prince Calaf becomes the Indian Prince Nadir, preserving the role of the lyrical-dramatic hero. Bazzinin refuses from the masks and instead brings in the new bright character – magician Ormut who represents the evil forces, for he is hopelessly in love with Turandot, inspires her to killings with the aid of sorcery. The exalted mystical-orgiastic scene of worshipping Ahriman is one of the best in the presentation of the spectacular-theatrical exotica. And though over a dozen of composers-romanticists attempted to adapt the character of Turandot, the heroine found her optimal embodiment in the aura of the high verism, one of the steps on the way to which can be regarded ―Turanda‖ of A. Bazzini.

Ontology of the Common Digital Space of Scientific Knowledge

2020 ◽  
pp. 10-12
Author(s):  
N.E. Kalenov ◽  
◽  
V.A. Serebryakov ◽  
Keyword(s):  
Scientific Knowledge ◽  
Information Technologies ◽  
Rapid Development ◽  
Scientific Information ◽  
Digital Environment ◽  
Level System ◽  
Digital Space ◽  
Subject Areas ◽  
The Common ◽  
Multi Level

The rapid development of information technologies and the avalanche growing of scientific information volumes necessitated the transition to a semantically significant representation of scientific knowledge extracted from information in the digital environment, and their organization in the form of a Common digital space of scientific knowledge (CDSSK). Each field of science has its own specifics, and it's scientific knowledge can form its own subspace. In modern conditions, it is necessary to develop universal approaches to the storage and presentation of scientific knowledge, thereby ensuring the integration of individual subspaces into a single whole. The first step towards the implementation of these approaches should be the development of the CDSSK ontology as a multi-level system of concepts describing the resources and objects of subject areas, terms and relationships between them, characterized by an open hierarchical and dynamic structuring, oriented both to store existing knowledge and to extract new ones.

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