scholarly journals Classical Form or Modern Scientific Rationalization? Nietzsche on the Drive to Ordered Thought as Apollonian Power and Socratic Pathology

2021 ◽  
Vol 52 (1) ◽  
pp. 105
Author(s):  
Lichtenstein
Keyword(s):  
Classical Form

Large-Scale Rhythm and Classical Form

1990 ◽  
Vol 12 (2) ◽  
pp. 236-246
Author(s):  
David H. Smyth
Keyword(s):  
Large Scale ◽  
Classical Form

Zeitstrukturen im Jazz

2014 ◽  
Vol 59 (1) ◽  
pp. 79-92
Author(s):  
Alexander Becker
Keyword(s):  
Large Scale ◽  
Large Scale Structure ◽  
Time Frame ◽  
Scale Structure ◽  
Classical Form ◽  
Jazz Music ◽  
The Moment

Wie erlebt der Hörer Jazz? Bei dieser Frage geht es unter anderem um die Art und Weise, wie Jazz die Zeit des Hörens gestaltet. Ein an klassischer Musik geschultes Ohr erwartet von musikalischer Zeitgestaltung, den zeitlichen Rahmen, der durch Anfang und Ende gesetzt ist, von innen heraus zu strukturieren und neu zu konstituieren. Doch das ist keine Erwartung, die dem Jazz gerecht wird. Im Jazz wird der Moment nicht im Hinblick auf ein Ziel gestaltet, das von einer übergeordneten Struktur bereitgestellt wird, sondern so, dass er den Bewegungsimpuls zum nächsten Moment weiterträgt. Wie wirkt sich dieses Prinzip der Zeitgestaltung auf die musikalische Form im Großen aus? Der Aufsatz untersucht diese Frage anhand von Beispielen, an denen sich der Weg der Transformation von einer klassischen zu einer dem Jazz angemessenen Form gut nachverfolgen lässt.<br><br>How do listeners experience Jazz? This is a question also about how Jazz music organizes the listening time. A classically educated listener expects a piece of music to structure, unify and thereby re-constitute the externally given time frame. Such an expectation is foreign to Jazz music which doesn’t relate the moment to a goal provided by a large scale structure. Rather, one moment is carried on to the next, preserving the stimulus potentially ad infinitum. How does such an organization of time affect the large scale form? The paper tries to answer this question by analyzing two examples which permit to trace the transformation of a classical form into a form germane to Jazz music.

Celiac Disease in Kosovar Albanian Children: Evaluation of Clinical Features and Diagnosis

2020 ◽  
Vol 16 (3) ◽  
pp. 241-247
Author(s):  
Atifete Ramosaj-Morina ◽  
Alije Keka-Sylaj ◽  
Arbana Baloku Zejnullahu ◽  
Lidvana Spahiu ◽  
Virgjina Hasbahta ◽  
...  
Keyword(s):  
Celiac Disease ◽  
Disease Onset ◽  
Clinical Manifestations ◽  
Gastrointestinal Symptoms ◽  
Dominant Mode ◽  
Primary School Children ◽  
Cross Sectional ◽  
Classical Form ◽  
Wide Range ◽  
The Mean

Background: Celiac disease is an immune-mediated disorder characterized by variable clinical manifestations, specific antibodies, HLA-DQ2/DQ8 haplotypes, and enteropathy. Objectives: The aim of this study was to present the clinical spectrum and patterns of celiac disease in Kosovar Albanian children. Methods: A cross-sectional retrospective study was performed with Albanian children aged 0-18 years, treated for celiac disease in the Pediatric Clinic, University Clinical Center of Kosovo from 2005 to 2016. Results: During the study period, 63 children were treated for celiac disease. The mean age at diagnosis was 5.5 years (SD ± 3.31). The mean age at celiac disease onset was 3.3 years (SD ± 2.02), while the mean delay from the first symptoms indicative of celiac disease to diagnosis was 2.2 years (SD ± 2.09). More than 70% of the patients were diagnosed in the first 7 years of life, mainly presented with gastrointestinal symptoms, while primary school children and adolescents mostly showed atypical symptoms (p<0.001). The classical form of celiac disease occurred in 78% of the cases. Sixty (95%) patients carried HLA-DQ2.5, DQ2.2 and/or HLA-DQ8 heterodimers, and only three of them tested negative. Conclusions: Kosovo, as the majority of developing countries, is still facing the classical form of celiac disease as the dominant mode of presentation; as a result, most children with other forms of the celiac disease remain undiagnosed. : Physicians should be aware of the wide range of clinical presentations and utilize low testing thresholds in order to prevent potential long-term problems associated with untreated celiac disease.

Current Approaches to the Diagnosis of Classical form of Congenital Adrenal Hyperplasia

2015 ◽  
Vol 9 (2) ◽  
pp. 103-110 ◽  
Author(s):  
Elwira Przybylik-Mazurek ◽  
Anna Kurzynska ◽  
Anna Skalniak ◽  
Alicja Hubalewska-Dydejczyk
Keyword(s):  
Congenital Adrenal Hyperplasia ◽  
Adrenal Hyperplasia ◽  
Classical Form

scholarly journals Pseudo-Placentational Endometrial Hyperplasia in the Bitch: Case Series

Animals ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 718
Author(s):  
Gabriele Marino ◽  
Alessandra Sfacteria ◽  
Giuseppe Catone ◽  
Antonina Zanghì ◽  
Fabiana Pecchia ◽  
...  
Keyword(s):  
Mast Cells ◽  
Endometrial Hyperplasia ◽  
Inflammatory Infiltrate ◽  
Case Series ◽  
Pregnant Female ◽  
Large Database ◽  
Tissue Architecture ◽  
Classical Form ◽  
Spongy Layer ◽  
Proliferative Lesion

Canine pseudo-placentational endometrial hyperplasia differs from the classical form of cystic endometrial hyperplasia for the well-organized tissue architecture resembling the canine placenta. After the discovery, it has been inconstantly reported. The present work reports the clinicopathological details of six spontaneous cases retrieved retrospectively from a large database. The lesion was found in young non-pregnant female dogs (median 2.0 years) at the end of dioestrus. It could be imaged by ultrasound and was always grossly detectable as single or multiple uterine enlargements of 2–3 cm in diameter with a villous whitish tissue growing on the mucosa and occluding the lumen. Histology confirmed the tissue architecture of the canine placenta with a basal glandular layer, a connective band, a spongy layer and a tortuous and compact labyrinth, often poorly recognizable. The pseudo-placentational hyperplasia is a non-inflammatory proliferative lesion although numerous mast cells inhabit the connective band, and a superimposed inflammatory infiltrate was seen in a case. Canine pseudo-placentational endometrial hyperplasia has very peculiar features, and it is a model for canine placentation and may help to better understand the cystic endometrial hyperplasia/pyometra complex.

scholarly journals BIOM-10. PREVALENCE OF NF1 MISSENSE MUTATIONS AND CANDIDATE MODIFIER GENES IN SPINAL NEUROFIBROMATOSIS PATIENTS

2020 ◽  
Vol 22 (Supplement_2) ◽  
pp. ii3-ii3
Author(s):  
Paola Riva ◽  
Donata Bianchessi ◽  
Eleonora Mangano ◽  
Claudia Cesaretti ◽  
Paola Bettinaglio ◽  
...  
Keyword(s):  
Rare Variants ◽  
Sporadic Case ◽  
Modifier Genes ◽  
Lower Percentage ◽  
Missense Mutations ◽  
Cutaneous Manifestations ◽  
Classical Form ◽  
Ras Pathway ◽  
Pathogenic Variants ◽  
Patients At Risk

Abstract INTRODUCTION Spinal Neurofibromatosis (SNF), a distinct clinical entity of NF1, characterized by bilateral neurofibromas involving all spinal roots and a few, if any, cutaneous manifestations, entails greater morbidity than the classical form of disease. Nevertheless, there are no reliable patterns to sort out patients at risk for developing SNF. MATERIALS AND METHODS We investigated 19 NF1 families with at least one SNF member, 37 sporadic SNF patient and 100 NF1 patients with classical form of disease. We applied Targeted NGS using a panel consisting of 139 genes encoding RAS pathway effectors, neurofibromin interactors and genes mapping at 17q11.2 region. RESULTS In SNF patients we found a higher percentage of missense (21% versus 8%, p=0 0.016, OR 3.13 (95% CI 01.1 -8.2) and a lower percentage of nonsense NF1 mutations (12.5% versus 28%,, p= 0.026, OR 0.36 (95% CI 0.14–0.9) than in classical NF1 cases. Furthermore, we evaluated rare variants with damaging potential predictors in genes of the RAS pathway and in neurofibromin interactors. In more than one sporadic case possible pathogenic variants were found in LIMK2 (neurofibromin interactor), RASAL1, RASAL3, SOS1, A2ML1, MAP3K1 (RAS pathway effectors), while in more than one SNF family were detected RASAL1, RASAL3, MAP3K1 genes variations. CONCLUSIONS Our results confirm the correlation between NF1 genotype and SNF phenotype as previously reported (Ruggieri, 2015), suggesting that neurofibromin gain-of-functions mutations are associated to SNF. In some patients, the co-occurrence of potential pathogenic variants in NF1 related genes with severe phenotypes was detected supporting their role as modifier genes and promising therapeutic targets.

scholarly journals Classical form of Kaposi sarcoma localized in penis

2019 ◽  
Vol 24 ◽  
pp. 100856 ◽  
Author(s):  
V.R. Dunev ◽  
N.H. Kolev ◽  
P.P. Genov ◽  
M. Sachdeva ◽  
M.P. Karaivanov
Keyword(s):  
Kaposi Sarcoma ◽  
Classical Form

scholarly journals o AUTO CAMONIANO D'EL REI SELEUCO: AS POÉTICAS DO AUTO - CAPÍTULO DE UM ESTUDO INÉDITO SOBRE O TEATRO CAMONIANO.

2010 ◽  
Vol 29 ◽  
Author(s):  
Francisco Casado Gomes
Keyword(s):  
Classical Form

One can notice the influence of Aristotle's Poetics on this play("Auto"), a destiny drama, in which one sees Epicureanism, stoicism and mercantilism throughout the narrative expressed in the "classical" form, due to the quantitative equilibrium of its two grand sequences and to its five opposite but resolutive acts, in which one tries to solve the problems created by the Mannerism influenced epochal code.There a,re also recollections of Aeschylus, Euripedes, Horatio,Castiglione and the authors of the Cancioneiro Geral, of Garcia de Resende and Gil Vicente and Sá de Miranda's plays.The play does not present the humanistic euphoria but it hasman (the lover) as its chief concern.There is only one cardine,I function that repeats itself in theplay ("Auto"): come-go, and this determines some few subordinating scenes, alongside which other coordinated and equipollent scenes appear,- there are 254 lines in the eight prose scenes, and the part of the "figures in earnest" ("figuras de sino" — eighteen scenes) has 731 verses, distributed in stanzas of five verses (127), stanzas of six verses (6), triplets (3), quartets (2), stanza of ten verses (1),a stanza of twelve verses an three loose verses.

scholarly journals Two-Part Transition or Two-Part Subordinate Theme?

2012 ◽  
Vol 31 (1) ◽  
pp. 46-65
Author(s):  
Carl Wiens
Keyword(s):  
Functional Role ◽  
Sonata Form ◽  
Piano Sonata ◽  
Classical Form ◽  
Clear Cut

In William Caplin’s Classical Form (1998), the ending of a sonata-form exposition’s two-part transition and a two-part subordinate theme’s internal cadence share the same harmonic goal: the new key’s dominant. In this article, the author contends that the choice between the two is not as clear-cut as Caplin suggests, arguing that the functional role of these passages should be read within the context of the entire sonata movement, rather than on more localized analytical interpretations of the sonata’s sections taken in isolation. Two works are discussed: the first movement of Beethoven’s Piano Sonata op. 2, no. 3, and the first movement of the Piano Sonata op. 10, no. 2.

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