scholarly journals Violin sonata fis-moll by Paul Natorp in the context of genre development

2021 ◽  
pp. 189-194
Author(s):  
Шаоин Го
Keyword(s):  
Russian Language ◽  
Practical Significance ◽  
Musical Language ◽  
Musical Identity ◽  
Violin Sonata ◽  
German School ◽  
History Of ◽  
Points Of View ◽  
Violin And Piano ◽  
Active Formation

Исследуется творчество композитора-философа Пауля Наторпа, фигура которого в русскоязычном музыкознании практически не представлена. Отдавая себе отчет в том, что его творчество может вызывать интерес с самых разных точек зрения, мы фокусируем свой научный интерес на Сонате fis-moll для скрипки и фортепиано, созданной в период активного формирования новых художественных течений в музыке начала ХХ века. На примере произведений так называемого «второго ряда» Соната fis-moll может служить довольно ярким примером процессов обновления музыкального языка, в том числе на основе переосмысления классического наследия. Музыковедческий анализ Сонаты для скрипки и фортепиано fis-moll осуществляется в опоре на историко-стилевой метод и интертекстуальность. Доказано, что, будучи созданной в русле традиций Бетховена, Шумана и Брамса, Соната fis-moll для скрипки и фортепиано отмечена самобытностью и оригинальностью. Теоретическая значимость работы определяется заполнением лакуны в истории становления жанра скрипичной сонаты в немецкой композиторской школе. Практическая значимость связана с возможностью обогатить скрипичный репертуар за счет знакомства с камерным жанром, представленным в творчестве немецкого музыканта-философа. This work is dedicated to the work of the composer-philosopher Paul Natorp, whose figure is in practice not represented in Russian-language musicology. Realizing that P. Natorp's work can arouse interest from a variety of points of view, we focus our scientific interest on the fis-moll Sonata for violin and piano, created during the active formation of new artistic trends in music at the beginning of the twentieth century. Using the works of the so-called “ second row” as an example, the fis-moll Sonata can serve as a vivid example of the processes of updating the musical language, including on the basis of rethinking the classical heritage. The musicological analysis of the fis-moll Sonata for violin and piano is based on the historical-stylistic method and intertextuality. It is proved that, being created in line with the traditions of Beethoven, Schumann and Brahms, the fis-moll Sonata for violin and piano by P. Natorp is noted for its musical identity and originality. The theoretical significance of the work lies in filling a gap in the history of the formation of the violin sonata genre in the German school of composition. Practical significance is associated with the opportunity to enrich the violin repertoire through acquaintance with the chamber genre presented in the works of the German musician-philosopher.

scholarly journals Features of the embodiment of the genre of sonata for violin and piano in the works by Gabriel Fauré (on the example of Sonata № 2, in E Minor, op. 108)

2021 ◽  
Vol 59 (59) ◽  
pp. 157-170
Author(s):  
Zhanna Dedusenko
Keyword(s):  
Harmonic Component ◽  
Early Period ◽  
Role Playing ◽  
Musical Language ◽  
Frequent Change ◽  
20Th Century Music ◽  
Violin Sonata ◽  
Gabriel Faure ◽  
Sound Image ◽  
Violin And Piano

Background. The article reveals the genre-style, form-building and dramatic features of G. Fauré’s Sonata No. 2, in E Minor, op. 108. It is determined that this work, in contrast to his first sonata in A Major op. 13, written in the early period of the composer’s life and embodying romantic elation and inspiration, belongs to the late period of G. Fauré’s work, which is distinguished by a complex harmonic and polyphonic writing, sophisticated form and dramatic content characteristic of the early 20th century music and the First World War. The purpose of this article is a characteristic of genre-stylistic and compositional-dramaturgical features of G. Fauré’s Sonata for violin and piano № 2, in E Minor, op. 108. Results. The Second Violin Sonata by G. Fauré, in contrast to the First, has a different dramaturgy and is built on the principle of dramatic antithesis. A special place – and this brings its logical patterns closer to Beethoven’s – is given to the sonata allegro of the first movement, the excitement and explosiveness of which contrasts not only with the lyrical Andante of the second one, in A Major, but also with the enlightened and carefree Allegro non troppo of the finale in E Major. The logic of the formation in the first movement is associated with the originality of the passage of musical events and has a spiral structure consisting of five turns. The musical image of the second movement’s theme is interesting, as it is born from the conjugation of several voices, combining the features of rhythmic variability. This gives the theme a special, truly French charm. There are several dynamic build-ups in the second movement throughout Andante, which shows the implementation of the wave dramaturgy principle. Rondo shows the freshness of musical colors and spontaneity of expression. The last refrain of this part is especially interesting from the dramatic, thematic and ensemble points of view. The general culmination of the Sonata takes place in the refrain. It includes the main intonational ideas and serves as a generalization of the key events of the composition. At the highest climax of Rondo the main and secondary themes from the first movement of the Sonata appear. Thus, the idea of concentric circles, which was noted in the sonata allegro, is implemented in the finale of the Rondo. Conclusion. The analysis of the Second Violin Sonata by G. Fauré allows us to speak not only about a special implementation of the form in this work, but, in comparison with the First Sonata, about a great variety of ensemble writing, marked by the polyphonization of texture. The timbre contrast of the violin and piano allows the composer to set off the emerging replicas, arrange them in different sound spaces, which may resemble the organ register. The loss of any “character” by the members of the ensemble is most consistently traced in the sonata allegro. Another regularity can be traced in the reduction of the background, which is supplanted by the thematization of the texture. This is emphasized by the frequent change of role-playing functions of the instruments and the multitude of ensemble details that ensure the mobility of the musical texture and its multidimensionality. In this Sonata G. Fauré shows a special sensitivity to the harmonic component of the musical language. This search for expressive possibilities of harmony subsequently becomes a distinctive feature of the modern French musical language, which affects the sound image of a chamber ensemble, leading to the interpretation of chamberness as a refined variability of sensations.

scholarly journals Conceptual History, Cultural History, Social History

2014 ◽  
Vol 2 ◽  
pp. 1-14
Author(s):  
Viktor Zhivov (†)
Keyword(s):  
Cultural History ◽  
Social History ◽  
Early Modern Period ◽  
Russian Language ◽  
Critical Survey ◽  
Conceptual History ◽  
German School ◽  
European Philosophy ◽  
Historical Semantics ◽  
History Of

V. M. Zhivov’s introduction to Studies in Historical Semantics of the Russian Language in the Early Modern Period (2009), translated here for the first time, offers a critical survey of the historiography on Begriffsgeschichte, the German school of conceptual history associated with the work of Reinhart Koselleck, as well as of its application to the study of Russian culture.  By situating Begriffsgeschichte in the context of late-nineteenth and early twentieth-century European philosophy, particularly hermeneutics and phenomenology, the author points out the important, and as yet unacknowledged, role that Russian linguists have played in the development of a native school of conceptual history.  In the process of outlining this alternative history of the discipline, Zhivov provides some specific examples of the way in which the study of “historical semantics” can be used to analyze the development of Russian modernity.

Reconsideration of Russian colloquialism from the perspective of Vietnamese language tradition

Litera ◽  
2020 ◽  
pp. 85-93
Author(s):  
Thuy Duong Trinh ◽  
Viktor Mikhailovich Shaklein
Keyword(s):  
Native Speaker ◽  
Theoretical Framework ◽  
Russian Language ◽  
Practical Significance ◽  
Educational Materials ◽  
Economical Method ◽  
Academic Fields ◽  
Special Meaning

This article is dedicated to one of the patterns in development of Russian colloquialism – reconsideration of the key meaning of casual words through metaphorization and metonymization. The goal of this work consists in examination of the trend inherent to Russian colloquialism throughout its evolution, which consists in transferring the meaning of casual words for their use in the field of term formation, as well as in analysis of this phenomenon from the perspective of a Vietnamese native speaker. The article studies the prerequisites that contribute to active use of the colloquialism in formation of special terminology; describes the process of transformation of the meaning of casual words for creating a new terminological meaning; considers the possibilities of formation of special meaning of casual words using metaphors and metonymy. The theoretical framework of this research is comprised of the works of Russian and Vietnamese linguists on reconsideration of colloquialism in term formation. Terms from the various academic fields served as the material for this research. The scientific novelty lies in interpretation of reconsideration of colloquialism as the most economical method for enriching Russian language vocabulary via potential of lexical unites present therein. Practical significance of this study is substantiated by the fact that the acquired results can be used in preparing special curricula, educational materials on lexicology, as well as in teaching Russian language as foreign to Vietnamese audience.

TRENDS IN THE DEVELOPMENT OF ECONOMIC RELATIONS OF ISRAEL IN THE MIDDLE EAST

2019 ◽  
pp. 13-24
Author(s):  
Evgenii V. Palamarenko ◽  
Keyword(s):  
Middle East ◽  
Russian Language ◽  
Economic Relations ◽  
Trade Relations ◽  
Major Trading Partner ◽  
Economic Interaction ◽  
History Of ◽  
Close Cooperation ◽  
Economic Ties ◽  
Israeli Economy

The lack of Russian-language research on the features of the economic development of Israel as an OECD member state underlines the urgent need to identify new trends in the Israeli economy. Not taking into account the existing variety of humanitarian studies, and especially the concentration of studies on the political history of Israel and its modern component, we can recognize a clear lack of work that would cover Israeli economy. Current trends in Israeli trade relations, which have begun to make the mselves clear, require both consideration of effective trade and economic interaction between Israel and Palestine, and identification of the peculiarities of hidden regional trade and economic ties. Israel and Palestine are in close cooperation on the exchange of labor and goods, despite the lack of a political settlement. For Palestine, Israel is a major trading partner, and Palestine plays a key security role for Israel. The second important aspect in covering new trends in the Israeli economy may be the need to study the nascent format of cooperation between Israel and the Middle East. The article explores the specifics of economic relations between Israel and the countries of the Middle East, reveals the growing role of economic relations between Israel and the countries of the region.

A New Step in the Study of the History of the Russian Prosecutor’s Office

2019 ◽  
pp. 94-98
Keyword(s):  
Russian Federation ◽  
Russian Empire ◽  
Practical Significance ◽  
History Of ◽  
The Russian Federation ◽  
The Russian Empire ◽  
High Level ◽  
The University

The paper is a review on the textbook by A. V. Yeremin, «The History of the National Prosecutor’s office» and the anthology «The Prosecutor’s Office of the Russian Empire in the Documents of 1722–1917» (authors: V. V. Lavrov, A. V. Eremin, edited by N. M. Ivanov) published at the St. Petersburg Law Institute (branch) of the University of the Prosecutor’s office of the Russian Federation in 2018. The reviewers emphasize the high relevance and high level of research, their theoretical and practical significance. The textbook and the anthology will help the students increase their legal awareness, expand their horizons.

‘A great deal of historical claptrap’

2018 ◽  
Author(s):  
Martha Vandrei
Keyword(s):  
History Of ◽  
Points Of View

This chapter’s focus is the later nineteenth and early twentieth centuries, during which Boudica was immortalized in Thomas Thornycroft’s statue on Westminster Bridge. This chapter seeks to provide a thick and thorough contextualization of this event and its precursors, focusing in particular on Boudica’s role in the history of London, but also on Thornycroft’s own motivations and preoccupations, which have been overlooked by historians. This chapter also explores the first novelization of Boudica’s deeds, a firmly imperialistic account by Marie Trevelyan. This period has been read as the climax of Boudica’s association with imperial greatness—a connection I do not seek to wholly refute. However, Thornycroft’s own understanding of his statue challenges this, while Trevelyan’s conviction was met with credulity by contemporaries. Focusing on these hitherto overlooked points of view sheds light on the complicated relations between pasts and presents.

Violin Sonata No. 2 (Violin and Piano)

Notes ◽  
1969 ◽  
Vol 26 (2) ◽  
pp. 356
Author(s):  
Thomas Warburton ◽  
Samuel Adler
Keyword(s):  
Violin Sonata ◽  
Violin And Piano
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