Around Richard Münch’s Academic Capitalism Theory

2020 ◽  
Vol 30 (1) ◽  
pp. 153-170
Author(s):  
Stanisław Czerniak ◽  

The author reviews the main elements of Richard Münch’s academic capitalism theory. By introducing categories like “audit university” or “entrepreneurial university,” the German sociologist critically sets today’s academic management model against the earlier, modern-era conception of academic work as an “exchange of gifts.” In the sociological and psychological sense, he sees the latter’s roots in traditional social lore, for instance the potlatch ceremonies celebrated by some North-American Indian tribes and described by Marcel Mauss. Münch shows the similarities between the old, “gift exchanging” model and the contemporary one with its focus on the psycho-social fundamentals of scientific praxis, and from this gradually derives the academic capitalism conception. He concludes with the critical claim that science possesses its own, inalienable axiological autonomy and anthropological dimension, which degenerate as capitalism proceeds to “colonise” science by means of state authority and money (here Münch mentions Jürgen Habermas and his philosophical argumentation).The author also offers a somewhat broader view of Münch’s analyses in the context of his own reflections on the problem.

2012 ◽  
Vol 53 (1-3) ◽  
pp. 231-240
Author(s):  
Daniel-Frédéric Lebon

In the well-discussed introduction to The Miraculous Mandarin Bartók’s music depicts the stylized image of an anonymous metropolis. It is, however, very likely that Bartók referred to a specific city: the capital of Europe in the (long) 19th century, Paris. The precise geographic attribution is made possible by Bartók’s repeated use of the French term apache, referring to the three thugs. Originally the name of a group of North American indian tribes, the second meaning of the term came up at the beginning of the 20th century. It was omnipresent in French press and French cultural life at a time when Bartók, in 1905, first visited the city that impressed him so much. As Bartók began to think about the Mandarin in 1918 he chose this term, that by now had been integrated into Hungarian too, to designate the thugs adequately.


Sign in / Sign up

Export Citation Format

Share Document